The St. Bartholomew's Day massacre (French: Massacre de la Saint-Barthélemy) in 1572 was a targeted group of assassinations and a wave of Catholic mob violence directed against the Huguenots (French Calvinist Protestants) during the French Wars of Religion. Traditionally believed to have been instigated by Queen Catherine de' Medici, the mother of King Charles IX, the massacre started a few days after the marriage on 18 August of the king's sister Margaret to the Protestant King Henry III of Navarre. Many of the wealthiest and most prominent Huguenots had gathered in largely Catholic Paris to attend the wedding.
The massacre began in the night of 23–24 August 1572, the
eve of the feast of Bartholomew the Apostle, two days after the attempted
assassination of Admiral Gaspard de Coligny, the military and political leader
of the Huguenots. King Charles IX ordered the killing of a group of Huguenot
leaders, including Coligny, and the slaughter spread throughout Paris. Lasting
several weeks in all, the massacre expanded outward to the countryside and
other urban centres. Modern estimates for the number of dead across France vary
widely, from 5,000 to 30,000.
The massacre marked a turning point in the French Wars of
Religion. The Huguenot political movement was crippled by the loss of many of
its prominent aristocratic leaders, and many rank-and-file members subsequently
converted. Those who remained became increasingly radicalized. Though by no
means unique, the bloodletting "was
the worst of the century's religious massacres". Throughout Europe, it
"printed on Protestant minds the
indelible conviction that Catholicism was a bloody and treacherous
religion".
Background
Admiral Gaspard de
Coligny, the leader of the Huguenots
The Massacre of Saint Bartholomew's Day was the culmination
of a series of events:
The Peace of
Saint-Germain-en-Laye, which put an end to the third War of Religion on 8
August 1570.
The marriage between
Henry III of Navarre and Margaret of Valois on 18 August 1572.
The failed
assassination of Admiral de Coligny on 22 August 1572.
Unacceptable peace
and marriage
The Peace of Saint-Germain put an end to three years of
civil war between Catholics and Protestants. This peace, however, was
precarious since the more intransigent Catholics refused to accept it. The
Guise family (strongly Catholic) was out of favour at the French court; the
Huguenot leader, Admiral Gaspard de Coligny, was readmitted into the king's
council in September 1571. Staunch Catholics were shocked by the return of
Protestants to the court, but the queen mother, Catherine de' Medici, and her
son, Charles IX, were practical in their support of peace and Coligny, as they
were conscious of the kingdom's financial difficulties and the Huguenots'
strong defensive position: they controlled the fortified towns of La Rochelle,
La Charité-sur-Loire, Cognac, and Montauban.
To cement the peace between the two religious parties,
Catherine planned to marry her daughter Margaret to the Protestant Henry of
Navarre (the future King Henry IV), son of the Huguenot leader Queen Jeanne
d'Albret. The royal marriage was arranged for 18 August 1572. It was not
accepted by traditionalist Catholics or by the Pope. Both the Pope and King
Philip II of Spain strongly condemned Catherine's Huguenot policy as well.
Tension in Paris
Charles IX of France,
who was 22 years old in August 1572, by François Clouet.
The impending marriage led to the gathering of a large
number of well-born Protestants in Paris but Paris was a violently
anti-Huguenot city, and Parisians, who tended to be extreme Catholics, found
their presence unacceptable. Encouraged by Catholic preachers, they were
horrified at the marriage of a princess of France to a Protestant. The
Parlement's opposition and the court's absence from the wedding led to increased
political tension.
Compounding this bad feeling was the fact that the harvests
had been poor and taxes had risen. The rise in food prices and the luxury
displayed on the occasion of the royal wedding increased tensions among the
common people. A particular point of tension was an open-air cross erected on
the site of the house of Philippe de Gastines, a Huguenot who had been executed
in 1569. The mob had torn down his house and erected a large wooden cross on a
stone base. Under the terms of the peace, and after considerable popular
resistance, this had been removed in December 1571 (and re-erected in a
cemetery), which had already led to about 50 deaths in riots, as well as mob
destruction of property. In the massacres of August, the relatives of the
Gastines family were among the first to be killed by the mob.
The court itself was extremely divided. Catherine had not
obtained Pope Gregory XIII's permission to celebrate this irregular marriage;
consequently, the French prelates hesitated over which attitude to adopt. It
took all the queen mother's skill to convince the Cardinal de Bourbon (paternal
uncle of the Protestant groom, but himself a Catholic clergyman) to marry the
couple. Beside this, the rivalries between the leading families re-emerged. The
Guises were not prepared to make way for their rivals, the House of Montmorency.
François, Duke of Montmorency and governor of Paris, was unable to control the
disturbances in the city. On August 20, he left the capital and retired to
Chantilly.
Shift in Huguenot
thought
In the years preceding the massacre, Huguenot political
rhetoric had for the first time taken a tone against not just the policies of a
particular monarch of France, but monarchy in general. In part this was led by
an apparent change in stance by John Calvin in his Readings on the Prophet
Daniel, a book of 1561, in which he had argued that when kings disobey God,
they "automatically abdicate their
worldly power" – a change from his views in earlier works that even
ungodly kings should be obeyed. This change was soon picked up by Huguenot
writers, who began to expand on Calvin and promote the idea of the sovereignty
of the people, ideas to which Catholic writers and preachers responded
fiercely.
Nevertheless, it was only in the aftermath of the massacre
that anti-monarchical ideas found widespread support from Huguenots, among the "Monarchomachs" and others. "Huguenot writers, who had previously,
for the most part, paraded their loyalty to the Crown, now called for the
deposition or assassination of a Godless king who had either authorized or
permitted the slaughter". Thus, the massacre "marked the beginning of a new form of French Protestantism: one
that was openly at war with the crown. This was much more than a war against
the policies of the crown, as in the first three civil wars; it was a campaign
against the very existence of the Gallican monarchy itself".
Huguenot intervention
in the Netherlands
Tensions were further raised when in May 1572 the news
reached Paris that a French Huguenot army under Louis of Nassau had crossed
from France to the Netherlandish province of Hainaut and captured the Catholic
strongholds of Mons and Valenciennes (now in Belgium and France, respectively).
Louis governed the Principality of Orange around Avignon in southern France for
his brother William the Silent, who was leading the Dutch Revolt against the
Spanish. This intervention threatened to involve France in that war; many
Catholics believed that Coligny had again persuaded the king to intervene on
the side of the Dutch, as he had managed to do the previous October, before
Catherine had got the decision reversed.
Attempted
assassination of Admiral de Coligny
After the wedding of Catholic Marguerite de Valois and
Huguenot Henry de Navarre on August 18 of 1572, Coligny and the leading
Huguenots remained in Paris to discuss some outstanding grievances about the
Peace of St. Germain with the king. An attempt was made on Coligny's life a few
days later on August 22 as he made his way back to his house from the Louvre.
He was shot from an upstairs window, and seriously wounded. The would-be
assassin, most likely Charles de Louviers, Lord of Maurevert (c. 1505–1583),
escaped in the ensuing confusion. Other theories about who was ultimately
responsible for the attack centre on three candidates:
The Guises: the
Cardinal of Lorraine (who was in fact in Rome at the time), and his nephews,
the Dukes of Guise and Aumale, are the most likely suspects. The leaders of the
Catholic party, they wanted to avenge the death of the two dukes' father
Francis, Duke of Guise, whose assassination ten years earlier they believed to
have been ordered by Coligny. The shot aimed at Admiral de Coligny came from a
house belonging to the Guises.
The Duke of Alba:
he governed the Netherlands on behalf of Philip II. Coligny planned to lead a
campaign in the Netherlands to participate in the Dutch Revolt to free the
region from Spanish control. During the summer, Coligny had secretly dispatched
a number of troops to help the Protestants in Mons, who were now besieged by
the Duke of Alba. So Admiral de Coligny was a real threat to the latter.
Catherine de'
Medici: according to tradition, the Queen Mother had been worried that the
king was increasingly becoming dominated by Coligny. Amongst other things,
Catherine reportedly feared that Coligny's influence would drag France into a
war with Spain over the Netherlands.
Massacres
Paris
The attempted assassination of Coligny triggered the crisis
that led to the massacre. Admiral de Coligny was the most respected Huguenot
leader and enjoyed a close relationship with the king, although he was
distrusted by the king's mother. Aware of the danger of reprisals from the
Protestants, the king and his court visited Coligny on his sickbed and promised
him that the culprits would be punished. While the Queen Mother was eating
dinner, Protestants burst in to demand justice, some talking in menacing terms.
Fears of Huguenot reprisals grew. Coligny's brother-in-law led a 4,000-strong
army camped just outside Paris and, although there is no evidence it was
planning to attack, Catholics in the city feared it might take revenge on the Guises
or the city populace itself.
That evening, Catherine held a meeting at the Tuileries
Palace with her Italian advisers, including Albert de Gondi, Comte de Retz. On
the evening of 23 August, Catherine went to see the king to discuss the crisis.
Though no details of the meeting survive, Charles IX and his mother apparently
made the decision to eliminate the Protestant leaders. Holt speculated this
entailed "between two and three
dozen noblemen" who were still in Paris. Other historians are reluctant
to speculate on the composition or size of the group of leaders targeted at
this point, beyond the few obvious heads. Like Coligny, most potential
candidates for elimination were accompanied by groups of gentlemen who served
as staff and bodyguards, so murdering them would also have involved killing
their retainers as a necessity.
Shortly after this decision, the municipal authorities of
Paris were summoned. They were ordered to shut the city gates and arm the
citizenry to prevent any attempt at a Protestant uprising. The king's Swiss
mercenaries were given the task of killing a list of leading Protestants. It is
difficult today to determine the exact chronology of events, or to know the
precise moment the killing began. It seems probable that a signal was given by
ringing bells for matins (between midnight and dawn) at the church of
Saint-Germain l'Auxerrois, near the Louvre, which was the parish church of the
kings of France. The Swiss mercenaries expelled the Protestant nobles from the
Louvre castle and then slaughtered them in the streets.
In the Holy Innocents' Cemetery, on Sunday, 24, at noon, a
hawthorn bush, which had withered for months, began to green again near an
image of the Virgin. That was interpreted by the Parisians as a sign of divine
blessing and approval to these multiple murders, and on the same day at night,
a group led by Guise in person dragged Admiral Coligny from his bed, killed
him, and threw his body out of a window. The terrified Huguenot nobles in the
building initially put up a fight, hoping to save the life of their leader, but
Coligny himself seemed unperturbed. According to the contemporary French
historian Jacques Auguste de Thou, one of Coligny's murderers were struck by
how calmly he accepted his fate, and remarked that "he never saw anyone less afraid in so great a peril, nor die more
steadfastly".
The tension that had been building since the Peace of St.
Germain now exploded in a wave of popular violence. The common people began to
hunt Protestants throughout the city, including women and children. Chains were
used to block streets so that Protestants could not escape from their houses.
The bodies of the dead were collected in carts and thrown into the Seine. The
massacre in Paris lasted three days despite the king's attempts to stop it.
Holt concludes that "while the
general massacre might have been prevented, there is no evidence that it was
intended by any of the elites at court", listing a number of cases
where Catholic courtiers intervened to save individual Protestants who were not
in the leadership. Recent research by Jérémie Foa, investigating the
prosopography suggests that the massacres were carried by a group of militants
who had already made out lists of Protestants deserving extermination, and the
mass of the population, whether approving or disapproving, were not directly
involved.
The two leading Huguenots, Henry of Navarre and his cousin
the Prince of Condé (respectively aged 19 and 20), were spared as they pledged
to convert to Catholicism; both would eventually renounce their conversions
when they managed to escape Paris. According to some interpretations, the
survival of these Huguenots was a key point in Catherine's overall scheme, to
prevent the House of Guise from becoming too powerful.
On August 26, the king and court established the official
version of events by going to the Paris Parlement. "Holding a lit de justice, Charles declared that he had ordered
the massacre in order to thwart a Huguenot plot against the royal family."
A jubilee celebration, including a procession, was then held, while the
killings continued in parts of the city.
Provinces
Although Charles had dispatched orders to his provincial
governors on August 24 to prevent violence and maintain the terms of the 1570
edict, from August to October, similar massacres of Huguenots took place in a
total of twelve other cities: Toulouse, Bordeaux, Lyon, Bourges, Rouen,
Orléans, Meaux, Angers, La Charité, Saumur, Gaillac and Troyes. In most of
them, the killings swiftly followed the arrival of the news of the Paris
massacre, but in some places there was a delay of more than a month. According
to Mack P. Holt: "All twelve cities
where provincial massacres occurred had one striking feature in common; they
were all cities with Catholic majorities where there had once been significant
Protestant minorities.... All of them had also experienced serious religious
division... during the first three civil wars... Moreover seven of them shared
a previous experience ... [they] had actually been taken over by Protestant
minorities during the first civil war..."
The Siege of La Rochelle (1572–1573) began soon after the
St. Bartholomew massacre.
In several cases the Catholic party in the city believed
they had received orders from the king to begin the massacre, some conveyed by
visitors to the city, and in other cases apparently coming from a local
nobleman or his agent. It seems unlikely any such orders came from the king,
although the Guise faction may have desired the massacres.
Apparently genuine letters from the Duke of Anjou, the
king's younger brother, did urge massacres in the king's name; in Nantes the
mayor fortunately held on to his without publicizing it until a week later when
contrary orders from the king had arrived. In some cities the massacres were
led by the mob, while the city authorities tried to suppress them, and in
others small groups of soldiers and officials began rounding up Protestants with
little mob involvement. In Bordeaux the inflammatory sermon on September 29 of
a Jesuit, Edmond Auger, encouraged the massacre that was to occur a few days
later.
In the cities affected, the loss to the Huguenot communities
after the massacres was numerically far larger than those actually killed; in
the following weeks there were mass conversions to Catholicism, apparently in
response to the threatening atmosphere for Huguenots in these cities. In Rouen,
where some hundreds were killed, the Huguenot community shrank from 16,500 to
fewer than 3,000 mainly as a result of conversions and emigration to safer
cities or countries. Some cities unaffected by the violence nevertheless
witnessed a sharp decline in their Huguenot population. It has been claimed
that the Huguenot community represented as much as 10% of the French population
on the eve of the St. Bartholomew's Day massacre, declining to 7–8% by the end
of the 16th century, and further after heavy persecution began once again
during the reign of Louis XIV, culminating with the Revocation of the Edict of Nantes.
Soon afterward both sides prepared for a fourth civil war,
which began before the end of the year.
Death toll
Estimates of the number that perished in the massacres have
varied from 2,000 by a Roman Catholic apologist to 70,000 by the contemporary
Huguenot Maximilien de Béthune, who himself barely escaped death. Accurate
figures for casualties have never been compiled, and even in writings by modern
historians there is a considerable range, though the more specialized the
historian, the lower they tend to be. At the low end are figures of about 2,000
in Paris and 3,000 in the provinces, the latter figure an estimate by Philip
Benedict in 1978. Other estimates are about 10,000 in total, with about 3,000
in Paris, and 7,000 in the provinces. At the higher end are total figures of up
to 20,000, or 30,000 in total, from "a
contemporary, non-partisan guesstimate" quoted by the historians
Felipe Fernández-Armesto and D. Wilson.
For Paris, the only hard figure is a payment by the city to
workmen for collecting and burying 1,100 bodies washed up on the banks of the
Seine downstream from the city in one week. Body counts relating to other payments
are computed from this.
Among the slain were the philosopher Petrus Ramus, and in
Lyon the composer Claude Goudimel. The corpses floating down the Rhône from
Lyon are said to have put the people of Arles off drinking the water for three
months.
Reactions
Gregory XIII's medal
The Politiques, those Catholics who placed national unity
above sectarian interests, were horrified, but many Catholics inside and
outside France initially regarded the massacres as deliverance from an imminent
Huguenot coup d'etat. The severed head of Coligny was apparently dispatched to
Pope Gregory XIII, though it got no further than Lyon, and the pope sent the
king a Golden Rose. The pope ordered a Te Deum to be sung as a special
thanksgiving (a practice continued for many years after) and had a medal struck
with the motto Ugonottorum strages 1572 (Latin: "Overthrow (or slaughter) of the Huguenots 1572") showing
an angel bearing a cross and a sword before which are the felled Protestants.
Pope Gregory XIII also commissioned the artist Giorgio
Vasari to paint three frescos in the Sala Regia depicting the wounding of
Coligny, his death, and Charles IX before Parliament, matching those commemorating
the defeat of the Turks at the Battle of Lepanto (1571). "The massacre was interpreted as an act of divine retribution;
Coligny was considered a threat to Christendom and thus Pope Gregory XIII
designated 11 September 1572 as a joint commemoration of the Battle of Lepanto
and the massacre of the Huguenots."
Although these formal acts of rejoicing in Rome were not
repudiated publicly, misgivings in the papal curia grew as the true story of
the killings gradually became known. Pope Gregory XIII himself refused to
receive Charles de Maurevert, said to be the killer of Coligny, on the ground
that he was a murderer.
On hearing of the slaughter, Philip II of Spain supposedly "laughed, for almost the only time on
record". In Paris, the poet Jean-Antoine de Baïf, founder of the
Academie de Musique et de Poésie, wrote a sonnet extravagantly praising the
killings. On the other hand, the Holy Roman Emperor, Maximilian II, King
Charles's father-in-law, was sickened, describing the massacre as a "shameful bloodbath". Moderate
French Catholics also began to wonder whether religious uniformity was worth
the price of such bloodshed and the ranks of the Politiques began to swell.
The massacre caused a "major
international crisis". Protestant countries were horrified at the
events, and only the concentrated efforts of Catherine's ambassadors, including
a special mission by Gondi, prevented the collapse of her policy of remaining
on good terms with them.[citation needed] Elizabeth I of England's ambassador
to France at that time, Sir Francis Walsingham, barely escaped with his life.
Even Tsar Ivan the Terrible expressed horror at the carnage in a letter to the
Emperor.
The massacre "spawned
a pullulating mass of polemical literature, bubbling with theories, prejudices
and phobias". Many Catholic authors were exultant in their praise of
the king for his bold and decisive action (after regretfully abandoning a
policy of meeting Huguenot demands as far as he could) against the supposed Huguenot
coup, whose details were now fleshed out in officially sponsored works, though
the larger mob massacres were somewhat deprecated: "[one] must excuse the people's fury moved by a laudable zeal
which is difficult to restrain once it has been stirred up". Huguenot
works understandably dwelt on the harrowing details of violence, expounded
various conspiracy theories that the royal court had long planned the
massacres, and often showed extravagant anti-Italian feelings directed at
Catherine, Gondi, and other Italians at court.
Diplomatic correspondence was readier than published
polemics to recognize the unplanned and chaotic nature of the events, which
also emerged from several accounts in memoirs published over the following
years by witnesses to the events at court, including the famous Memoirs of
Margaret of Valois, the only eye-witness account of the massacre from a member
of the royal family.
There is also a dramatic and influential account by Henry,
duke of Anjou that was not recognised as fake until the 19th century. Anjou's
supposed account was the source of the quotation attributed to Charles IX: "Well then, so be it! Kill them! But
kill them all! Don't leave a single one alive to reproach me!"
The author of the Lettre de Pierre Charpentier (1572) was
not only "a Protestant of sorts, and
thus, apparently, writing with inside knowledge", but also "an extreme apologist for the massacre
... in his view ... a well-merited punishment for years of civil disobedience
[and] secret sedition..." A strand of Catholic writing, especially by
Italian authors, broke from the official French line to applaud the massacre as
precisely a brilliant stratagem, deliberately planned from various points
beforehand. The most extreme of these writers was Camilo Capilupi, a papal
secretary, whose work insisted that the whole series of events since 1570 had
been a masterly plan conceived by Charles IX, and carried through by frequently
misleading his mother and ministers as to his true intentions. The Venetian
government refused to allow the work to be printed there, and it was eventually
published in Rome in 1574, and in the same year quickly reprinted in Geneva in
the original Italian and a French translation.
It was in this context that the massacre came to be seen as
a product of Machiavellianism, a view greatly influenced by the Huguenot
Innocent Gentillet, who published his Discours contre Machievel in 1576, which
was printed in ten editions in three languages over the next four years.
Gentillet held, quite wrongly according to Sydney Anglo, that Machiavelli's "books [were] held most dear and
precious by our Italian and Italianized courtiers" (in the words of
his first English translation), and so (in Anglo's paraphrase) "at the root of France's present
degradation, which has culminated not only in the St Bartholomew massacre but
the glee of its perverted admirers". In fact there is little trace of
Machiavelli in French writings before the massacre, and not very much after,
until Gentillet's own book, but this concept was seized upon by many
contemporaries, and played a crucial part in setting the long-lasting popular concept
of Machiavellianism. It also gave added impetus to the strong anti-Italian
feelings already present in Huguenot polemic.
Christopher Marlowe was one of many Elizabethan writers who
were enthusiastic proponents of these ideas. In the Jew of Malta (1589–90) "Machievel" in person speaks
the Prologue, claiming to not be dead, but to have possessed the soul of the
Duke of Guise, "And, now the Guise
is dead, is come from France/ To view this land, and frolic with his
friends" (Prologue, lines 3–4) His last play, The Massacre at Paris
(1593) takes the massacre, and the following years, as its subject, with Guise
and Catherine both depicted as Machiavellian plotters, bent on evil from the
start. The Catholic Encyclopedia of 1913 was still ready to endorse a version
of this view, describing the massacres as "an
entirely political act committed in the name of the immoral principles of
Machiavellianism" and blaming "the pagan theories of a certain raison
d'état according to which the end justified the means".
The French 18th-century historian Louis-Pierre Anquetil, in
his Esprit de la Ligue of 1767, was among the first to begin impartial
historical investigation, emphasizing the lack of premeditation (before the
attempt on Coligny) in the massacre and that Catholic mob violence had a
history of uncontrollable escalation. By this period the Massacre was being
widely used by Voltaire (in his Henriade) and other Enlightenment writers in
polemics against organized religion in general. Lord Acton changed his mind on
whether the massacre had been premeditated twice, finally concluding that it
was not. The question of whether the massacre had long been premeditated was
not entirely settled until the late 19th century by which time a consensus was
reached that it was not.
Interpretations
Role of the royal
family
Over the centuries, the St. Bartholomew's Day massacre has
aroused a great deal of controversy. Modern historians are still divided over
the responsibility of the royal family:
The traditional
interpretation makes Catherine de' Medici and her Catholic advisers the
principal culprits in the execution of the principal military leaders. They
forced the hand of a hesitant and weak-willed king in the decision of that
particular execution. This traditional interpretation has been largely
abandoned by some modern historians including, among others, Janine Garrisson.
However, in a more recent work than his history of the period, Holt concludes:
"The ringleaders of the conspiracy appear to have been a group of four
men: Henry, duke of Anjou; Chancellor Birague; the duke of Nevers, and the Comte
de Retz" (Gondi). Apart from Anjou, the others were all Italian advisors
at the French court.
According to Denis Crouzet, Charles IX feared a Protestant
uprising, and chose to strangle it at birth to protect his power. The execution
decision was therefore his own, and not Catherine de' Medici's.
According to Jean-Louis Bourgeon, the violently
anti-Huguenot city of Paris was really responsible. He stresses that the city
was on the verge of revolt. The Guises, who were highly popular, exploited this
situation to put pressure on the King and the Queen Mother. Charles IX was thus
forced to head off the potential riot, which was the work of the Guises, the
city militia and the common people.
According to Thierry Wanegffelen, the member of the royal
family with the most responsibility in this affair is Henry, Duke of Anjou, the
king's ambitious younger brother. Following the failed assassination attack
against the Admiral de Coligny (which Wanegffelen attributes to the Guise
family and Spain), the Italian advisers of Catherine de' Medici undoubtedly
recommended in the royal council the execution of about fifty Protestant
leaders. These Italians stood to benefit from the occasion by eliminating the
Huguenot danger. Despite the firm opposition of the Queen Mother and the King,
Anjou, Lieutenant General of the Kingdom, present at this meeting of the
council, could see a good occasion to make a name for himself with the
government. He contacted the Parisian authorities and another ambitious young
man, running out of authority and power, Duke Henri de Guise (whose uncle, the
clear-sighted Charles, cardinal of Lorraine, was then detained in Rome).
The Parisian St. Bartholomew's Day massacre resulted from
this conjunction of interests, and this offers a much better explanation as to
why the men of the Duke of Anjou acted in the name of the Lieutenant General of
the Kingdom, consistent with the thinking of the time, rather than in the name
of the King. One can also understand why, the day after the start of the
massacre, Catherine de' Medici, through royal declaration of Charles IX,
condemned the crimes, and threatened the Guise family with royal justice.
However, when Charles IX and his mother learned of the involvement of the duke
of Anjou, and being so dependent on his support, they issued a second royal
declaration, which while asking for an end to the massacres, credited the
initiative with the desire of Charles IX to prevent a Protestant plot.
Initially the coup d'état of the duke of Anjou was a success, but Catherine de'
Medici went out of her way to deprive him from any power in France: she sent
him with the royal army to remain in front of La Rochelle and then had him
elected King of the Polish-Lithuanian Commonwealth.
Role of the religious
factions
Traditional histories have tended to focus more on the roles
of the political notables whose machinations began the massacre than the
mindset of those who actually did the killing. Ordinary lay Catholics were
involved in the mass killings; they believed they were executing the wishes of
the king and of God. At this time, in an age before mass media, "the pulpit remained probably the most
effective means of mass communication".
Despite the large numbers of pamphlets and broadsheets in
circulation, literacy rates were still poor. Thus, some modern historians have
stressed the critical and incendiary role that militant preachers played in
shaping ordinary lay beliefs, both Catholic and Protestant.
Historian Barbara B. Diefendorf, Professor of History at
Boston University, wrote that Simon Vigor had "said if the King ordered the Admiral (Coligny) killed, 'it would
be wicked not to kill him'. With these words, the most popular preacher in
Paris legitimized in advance the events of St. Bartholomew's Day".
Diefendorf says that when the head of the murdered Coligny was shown to the
Paris mob by a member of the nobility, with the claim that it was the King's
will, the die was cast. Another historian Mack P. Holt, Professor at George
Mason University, agrees that Vigor, "the
best known preacher in Paris", preached sermons that were full of
references to the evils that would befall the capital should the Protestants
seize control. This view is also partly supported by Cunningham and Grell
(2000) who explained that "militant
sermons by priests such as Simon Vigor served to raise the religious and
eschatological temperature on the eve of the Massacre".
Henry, Duke of Guise,
leader of the Catholic League.
Historians cite the extreme tension and bitterness that led
to the powder-keg atmosphere of Paris in August 1572. In the previous ten years
there had already been three outbreaks of civil war, and attempts by Protestant
nobles to seize power in France.[89] Some blame the complete esteem with which
the sovereign's office was held, justified by prominent French Roman Catholic
theologians, and that the special powers of French Kings "...were accompanied by explicit responsibilities, the foremost of
which was combating heresy".
Holt, notable for re-emphasizing the importance of religious
issues, as opposed to political/dynastic power struggles or socio-economic
tensions, in explaining the French Wars of Religion, also re-emphasized the
role of religion in the St Bartholomew's Day massacre. He noted that the extra
violence inflicted on many of the corpses "was
not random at all, but patterned after the rites of the Catholic culture that
had given birth to it". "Many Protestant houses were burned, invoking
the traditional purification by fire of all heretics. Many victims were also
thrown into the Seine, invoking the purification by water of Catholic baptism".
Viewed as a threat to the social and political order, Holt argues that "Huguenots not only had to be
exterminated – that is, killed – they also had to be humiliated, dishonored,
and shamed as the inhuman beasts they were perceived to be."
However Raymond Mentzer points out that Protestants "could be as bloodthirsty as Catholics.
Earlier Huguenot rage at Nimes (in 1567) led to... the massacre of twenty-four
Catholics, mostly priests and prominent laymen, at the hands of their
Protestant neighbors. Few towns escaped the episodic violence and some suffered
repeatedly from both sides. Neither faith had a monopoly on cruelty and
misguided fervor".
Some, like Leonie Frieda, emphasize the element within the
mob violence of the "haves" being "killed by the
'have-nots'". Many Protestants were nobles or bourgeois and Frieda adds
that "a number of bourgeois Catholic
Parisians had suffered the same fate as the Protestants; many financial debts
were wiped clean with the death of creditors and moneylenders that night".
At least one Huguenot was able to buy off his would-be murderers.
The historian H.G. Koenigsberger (who until his retirement
in 1984 was Professor of History at King's College, University of London) wrote
that the Massacre was deeply disturbing because "it was Christians massacring other Christians who were not
foreign enemies but their neighbours with which they and their forebears had
lived in a Christian community, and under the same ruler, for a thousand
years". He concludes that the historical importance of the Massacre "lies not so much in the appalling
tragedies involved as their demonstration of the power of sectarian passion to
break down the barriers of civilization, community and accepted morality".
One historian puts forward an analysis of the massacre in
terms of social anthropology – the religious historian Bruce Lincoln. He
describes how the religious divide, which gave the Huguenots different patterns
of dress, eating and pastimes, as well as the obvious differences of religion
and (very often) class, had become a social schism or cleavage. The rituals
around the royal marriage had only intensified this cleavage, contrary to its
intentions, and the "sentiments of
estrangement – radical otherness – [had come] to prevail over sentiments of
affinity between Catholics and Protestants".
On 23 August 1997, Pope John Paul II, who was in Paris for
the 12th World Youth Day, issued a statement on the Massacre. He stayed in
Paris for three days and made eleven speeches. According to Reuters and the
Associated Press, at a late-night vigil, with the hundreds of thousands of
young people who were in Paris for the celebrations, he made the following
comments: "On the eve of Aug. 24, we
cannot forget the sad massacre of St. Bartholomew's Day, an event of very
obscure causes in the political and religious history of France. ... Christians
did things which the Gospel condemns. I am convinced that only forgiveness,
offered and received, leads little by little to a fruitful dialogue, which will
in turn ensure a fully Christian reconciliation. ... Belonging to different
religious traditions must not constitute today a source of opposition and
tension. On the contrary, our common love for Christ impels us to seek tirelessly
the path of full unity."
Cultural references
The Elizabethan dramatist Christopher Marlowe knew the story
well from the Huguenot literature translated into English, and probably from
French refugees who had sought refuge in his native Canterbury. He wrote a
strongly anti-Catholic and anti-French play based on the events entitled The
Massacre at Paris. Also, in his biography The World of Christopher Marlowe,
David Riggs claims the incident remained with the playwright, and massacres are
incorporated into the final acts of three of his early plays, 1 and 2
Tamburlaine and The Jew of Malta – see above for Marlowe and Machiavellism.
The story was also taken up in 1772 by Louis-Sébastien
Mercier in his play Jean Hennuyer, Bishop of Lizieux, unperformed until the
French Revolution. This play was translated into English, with some
adaptations, as The Massacre by the actress and playwright Elizabeth Inchbald
in 1792. Inchbald kept the historical setting, but The Massacre, completed by
February 1792, also reflected events in the recent French Revolution, though
not the September Massacres of 1792, which coincided with its printing.
Joseph Chénier's play Charles IX was a huge success during
the French Revolution, drawing strongly anti-monarchical and anti-religious
lessons from the massacre. Chénier was able to put his principles into practice
as a politician, voting for the execution of Louis XVI and many others, perhaps
including his brother André Chénier. However, before the collapse of the
Revolution he became suspected of moderation, and in some danger himself.
The story was fictionalized by Prosper Mérimée in his
Chronique du règne de Charles IX (1829), and by Alexandre Dumas, père in La
Reine Margot, an 1845 novel that fills in the history as it was then seen with
romance and adventure. That novel has been translated into English and was made
first into a commercially successful French film in 1954, La reine Margot (US
title "A Woman of Evil"),
starring Jeanne Moreau. It was remade in 1994 as La Reine Margot (later as
Queen Margot, and subtitled, in English-language markets), starring Isabelle
Adjani.
The Pre-Raphaelite painter John Everett Millais managed to
create a sentimental moment in the massacre in his painting A Huguenot, on St.
Bartholomew's Day (1852), which depicts a Catholic woman attempting to convince
her Huguenot lover to wear the white scarf badge of the Catholics and protect
himself. The man, true to his beliefs, gently refuses her. Millais was inspired
to create the painting after seeing Meyerbeer's Les Huguenots.
Mark Twain described the massacre in "From the Manuscript of 'A Tramp Abroad' (1879): The French and
the Comanches", an essay about "partly
civilized races". He wrote in part, "St. Bartholomew's was unquestionably the finest thing of the kind
ever devised and accomplished in the world. All the best people took a hand in
it, the King and the Queen Mother included."
The St. Bartholomew's Day massacre and the events
surrounding it were incorporated into D.W. Griffith's film Intolerance (1916).
The film follows Catherine de' Medici (Josephine Crowell) plotting the massacre,
coercing her son King Charles IX (Frank Bennett) to sanction it. Incidental
characters include Henri of Navarre, Marguerite de Valois (Constance Talmadge),
Admiral Coligny (Joseph Henabery), and the Duke of Anjou, who is portrayed as
homosexual. These historic scenes are depicted alongside a fictional plot in
which a Huguenot family is caught among the events.
Another novel depicting this massacre is Queen Jezebel, by
Jean Plaidy (1953). In the third episode of the BBC miniseries Elizabeth R
(1971), starring Glenda Jackson as Queen Elizabeth I of England, the English
court's reaction to the massacre and its effect on England's relations with
France is addressed in depth.
A 1966 serial in the British science fiction television
series Doctor Who entitled The Massacre of St Bartholomew's Eve is set during
the events leading up to the Paris massacre. Leonard Sachs appeared as Admiral
Coligny and Joan Young played Catherine de' Medici. This serial is missing from
the BBC archives and survives only in audio form. It depicts the massacre as
having been instigated by Catherine de' Medici for both religious and political
reasons, and authorized by a weak-willed and easily influenced Charles IX.
The St Bartholomew's Day massacre is the setting for Tim
Willocks' historical novel, The Twelve Children of Paris (Matthias Tannhauser
Trilogy: 2), published in 2013.
Ken Follett's 2017 historical fiction novel A Column of Fire
uses this event. Several chapters depict in great detail the massacre and the
events leading up to it, with the book's protagonists getting some warning in
advance and making enormous but futile efforts to avert it. Follett completely
clears King Charles IX and his mother Catherine of any complicity and depicts
them as sincere proponents of religious toleration, caught by surprise and
horrified by the events; he places the entire responsibility on the Guise
Family, following the "Machiavellian"
view of the massacre and depicting it as a complicated Guise conspiracy,
meticulously planned in advance and implemented in full detail.
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