The Slender Man
(also spelled Slenderman) is a
fictional supernatural character that originated as a creepypasta Internet meme
created by Something Awful forums
user Eric Knudsen (also known as "Victor Surge") in 2009. He is depicted as a thin, unnaturally tall
humanoid with a featureless head and face and wearing a black suit.
Stories of the Slender
Man commonly feature him stalking, abducting or traumatizing people,
particularly children. The Slender Man
is not confined to a single narrative but appears in many disparate works of
fiction, typically composed online.
Fiction relating to the Slender Man encompasses many media, including
literature, art and video series such as Marble
Hornets, wherein he is known as The Operator.
Outside of online fiction, the Slender
Man has become an internet icon and has influenced popular culture, having
been referenced in the video game Minecraft
with the Enderman character and
generated video games of his own, such as Slender:
The Eight Pages and Slender: The
Arrival. He has also appeared in a film adaptation of Marble Hornets, where he was portrayed by Doug Jones, and a Hollywood eponymous film, where he was portrayed
by Javier Botet.
Beginning in 2014, a moral panic occurred over the Slender Man after readers of his
fiction were connected to several violent acts, particularly a near-fatal
stabbing of a 12-year-old girl in Waukesha, Wisconsin.
History
Origin
The Slender Man
was created on June 10, 2009, on a thread in the Something Awful Internet forum.
The thread was a Photoshop
contest in which users were challenged to "create paranormal
images." Forum poster Eric Knudsen, under the pseudonym
"Victor Surge", contributed
two black-and-white images of groups of children to which he added a tall,
thin, spectral figure wearing a black suit.
Although previous entries had consisted solely of photographs, Surge supplemented his submission with
snatches of text—supposedly from witnesses—describing the abductions of the
groups of children and giving the character the name "The Slender Man":
The quote under the first photograph read:
We didn't want to go,
we didn't want to kill them, but its persistent silence and outstretched arms
horrified and comforted us at the same time… — 1983, photographer unknown, presumed dead.
The quote under the second photograph read:
One of two recovered
photographs from the Stirling City Library blaze. Notable for being taken the
day which fourteen children vanished and for what is referred to as “The
Slender Man”. Deformities cited as film defects by officials. Fire at library
occurred one week later. Actual photograph confiscated as evidence.— 1986, photographer: Mary Thomas, missing
since June 13th, 1986.
These additions effectively transformed the photographs into
a work of fiction. Subsequent posters expanded upon the character, adding their
own visual or textual contributions.
Knudsen was
inspired to create the Slender Man
primarily by Zack Parsons' "That Insidious Beast", Stephen King's The Mist, reports of shadow people, Mothman and the Mad Gasser of Mattoon. Other inspirations for the character were the
Tall Man from the 1979 film Phantasm, H. P.
Lovecraft, the surrealist work of William
S. Burroughs, and the survival horror video games Silent Hill and Resident Evil. Knudsen's
intention was "to formulate
something whose motivations can barely be comprehended, and [which caused]
unease and terror in a general population." Other pre-existing fictional or legendary
creatures which are similar to the Slender
Man include: the Gentlemen,
black-suited, pale, bald demons from the Buffy
the Vampire Slayer episode "Hush";
Men in black, many accounts of which grant them an uncanny appearance with an
unnatural walk and "oriental" features; and The Question, a DC Comics superhero with a blank face,
whose secret identity is "Victor
Sage", a name similar to Knudsen's
alias "Victor Surge".
In her book, Folklore,
Horror Stories, and the Slender Man: The
Development of an Internet Mythology, Professor
Shira Chess of the University of
Georgia connected the Slender Man
to ancient folklore about fairies. Like fairies, Slender Man is otherworldly, with motives that are often difficult
to grasp; like fairies, his appearance is vague and often shifts to reflect
what the viewer wants or fears to see, and, like fairies, the Slender Man calls the woods and wild
places his home and kidnaps children.
Early development
The Slender Man
soon went viral, spawning numerous works of fanart,
cosplay, and online fiction known as "creepypasta"—horror
stories told in short snatches of easily copyable text that spread from site to
site. Divorced from its original creator, the Slender Man became the subject of myriad stories by multiple
authors within an overarching mythos.
Many aspects of the Slender
Man mythos first appeared on the original Something Awful thread. One of the earliest additions was added by
a forum user named "Thoreau-Up",
who created a folklore story set in 16th-century Germany involving a character
called Der Groẞman, which was implied
to be an early reference to the Slender
Man. The first video series
involving the Slender Man evolved
from a post on the Something Awful
thread by user "ce gars". It tells of a fictional film school friend
named Alex Kralie, who had stumbled
upon something troubling while shooting his first feature-length project, Marble Hornets. The video series,
published in found footage style on YouTube, forms an alternate reality game
describing the filmers' fictional experiences with the Slender Man. The ARG also incorporates a Twitter feed and an alternate YouTube
channel created by a user named "totheark". As of 2013, Marble Hornets had over 250,000 subscribers around the world and had
received 55 million views. Other Slender Man-themed YouTube serials followed, including EverymanHYBRID and TribeTwelve.
In 2012, the Slender
Man was adapted into a video game titled Slender: The Eight Pages; within its first month of release, the
game was downloaded over 2 million times.
Several popular variants of the game followed, including Slenderman's Shadow and Slender Man for iOS, which became the
second most-popular app download. The
sequel to Slender: The Eight Pages, Slender: The Arrival, was released in
2013. Several independent films about
the Slender Man have been released
or are in development, including Entity
and The Slender Man, released free online after a $10,000 Kickstarter campaign. In 2013, it was announced that Marble Hornets would become a feature
film.
Description
Because the Slender
Man's fictional "mythology" has evolved without an official
"canon" for reference, his appearance, motives, habits, and abilities
are not fixed but change depending on the storyteller. He is most commonly
described as very tall and thin with unnaturally long, tentacle-like arms (or
merely tentacles), which he can extend to intimidate or capture prey. In most
stories his face is white and featureless, but occasionally his face appears
differently to anyone who sees it. He
appears to be wearing a dark suit and tie. The Slender Man is often associated with the forest and/or abandoned
locations and has the ability to teleport. Proximity to the Slender Man is often said to trigger a "Slender sickness"; a rapid onset of paranoia, nightmares
and delusions accompanied by nosebleeds.
Early stories featured him targeting children or young
adults. Some featured young adults driven insane or to act on his behalf, while
others did not, and others claim that investigating the Slender Man will draw his attention. The web series Marble Hornets established the
idea of proxies (humans who fall under the Slender
Man's influence) though initially they were simply violently insane, rather
than puppets of the Slender Man. Marble Hornets also introduced the idea
that the Slender Man could interfere
with video and audio recordings, as well as the "Slender Man symbol", ⦻,
which became a common trope of Slender
fiction. Graphic violence and body
horror are uncommon in the Slender Man mythos,
with many narratives choosing to leave the fate of his victims obscure. Shira
Chess notes that "It is
important to note that few of the retellings identify exactly what kind of
monster the Slender Man might be,
and what his specific intentions are- these points all remain mysteriously and
usefully vague."
Reasons for
popularity
Cosplay of the Slender
Man in 2013
Media scholar and folklorist Andrew Peck attributes the success of the Slender Man to its highly collaborative nature. Because the
character and its motives are shrouded in mystery, users can easily adapt
existing Slender Man tropes and
imagery to create new stories. This ability for users to tap into the ideas of
others while also supplying their own helped inspire the collaborative culture
that arose surrounding the Slender Man.
Instead of privileging the choices of certain creators as canonical, this
collaborative culture informally locates ownership of the creature across the
community. In these respects, the Slender
Man is similar to campfire stories or urban legends, and the character's
success comes from enabling both social interaction and personal acts of
creative expression.
Although nearly all users understand that the Slender Man is not real, they suspend
that disbelief in order to become more engrossed when telling or listening to
stories. This adds a sense of
authenticity to Slender Man legend
performances and blurs the lines between legend and reality, keeping the
creature as an object of legend dialectic. This ambiguity has led some to some confusion
over the character's origin and purpose. Only five months after his creation, George Noory's Coast to Coast AM, a radio call-in show
devoted to the paranormal and conspiracy theories, began receiving callers
asking about the Slender Man. Two years later, an article in the Minneapolis Star Tribune described his
origins as "difficult to pinpoint." Eric
Knudsen has commented that many people, despite understanding that the Slender Man was created on the
Something Awful forums, still entertain the possibility that he might be real.
Shira Chess
describes the Slender Man as a
metaphor for "helplessness, power differentials, and anonymous
forces." Peck sees parallels between the Slender Man and common anxieties about the digital age, such as
feelings of constant connectedness and unknown third-party observation. Similarly, Tye Van Horn, a writer for The Elm, has suggested that the Slender Man represents modern fear of
the unknown; in an age flooded with information, people have become so
unaccustomed to ignorance that they now fear what they cannot understand. Troy Wagner, the creator of Marble Hornets, ascribes the terror of
the Slender Man to its malleability;
people can shape it into whatever frightens them most. Tina Marie Boyer noted that "The
Slender man is a prohibitive monster, but the cultural boundaries he guards are
not clear. Victims do not know when they have violated or crossed them."
Waukesha stabbing
On May 31, 2014, two 12-year-old girls in Waukesha,
Wisconsin held down and stabbed a 12-year-old classmate 19 times. When
questioned later by authorities, they reportedly claimed that they wished to
commit a murder as a first step to becoming proxies for the Slender Man, having read about it
online. They also stated that they were
afraid that Slender Man would kill
their families if they did not commit the murder. After the perpetrators left the scene, the
victim crawled out of the woods to a roadway. A passing cyclist alerted
authorities, and the victim survived the attack. Both attackers have been diagnosed
with mental illnesses, but have also
been charged as adults and are each facing up to 65 years in prison. One of the girls reportedly said Slender Man watches her, can read
minds, and could teleport.
Experts testified in court that she also said she conversed
with Lord Voldemort and one of the Teenage Mutant Ninja Turtles. On August
1, 2014, she was found incompetent to stand trial and her prosecution was
suspended until her condition improved. On November 12, 2014, a doctor judged that her
condition had improved enough for her to stand trial, and on December 19, 2014,
the judge ruled that both girls were competent to stand trial. In August 2015, the presiding judge ruled that
the girls would be tried as adults. They
were tried separately. On August 21,
2017, one of the girls, now 15, pleaded guilty to being a party to attempted
second-degree homicide, but claimed she was not responsible for her actions on
grounds of insanity. Although
prosecutors alleged that she knew what she was doing was wrong, the jury
determined that she was mentally ill during the attack. She will spend at least
three years in a mental hospital. On
December 21, Waukesha County Circuit Judge Michael
Bohren sentenced Weier, then 16 years-old, to be hospitalized for 25 years
from the date of the crime, which would keep her institutionalized until age
37.
In a statement to the media on June 4, 2014, Eric Knudsen said, "I am deeply saddened by the tragedy in Wisconsin and my heart
goes out to the families of those affected by this terrible act." He
stated he would not be giving interviews on the matter.
On September 25, 2017, it was reported that Morgan Geyser, then 15, had agreed to
plead guilty to attempting to commit first-degree homicide in an arrangement
that would allow her avoid jail time. In terms of the arrangement Geyser would remain at the mental
hospital where she had been staying for the past two years for at least a
further three years. On February 1,
2018, the Associated Press reported
that Geyser had been sentenced to 40
years in the Wisconsin mental hospital, the maximum sentence allowed.
Moral panic and other
incidents
The stabbing in Waukesha spawned a nationwide moral panic
over Slender Man across the United
States. Parents across the nation became
worried about the potential dangers that stories about Slender Man might pose to their children's safety. Russell
Jack, the police chief of Waukesha, warned that the Slender Man stabbing "should
be a wake-up call for all parents" that "the internet is full of dark
and wicked things"—a warning which numerous media outlets publicized.
After hearing the story, an unidentified woman from
Cincinnati, Ohio, told a WLWT TV
reporter in June 2014 that her 13-year-old daughter had attacked her with a
knife, and had written macabre fiction, some involving the Slender Man, who the mother said motivated the attack.
On September 4, 2014, a 14-year-old girl in Port Richey,
Florida, allegedly set her family's house on fire while her mother and
nine-year-old brother were inside. Police reported that the teenager had been
reading online stories about Slender Man
as well as Atsushi Ōkubo's manga Soul Eater. Eddie
Daniels of the Pasco County Sheriff's Office said the girl "had visited the website that contains
a lot of the Slender Man information
and stories [...] It would be safe to say there is a connection to that."
During an early 2015 epidemic of suicide attempts by young
people ages 12 to 24 on the Pine Ridge
Indian Reservation, Slender Man
was cited as an influence; the Oglala
Sioux tribe president noted that many Native
Americans traditionally believe in a "suicide spirit" similar to
the Slender Man. Other Sioux describe the "Big Man" as a messenger or sign, warning that society is
developing in a dangerous direction.
A documentary film on the incident called Beware the Slenderman, directed by Irene Taylor Brodsky, was released by HBO Films in March 2016, and was
broadcast on HBO on January 23, 2017.
After the Waukesha
stabbing
The Waukesha stabbing
and the negative media attention it generated irreversibly altered the Slender Man legend and the online community
surrounding it. What had previously just
been a creepy horror meme to most people suddenly acquired a new level of
reality that most fans of Slender Man
found horrifying. Meanwhile, by around
the same time, the Slender Man
character had lost much of his original popularity. Most of the original blogs that had once been
devoted to Slender Man either shut
down completely or became less popular. Slender Man's presence in mainstream
popular culture also contributed to a decline in how frightening he seemed to
many people.
The late 2010s also saw an increase in benevolent portrayals
of Slender Man, with many depictions
of him from this period portraying him as an antihero who protects victimized
children from bullies, although often by violent means. In some portrayals of Slender Man from the late 2010s, he has a daughter named Skinny
Sally, who is portrayed as a young girl covered in cuts and bruises. Slender
Man sometimes often portrayed carrying Skinny
Sally on his shoulders protectively. Lynn
McNeill, assistant professor of folklore at Utah State University, observes that the increase in benevolent
portrayals of Slender Man seems to
have begun shortly after the stabbing in Waukesha and states that this trend
towards a benevolent Slender Man may
be a reaction by fans of the character to the violence of the stabbing.
Despite the decline in popular interest in Slender Man, commercial adaptations of the
character continued. In 2015, the film
adaptation of Marble Hornets, titled Always Watching: A Marble Hornets Story,
was released on VOD, where the
character was portrayed by Doug Jones.
In 2016, Sony Pictures subsidiary Screen
Gems partnered with Mythology
Entertainment to bring a Slender Man
film into theatres, with the title character portrayed by Javier Botet.
The film generated considerable controversy soon after it
was announced, with many accusing the filmmakers of trying to capitalize off
the Waukesha stabbing. Bill
Weier, the father of Anissa Weier,
stated, "It's absurd they want to
make a movie like this... All we're doing is extending the pain all three of
these families have gone through." The progressive advocacy group Care2 created an online petition, which
received over 19,000 signatures, demanding that the film not be released,
labelling the film "crass
commercialism at its worst" and "a naked cash grab built on the
exploitation of a deeply traumatic event and the people who lived it." Sony representatives insisted that the
film was based on the fictional character that had become popular online and not
on the Waukesha stabbing.
Upon its release in August 2018, the film Slender Man was a box-office bomb and
it received overwhelmingly negative reviews from critics. David
Ehrlich of IndieWire gave the
film a D, writing "a tasteless and inedibly undercooked serving of the
Internet's stalest creepypasta, Slender
Man aspires to be for the YouTube
era what The Ring was to the last gasps of the VHS generation. But... there's one fundamental difference that sets
the two movies apart: The Ring is
good, and Slender Man is
terrible." Writing for The Verge, Carli Velocci called the Slender
Man movie "a nail in the coffin of a dying fandom".
Folkloric qualities
Several scholars have argued that, despite being a fictional
work with an identifiable origin point, the Slender Man represents a form of digital folklore. Shira Chess argues that the Slender Man exemplifies the
similarities between traditional folklore and the open source ethos of the
Internet, and that, unlike those of traditional monsters such as vampires and
werewolves, the fact that the Slender
Man's mythos can be tracked and signposted offers a powerful insight into
how myth and folklore form. Chess identifies three aspects of the Slender Man mythos that tie it to
folklore: collectivity (meaning that it is created by a collective, rather than
a single individual), variability (meaning that the story changes depending on
the teller), and performance (meaning that the storyteller's narrative changes
to reflect the responses of his/her audience).
Andrew Peck also
considers the Slender Man to be an
authentic form of folklore and notes its similarity to emergent forms of
offline legend performance. Peck
suggests that digital folklore performance extends the dynamics of face-to-face
performance in several notable ways, such as by occurring asynchronously,
encouraging imitation and personalization while also allowing perfect
replication, combining elements of oral, written, and visual communication, and
generating shared expectations for performance that enact group identity
despite the lack of a physically present group. He concludes that the Slender Man represents a digital legend
cycle that combines the generic conventions and emergent qualities of oral and
visual performance with the collaborative potential of networked communication.
Jeff Tolbert also
accepts the Slender Man as folkloric
and suggests it represents a process he calls “reverse ostension.” Ostension in
folkloristics is the process of acting out a folk narrative. According to Tolbert, the Slender Man does the opposite by creating a set of folklore-like
narratives where none existed before. It is an iconic figure produced through a
collective effort and deliberately modeled after an existing and familiar
folklore genre. According to Tolbert,
this represents two processes in one: it involves the creation of new objects
and new disconnected examples of experience, and it involves the combination of
these elements into a body of “traditional” narratives, modeled on existing
folklore (but not wholly indebted to any specific tradition).
Professor Thomas
Pettitt of the University of Southern
Denmark has described the Slender
Man as being an exemplar of the modern age's closing of the "Gutenberg Parenthesis"; the
time period from the invention of the printing press to the spread of the web
in which stories and information were codified in discrete media, to a return
to the older, more primal forms of storytelling, exemplified by oral tradition
and campfire tales, in which the same story can be retold, reinterpreted and
recast by different tellers, allowing the lore to expand and evolve with time.
Copyright
Despite his folkloric qualities, the Slender Man is not in the public domain. Several for-profit
ventures involving the Slender Man
have unequivocally acknowledged Knudsen
as the creator of this fictional character, while others were civilly blocked
from distribution (including the Kickstarter-funded
film) after legal complaints from Knudsen
and other sources. Though Knudsen
himself has given his personal blessing to a number of Slender Man-related projects, the issue is complicated by the fact
that, while he is the character's creator, a third party holds the options to
any adaptations into other media, including film and television. The identity
of this option holder has not been made public. Knudsen
himself has argued that his enforcement of copyright has less to do with money
than with artistic integrity: "I
just want something amazing to come off it... something that's scary and
disturbing and kinda different. I would hate for something to come out and just
be kinda conventional." As of
May 2016, the media rights to Slender
Man have been sold to production company Mythology Entertainment.
References in media
In 2011, Markus
"Notch" Persson, creator of the sandbox indie game Minecraft, added a new hostile mob to
the game, which he named the "Enderman"
when multiple users on Reddit and Google+ commented on the similarity to
the Slender Man.
The Slender Man
was the antagonist of the Season 3 Lost
Girl episode "SubterrFaenean", in which the Slender Man was said to be the basis for the Pied Piper legend.
In early 2013 a song and animated video called "Sympathy For Slender Man"
from the Fox late night animated
block Animation Domination High-Def
aired in between programs, known as ADHD
Shorts.
In the 2014 episode "Pinkie
Apple Pie" of My Little Pony: Friendship is Magic, a pony version of
the character appears in a brief cameo.
The TV series Supernatural
parodied Slender Man as "Thinman" in the Season 9
episode of the same name.
In 2016, American horror punk band Haunted Garage released an EP entitled Slenderman and Other Strange Tales, featuring a song and
accompanying music video based on both the character and the 2014 stabbing
case.
The sixteenth season of the crime drama TV series Law & Order: Special Victims Unit
featured an episode, "Glasgowman's
Wrath", inspired by the Slender
Man stabbings.
The board game Kingdom
Death: Monster features an expansion pack based on Slender Man.
AdventureQuest Worlds
has featured numerous armors and pets that are based on Slender Man.
Slender Man
appears in the episode "The Planned
Parenthood Show" in Big Mouth.
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