Wednesday, August 31, 2022

Disappearance of Alissa Turney




Alissa Turney (born April 3, 1984) was an American 17-year-old girl who was last seen in the Phoenix, Arizona area on May 17, 2001.


Background


Alissa Turney lived in Paradise Valley, Arizona. At the time of her disappearance, she lived with her stepfather Michael Turney and half-sister Sarah Turney. She worked at the fast food restaurant Jack in the Box, and had a boyfriend.


Disappearance


May 17, 2001 was the last day of Alissa's junior year at Paradise Valley High School. According to her stepfather, he dropped her off in the morning as usual, then picked her up around lunchtime. Allegedly, they had an argument and she stormed off. Later, he and Sarah found a note in her bedroom, allegedly written by her, claiming that she was running away to California. However, she had left her cell phone and other personal items behind. That night, Alissa had had plans to go to a party, but did not attend.


On May 24, 2001, Turney claimed that he received a phone call from a California number where Alissa swore at him before hanging up.


In 2008, Turney claimed that Alissa was killed by two "assassins" from the International Brotherhood of Electrical Workers and that she was buried in Desert Center, California.


Investigation


Turney filed a missing persons report on May 17, but in the immediate days following Alissa's disappearance, police did not suspect foul play and no police investigation took place.


In 2006, self-proclaimed serial killer Thomas Albert Hymer told a prison guard that he had killed Alissa. He had been in prison since 2003 for an unrelated murder. However, when Phoenix police questioned Hymer, they ultimately determined that he had not had any contact with Alissa, and he admitted he might have confused her with a different victim.


In 2008, the case was reopened. In December 2008, detectives told Sarah that her father was their main suspect. Simultaneously, authorities were raiding the Turney home where they seized more than two dozen improvised explosive devices, 19 firearms, two homemade silencers, and a van full of gasoline. They also found a manifesto outlining his plans for a rampage against the International Brotherhood of Electrical Workers building in Phoenix. Michael Turney was arrested, prosecuted, and sentenced to 10 years in jail. He was released in August 2017.


In the media


Television


Alissa's case was featured on an episode of 20/20 in October 2014, called "What Happened to Alissa?" in which Michael Turney repeatedly asserted his innocence.


Podcasts


Missing Alissa


From July 2017 to January 2019, Phoenix resident and freelance journalist Ottavia Zappala released a podcast called Missing Alissa that explored the case, and interviewed some of Alissa's friends and family.


Voices for Justice


In June 2019, Alissa's half-sister Sarah Turney, who was 12 in 2001, began a podcast called Voices for Justice that explored Alissa's disappearance and the subsequent police investigation. She drew upon over 3,000 pages of publicly released notes and case documents from the Phoenix Police Department. In April 2020, Sarah began posting about the case on TikTok, garnering millions of views.


After over 30 episodes about Alissa's case, in January 2021 the podcast transitioned covering other murder and missing persons cases in order to not jeopardize the ongoing investigation into Alissa's case.


Arrest


In August 2020, Michael Turney was arrested in Mesa, Arizona. He was indicted and charged by a Maricopa County grand jury on second-degree murder charges in the death of Alissa.


Aftermath


As of July 2022, Alissa's body has not yet been found.

 

Joe Hunt: Billionaire Boys Club

The Billionaire Boys Club was an investing and social club organized in 1983 by Joseph Henry Hunt (born Joseph Henry Gamsky) in Southern California. It was originally simply named "BBC", the initials of Bombay Bicycle Club, a restaurant Hunt had frequented as a young man in Chicago. The "get rich quick" investments the group offered to clients added up to what was essentially one big Ponzi scheme.


The club enticed the sons of wealthy families from the Harvard School for Boys (now Harvard-Westlake School; not affiliated with Harvard University) in the Los Angeles area with get-rich-quick schemes. Due to the reputation of the organization for being composed of young, inexperienced men from moneyed families, it was jokingly referred to as the "Billionaire Boys' Club". Hunt himself came from a single-parent family in the lower-middle-class suburb of Van Nuys, and was able to attend the Harvard School only with the help of scholarships.


In 1984, Hunt was arrested for murdering Ron Levin, the group's main investor and himself a con artist, and Hedayat Eslaminia, the father of one of the club's members.


The story was recounted in a 1987 miniseries and a 2018 film.


Crime


The organization was run as a Ponzi scheme, and money contributed by investors was spent on supporting lavish lifestyles for young members of the club.


Hunt and club security director Jim Pittman were charged with the murder of Levin, a con artist who had allegedly swindled the BBC out of over $4 million. Levin's body was never found, and Hunt maintains that Levin, who was under criminal investigation and out on bail at the time of his disappearance, instead fled the country to escape prosecution.


When authorities began to investigate the murders, Dean Karny, the club's second-in-command and Hunt's best friend, turned state's evidence on both murders in return for immunity from prosecution on three different felony charges in exchange for testimony.


BBC members Hunt, Pittman, Karny (before his immunity deal), Arben Dosti, and Reza Eslaminia were charged with the murder of Hedayat Eslaminia, Reza's father. They allegedly killed him to acquire his fortune, which was reputed to be $35 million (the senior Eslaminia was, in fact, nearly penniless).


Trials and convictions


During his trial for the murder of Levin, Hunt's defense attorney presented two witnesses, Carmen Canchola and Jesus Lopez, who testified that they saw Levin after his alleged murder, in September 1986 at a gas station in Tucson, Arizona. Canchola and Lopez identified pictures of Levin from multiple photographic lineups as the same man they had seen at the gas station. In 1987 a Southern California Court found Hunt guilty of Levin's 1984 murder and sentenced him to life in prison without the possibility of parole.


Pittman was unable to make $500,000 bail ($1.3 million today), so he was kept incarcerated through two Southern California trials for his active role in the murder of Levin. Both ended in hung juries. In 1988, before a third trial, prosecutors offered Pittman a deal, whereby he pleaded guilty to being an accessory to murder after the fact and possession of a concealed weapon, and was sentenced to time served, being the 3+1⁄2 years he was incarcerated since his 1984 arrest.


The trials for the murder of Hedayat Eslaminia were held in Northern California. With the testimony of accomplice Karny, both Dosti and Reza Eslaminia were convicted and sentenced to life imprisonment without parole. Dosti and Reza Eslaminia both were released on appeal using evidence from Hunt's second trial, and Hunt was also acquitted of the Eslaminia murder charge.


Hunt and Pitman's trials for murdering Levin had delayed their trials for murdering Eslaminia, with other pre-trial motions pushing Hunt's Northern California trial to 1992. Hunt acted as his own attorney during this trial and contended that star witness Karny had killed Eslaminia. The result was a hung jury, 8–4, in favor of Hunt's acquittal. Hunt is the only person in California legal history to represent himself in a capital case and not receive the death penalty. When prosecutors realized they likely could convict neither Hunt nor Pittman, they dismissed all charges against Hunt and Pittman in the murder of Eslaminia.


Subsequent events


On May 20, 1993, a few months after all charges were dropped against him in the Eslaminia case, Jim Pittman admitted on the television program A Current Affair to have participated in the Levin murder, confessing that he was the one who shot Levin and bragging that he was now untouchable in court due to the restriction on double jeopardy. Pittman, granted release with time served in two murders, died of kidney failure in 1997, age 44.


The convictions of Dosti and Reza Eslaminia were overturned in 2000.


Levin survival theory


Hunt maintains that Levin's con artistry extends to having faked his own death, as no body was found in the case. At the time of his disappearance, Levin was free on bail and awaiting trial, and Hunt's defense team argued that Levin left the country to escape a pending FBI investigation into his financial misdeeds.


After Hunt's conviction, eight witnesses came forward stating that they had seen Ron Levin alive in various locations in 1986 and 1987, including Greece and Los Angeles. One witness, Nadia Ghaleb, who was acquainted with Levin, testified that she saw him getting into a car on San Vicente Boulevard in West Los Angeles; another, Ivan Werner, who worked as a funeral director at Pierce Brothers Funeral Home in Westwood, testified that he saw Levin attending a funeral.


In his appeal, Hunt's defense counsel argued that key facts were withheld from jurors during his original trial for Levin's murder. These include Levin's "habit of writing large, worthless checks," his conversations with witnesses about plans to leave for New York or for Granada, Spain, and a conversation with another witness requesting advice on how to dye his hair. Defense attorneys also pointed out that Levin had restructured his already-made bail arrangements to release his parents from liability, and asked one witness for information about Brazilian extradition treaties. There was also a purchase made using Levin's American Express card on the day after the murder was thought to have taken place, of underwear from the Brooks Brothers store in Los Angeles, where Levin was known to shop.


As of September 2018, Hunt's family has offered a $100,000 reward for evidence of Levin's whereabouts after June 6, 1984.


Hunt's attempts to appeal his conviction


On the basis of multiple witness statements that Levin had been seen alive, and claims of ineffective assistance of counsel and judicial misconduct, Hunt sought to have his murder conviction overturned and get a new trial. Hunt's direct appeal was denied on July 12, 1996. However, in a federal habeas proceeding in 2004, Hunt's continuing effort to have his murder conviction overturned was revived, as the Ninth Circuit reversed a dismissal of his habeas petition. But this appeal, too, was ultimately unsuccessful.


In June 2016, the Ninth Circuit affirmed the Central District of California's denial of Hunt's habeas corpus petition. In its affirmance, the court noted that "fair-minded jurists could disagree" as to whether Hunt's trial lawyer was ineffective in his defense of Hunt, but cited the Anti-terrorism and Effective Death Penalty Act of 1996's "doubly deferential lens" in its refusal to overturn the Central District's decision.


In October 2018, the Los Angeles Superior Court denied an additional habeas corpus petition.


In January 2018, Hunt filed an application for commutation of his sentence, which would change it from life without possibility of parole to an indeterminate life term, which would give Hunt the opportunity to prove his rehabilitation before a parole board.


The petition notes that in prison, Hunt "is a different person: a chapel assistant and law clerk," and "a voice for nonviolence". The petition also describes Hunt's in-custody record of conduct as "exceptional" and details his founding and facilitation of a men's spiritual group at the California State Prison in Sacramento where Hunt was imprisoned until 2012.


In September 2018, Hunt's family and friends launched the website FreeJoeHunt.com in support of his release.


In popular culture


In 1987, NBC aired a miniseries based on the story of the Billionaire Boys Club, starring Judd Nelson as Joe Hunt, Brian McNamara as Dean Karny, and Ron Silver as Ron Levin. Hunt was the basis for Philip Swann, a character in the Law & Order Season 4 episode "American Dream," which was subsequently adapted into the Law & Order: UK episode "Unsafe". The Billionaire Boys Club is also the topic of two books: The Billionaire Boys Club by Sue Horton and The Price of Experience by Randall Sullivan. The murders are also the subject of the song "Things to Do Today" by Chicago band Big Black.


On July 17, 2002, TruTV aired an episode of Dominick Dunne's Power, Privilege and Justice titled "Billionaire Boys Club", presented by author Dominick Dunne, which summarized the events surrounding the "club" and the kidnapping, murders, and trials. Investigation Discovery's Behind Mansion Walls revisited the case in the 2011 episode "Fatal Greed".


A feature film titled Billionaire Boys Club starring Ansel Elgort as Joe Hunt, Taron Egerton as Dean Karny, and Kevin Spacey as Ron Levin was released in 2018. The film debuted to a dismal opening night, grossing a meager $126.00, mainly due to the involvement of Spacey, who months earlier had been accused of several instances of sexual harassment and sexual assault. Judd Nelson, who played Hunt in the 1987 miniseries, played Hunt's father.


The true-crime podcast series Hollywood & Crime, narrated by actor Timothy Olyphant, covered the subject in the summer of 2020.

 

Death of the Red Baron: Manfred Albrecht Freiherr von Richthofen

 


Manfred Albrecht Freiherr von Richthofen (German: [ˈmanfreːt fɔn ˈʁɪçthoːfn̩]; 2 May 1892 – 21 April 1918), known in English as Baron von Richthofen or the Red Baron, was a fighter pilot with the German Air Force during World War I. He is considered the ace-of-aces of the war, being officially credited with 80 air combat victories.


Originally a cavalryman, Richthofen transferred to the Air Service in 1915, becoming one of the first members of fighter squadron Jagdstaffel 2 in 1916. He quickly distinguished himself as a fighter pilot, and during 1917 became the leader of Jasta 11. Later he led the larger fighter wing Jagdgeschwader I, better known as "The Flying Circus" or "Richthofen's Circus" because of the bright colors of its aircraft, and perhaps also because of the way the unit was transferred from one area of Allied air activity to another – moving like a traveling circus, and frequently setting up in tents on improvised airfields. By 1918, Richthofen was regarded as a national hero in Germany, and respected by his enemies.


Richthofen was shot down and killed near Vaux-sur-Somme on 21 April 1918. There has been considerable discussion and debate regarding aspects of his career, especially the circumstances of his death. He remains one of the most widely known fighter pilots of all time, and has been the subject of many books, films, and other media.


Name and nicknames


Richthofen was a Freiherr (literally "Free Lord"), a title of nobility often translated as "baron". This is not a given name nor strictly a hereditary title, since all male members of the family were entitled to it, even during the lifetime of their father. Richthofen painted his aircraft red, and this combined with his title led to him being called the "Red Baron" ("der Rote Baron" ), both inside and outside Germany. During his lifetime, he was more frequently described in German as Der Rote Kampfflieger, variously translated as "The Red Battle Flyer" or "The Red Fighter Pilot". This name was used as the title of Richthofen's 1917 autobiography.


Early life


Richthofen was born in Kleinburg, near Breslau, Lower Silesia (now part of the city of Wrocław, Poland), on 2 May 1892 into a prominent Prussian aristocratic family. His father was Major Albrecht Philipp Karl Julius Freiherr von Richthofen and his mother was Kunigunde von Schickfuss und Neudorff. He had an elder sister, Ilse, and two younger brothers.


When he was four years old, Manfred moved with his family to nearby Schweidnitz (now Świdnica, Poland). He enjoyed riding horses and hunting as well as gymnastics at school. He excelled at parallel bars and won a number of awards at school. He and his brothers, Lothar and Bolko, hunted wild boar, elk, birds, and deer.


After being educated at home he attended a school at Schweidnitz for a year before beginning cadet training at the Wahlstatt (now Legnickie Pole, Poland) military school when he was 11. After completing cadet training at the Groß-Lichterfelde Preußische Hauptkadettenanstalt in 1911, he joined an Uhlan cavalry unit, the Ulanen-Regiment Kaiser Alexander der III. von Russland (1. Westpreußisches) Nr. 1 ("1st Emperor Alexander III of Russia Uhlan Regiment (1st West Prussian)") and was assigned to the regiment's 3. Eskadron ("No. 3 Squadron").


Early war service


When World War I began, Richthofen served as a cavalry reconnaissance officer on both the Eastern and Western Fronts, seeing action in Russia, France, and Belgium; with the advent of trench warfare, which made traditional cavalry operations outdated and inefficient, Richthofen's regiment was dismounted, serving as dispatch runners and field telephone operators. Disappointed and bored at not being able to directly participate in combat, the last straw for Richthofen was an order to transfer to the army's supply branch. His interest in the Air Service had been aroused by his examination of a German military aircraft behind the lines, and he applied for a transfer to Die Fliegertruppen des deutschen Kaiserreiches (Imperial German Army Air Service), later to be known as the Luftstreitkräfte. He was widely reported to have written in his application for transfer, "I have not gone to war in order to collect cheese and eggs, but for another purpose." His request was granted, and Manfred joined the flying service at the end of May 1915.


From June to August 1915, Richthofen served as an observer on reconnaissance missions over the Eastern Front with Feldflieger Abteilung 69 ("No. 69 Flying Squadron"). In August 1915, he was transferred to a flying unit in Ostend, a coastal city in Belgium. There he flew with a friend and fellow pilot Georg Zeumer, who would later teach him to fly solo. On being transferred to the Champagne front, he is believed to have shot down an attacking French Farman aircraft with his observer's machine gun in a tense battle over French lines; he was not credited with the kill, since it fell behind Allied lines and therefore could not be confirmed.


Piloting career


"I had been told the name of the place to which we were to fly and I was to direct the pilot. At first we flew straight ahead, then the pilot turned to the right, then left. I had lost all sense of direction over our own aerodrome! ... I didn't care a bit where I was, and when the pilot thought it was time to go down, I was disappointed. Already I was counting down the hours to the time we could start again."


John Simpson, quoting Richthofen's own description of his first flying experience.


Manfred von Richthofen had a chance meeting with German ace fighter pilot Oswald Boelcke which led him to enter training as a pilot in October 1915. In February 1916, Manfred "rescued" his brother Lothar from the boredom of training new troops in Luben and encouraged him to transfer to the Fliegertruppe. The next month, Manfred joined Kampfgeschwader 2 ("No. 2 Bomber Squadron") flying a two-seater Albatros C.III. Initially, he appeared to be a below-average pilot. He struggled to control his aircraft, and he crashed during his first flight at the controls. Despite this poor start, he rapidly became attuned to his aircraft. He was over Verdun on 26 April 1916 and fired on a French Nieuport, shooting it down over Fort Douaumont—although he received no official credit. A week later, he decided to ignore more experienced pilots' advice against flying through a thunderstorm. He later noted that he had been "lucky to get through the weather" and vowed never again to fly in such conditions unless ordered to do so.


Richthofen met Oswald Boelcke again in August 1916, after another spell flying two-seaters on the Eastern Front. Boelcke was visiting the east in search of candidates for his newly formed Jasta 2, and he selected Richthofen to join this unit, one of the first German fighter squadrons. Boelcke was killed during a midair collision with a friendly aircraft on 28 October 1916, and Richthofen witnessed the event.


Richthofen scored his first confirmed victory when he engaged Second Lieutenant Lionel Morris and his observer Tom Rees in the skies over Cambrai, France, on 17 September 1916. His autobiography states, "I honored the fallen enemy by placing a stone on his beautiful grave." He contacted a jeweler in Berlin and ordered a silver cup engraved with the date and the type of enemy aircraft. He continued to celebrate each of his victories in the same manner until he had 60 cups, by which time the dwindling supply of silver in blockaded Germany meant that silver cups could no longer be supplied. Richthofen discontinued his orders at this stage, rather than accept cups made from base metal.


His brother Lothar (40 victories) used risky, aggressive tactics, but Manfred observed a set of maxims known as the "Dicta Boelcke" to assure success for both the squadron and its pilots. He was not a spectacular or aerobatic pilot like his brother or Werner Voss; however, he was a noted tactician and squadron leader and a fine marksman. Typically, he would dive from above to attack with the advantage of the sun behind him, with other pilots of his squadron covering his rear and flanks.

Major Lanoe Hawker VC


On 23 November 1916, Richthofen shot down his most famous adversary, British ace Major Lanoe Hawker VC, described by Richthofen as "the British Boelcke". The victory came while Richthofen was flying an Albatros D.II and Hawker was flying the older DH.2. After a long dogfight, Hawker was shot in the back of the head as he attempted to escape back to his own lines. After this combat, Richthofen was convinced that he needed a fighter aircraft with more agility, even with a loss of speed. He switched to the Albatros D.III in January 1917, scoring two victories before suffering an in-flight crack in the spar of the aircraft's lower wing on 24 January, and he reverted to the Albatros D.II or Halberstadt D.II for the next five weeks.


Richthofen was flying his Halberstadt on 6 March in combat with F.E.8s of 40 Squadron RFC when his aircraft was shot through the fuel tank, by Edwin Benbow, who was credited with a victory from this fight. Richthofen was able to make a forced landing near Hénin-Liétard without his aircraft catching fire. He then scored a victory in the Albatros D.II on 9 March, but his Albatros D.III was grounded for the rest of the month so he switched again to a Halberstadt D.II. He returned to his Albatros D.III on 2 April 1917 and scored 22 victories in it before switching to the Albatros D.V in late June.


Richthofen flew the celebrated Fokker Dr.I triplane from late July 1917, the distinctive three-winged aircraft with which he is most commonly associated—although he did not use the type exclusively until after it was reissued with strengthened wings in November. Only 19 of his 80 kills were made in this type of aircraft, despite the popular link between Richthofen and the Fokker Dr.I. It was his Albatros D.III Serial No. 789/16 that was first painted bright red, in late January 1917, and in which he first earned his name and reputation.


Richthofen championed the development of the Fokker D.VII with suggestions to overcome the deficiencies of the current German fighter aircraft. He never had an opportunity to fly the new type in combat, as he was killed before it entered service.


Flying Circus


Richthofen received the Pour le Mérite in January 1917 after his 16th confirmed kill, the highest military honour in Germany at the time and informally known as "The Blue Max". That same month, he assumed command of Jasta 11, which ultimately included some of the elite German pilots, many of whom he trained himself, and several of whom later became leaders of their own squadrons. Ernst Udet belonged to Richthofen's group and later became Generaloberst Udet. When Lothar joined, the German high command appreciated the propaganda value of two Richthofens fighting together to defeat the enemy in the air.


Richthofen took the flamboyant step of having his Albatros painted red when he became a squadron commander. His autobiography states: "For whatever reasons, one fine day I came upon the idea of having my crate painted glaring red. The result was that absolutely everyone could not help but notice my red bird. In fact, my opponents also seemed to be not entirely unaware [of it]". Thereafter he usually flew in red-painted aircraft, although not all of them were entirely red, nor was the "red" necessarily the brilliant scarlet beloved of model- and replica-builders.


Other members of Jasta 11 soon took to painting parts of their aircraft red. Their official reason seems to have been to make their leader less conspicuous, to avoid having him singled out in a fight. In practice, red coloration became a unit identification. Other units soon adopted their own squadron colours, and decoration of fighters became general throughout the Luftstreitkräfte. The German high command permitted this practice (in spite of obvious drawbacks from the point of view of intelligence), and German propaganda made much of it by referring to Richthofen as Der Rote Kampfflieger—"the Red Fighter Pilot".


During a visit to her home, the Baron’s mother asked him why he risked his life every day, and he said: "For the man in the trenches. I want to ease his hard lot in life by keeping the enemy flyers away from him."


Richthofen led his new unit to unparalleled success, peaking during "Bloody April" 1917. In that month alone, he shot down 22 British aircraft, including four in a single day, raising his official tally to 52. By June, he had become the commander of the first of the new larger "fighter wing" formations; these were highly mobile, combined tactical units that could move at short notice to different parts of the front as required. Richthofen's new command, Jagdgeschwader 1, was composed of fighter squadrons No. 4, 6, 10, and 11. J.G. 1 became widely known as "The Flying Circus" due to the unit's brightly colored aircraft and its mobility, including the use of tents, trains, and caravans, where appropriate.


Richthofen was a brilliant tactician, building on Boelcke's tactics. Unlike Boelcke, however, he led by example and force of will rather than by inspiration. He was often described as distant, unemotional, and rather humorless, though some colleagues contended otherwise. He was cordial to officers and enlisted men alike; indeed, he urged his pilots to remain on good terms with the mechanics who maintained their aircraft. He taught his pilots the basic rule which he wanted them to fight by: "Aim for the man and don't miss him. If you are fighting a two-seater, get the observer first; until you have silenced the gun, don't bother about the pilot."


Although Richthofen was now performing the duties of a lieutenant colonel (a wing commander in modern Royal Air Force terms), he was never promoted past the relatively junior rank of Rittmeister, equivalent to captain in the British army. The system in the British army was for an officer to hold the rank appropriate to his level of command, if only on a temporary basis, even if he had not been formally promoted. In the German army, it was not unusual for a wartime officer to hold a lower rank than his duties implied; German officers were promoted according to a schedule and not by battlefield promotion. It was also the custom for a son not to hold a higher rank than his father, and Richthofen's father was a reserve major.


Wounded in combat


Richthofen sustained a serious head wound on 6 July 1917, during combat near Wervik, Belgium against a formation of F.E.2d two-seat fighters of No. 20 Squadron RFC, causing instant disorientation and temporary partial blindness. He regained his vision in time to ease the aircraft out of a spin and execute a forced landing in a field in friendly territory. The injury required multiple operations to remove bone splinters from the impact area.


The Red Baron returned to active service against doctor's orders on 25 July, but went on convalescent leave from 5 September to 23 October. His wound is thought to have caused lasting damage; he later often suffered from post-flight nausea and headaches, as well as a change in temperament. There is a theory linking this injury with his eventual death.


Author and hero


During his convalescent leave, Richthofen completed an autobiographic sketch, Der rote Kampfflieger (The Red Battle Flyer, 1917). Written on the instructions of the "Press and Intelligence" (propaganda) section of the Luftstreitkräfte (Air Force), it shows evidence of having been heavily censored and edited. There are, however, passages that are most unlikely to have been inserted by an official editor. Richthofen wrote: "My father discriminates between a sportsman and a butcher. The latter shoots for fun. When I have shot down an Englishman, my hunting passion is satisfied for a quarter of an hour. Therefore I do not succeed in shooting down two Englishmen in succession. If one of them comes down, I have the feeling of complete satisfaction. Only much later have I overcome my instinct and have become a butcher". In another passage, Richthofen wrote "I am in wretched spirits after every aerial combat. I believe that [the war] is not as the people at home imagine it, with a hurrah and a roar; it is very serious, very grim." An English translation by J. Ellis Barker was published in 1918 as The Red Battle Flyer. Although Richthofen died before a revised version could be prepared, he is on record as repudiating the book, stating that it was "too insolent" and that he was no longer that kind of person.


By 1918, Richthofen had become such a legend that it was feared that his death would be a blow to the morale of the German people. He refused to accept a ground job after his wound, stating that "every poor fellow in the trenches must do his duty" and that he would therefore continue to fly in combat. Certainly he had become part of a cult of officially encouraged hero-worship. German propaganda circulated various false rumours, including that the British had raised squadrons specially to hunt Richthofen and had offered large rewards and an automatic Victoria Cross to any Allied pilot who shot him down. Passages from his correspondence indicate he may have at least half-believed some of these stories himself.


Death


Richthofen received a fatal wound just after 11:00 am on 21 April 1918 while flying over Morlancourt Ridge near the Somme River, 49°56′0.60″N 2°32′43.71″E. At the time, he had been pursuing, at very low altitude, a Sopwith Camel piloted by Canadian novice Wilfrid Reid "Wop" May of No. 209 Squadron, Royal Air Force. May had just fired on the Red Baron's cousin Lt. Wolfram von Richthofen. On seeing his cousin being attacked, Manfred flew to his rescue and fired on May, causing him to pull away. Richthofen pursued May across the Somme. The Baron was spotted and briefly attacked by a Camel piloted by May's school friend and flight commander, Canadian Captain Arthur "Roy" Brown. Brown had to dive steeply at very high speed to intervene, and then had to climb steeply to avoid hitting the ground. Richthofen turned to avoid this attack, and then resumed his pursuit of May.


It was almost certainly during this final stage in his pursuit of May that a single .303 bullet hit Richthofen through the chest, severely damaging his heart and lungs; it would have killed Richthofen in less than a minute. His aircraft stalled and went into a steep dive, hitting the ground at 49°55′56″N 2°32′16″E in a field on a hill near the Bray-Corbie road, just north of the village of Vaux-sur-Somme, in a sector defended by the Australian Imperial Force (AIF). The aircraft bounced heavily upon hitting the ground: the undercarriage collapsed and the fuel tank was smashed before the aircraft skidded to a stop. Several witnesses, including Gunner George Ridgway, reached the crashed plane and found Richthofen already dead, and his face slammed into the butts of his machine guns, breaking his nose, fracturing his jaw and creating contusions on his face.


In 2009, Richthofen's death certificate was found in the archives in Ostrów Wielkopolski, Poland. He had briefly been stationed in Ostrów before going to war, as it was part of Germany until the end of World War I. The document is a one-page, handwritten form in a 1918 registry book of deaths. It misspells Richthofen's name as "Richthoven" and simply states that he had "died 21 April 1918, from wounds sustained in combat".


Arthur Roy Brown


The RAF credited Brown with shooting down the Red Baron, but it is now generally agreed by historians, doctors, and ballistics experts that Richthofen was actually killed by an anti-aircraft (AA) machine gunner firing from the ground. An autopsy showed the bullet that killed Richthofen penetrated from the right underarm and exited next to the left nipple. Brown's attack was probably from behind and above Richthofen's left. Even more conclusively, Richthofen could not have continued his pursuit of May for as long as he did (up to two minutes) had his wound come from Brown. Brown himself never spoke much about what happened that day, claiming, "There is no point in me commenting, as the evidence is already out there."


Many sources have suggested that Sergeant Cedric Popkin was the person most likely to have killed Richthofen, including a 1998 article by Geoffrey Miller, a physician, and historian of military medicine, and a 2002 edition of the British Channel 4 Secret History series. Popkin was an AA machine gunner with the Australian 24th Machine Gun Company, and he was using a Vickers gun. He fired at Richthofen's aircraft on two occasions: first as the Baron was heading straight at his position, and then at long range from the plane's right. Given the nature of Richthofen's wounds, Popkin was in a position to fire the fatal shot when the pilot passed him for a second time. Some confusion has been caused by a letter that Popkin wrote in 1935 to an Australian official historian. It stated Popkin's belief that he had fired the fatal shot as Richthofen flew straight at his position. In this respect, Popkin was incorrect; the bullet which caused the Baron's death came from the side.


A 2002 Discovery Channel documentary suggests that Gunner W. J. "Snowy" Evans, a Lewis machine gunner with the 53rd Battery, 14th Field Artillery Brigade, Royal Australian Artillery is likely to have killed von Richthofen. Miller and the Secret History documentary dismiss this theory because of the angle from which Evans fired at Richthofen.


Other sources have suggested that Gunner Robert Buie (also of the 53rd Battery) may have fired the fatal shot. There is little support for this theory. In 2007, a municipality in Sydney recognized Buie as the man who shot down Richthofen, placing a plaque near his former home. Buie died in 1964 and has never been officially recognized in any other way.


Theories about last combat


Richthofen was a highly experienced and skilled fighter pilot—fully aware of the risk from ground fire. Further, he concurred with the rules of air fighting created by his late mentor Boelcke, who specifically advised pilots not to take unnecessary risks. In this context, Richthofen's judgment during his last combat was clearly unsound in several respects. Several theories have been proposed to account for his behavior.


In 1999, a German medical researcher, Henning Allmers, published an article in the British medical journal The Lancet, suggesting it was likely that brain damage from the head wound Richthofen suffered in July 1917 played a part in his death. This was supported by a 2004 paper by researchers at the University of Texas. Richthofen's behaviour after his injury was noted as consistent with brain-injured patients, and such an injury could account for his perceived lack of judgment on his final flight: flying too low over enemy territory and suffering target fixation.


Richthofen may have been suffering from cumulative combat stress, which made him fail to observe some of his usual precautions. One of the leading British air aces, Major Edward "Mick" Mannock, was killed by ground fire on 26 July 1918 while crossing the lines at low level, an action he had always cautioned his younger pilots against. One of the most popular of the French air aces, Georges Guynemer, went missing on 11 September 1917, probably while attacking a two-seater without realizing several Fokkers were escorting it.


There is a suggestion that on the day of Richthofen's death, the prevailing wind was about 40 km/h (25 mph) easterly, rather than the usual 40 km/h (25 mph) westerly. This meant that Richthofen, heading generally westward at an airspeed of about 160 km/h (100 mph), was traveling over the ground at up to 200 km/h (125 mph) rather than the more typical ground speed of 120 km/h (75 mph). This was considerably faster than normal and he could easily have strayed over enemy lines without realizing it.


At the time of Richthofen's death, the front was in a highly fluid state, following the initial success of the German offensive of March–April 1918. This was part of Germany's last opportunity to win the war. In the face of Allied air superiority, the German air service was having difficulty acquiring vital reconnaissance information, and could do little to prevent Allied squadrons from completing effective reconnaissance and close support of their armies.


Burial


In common with most Allied air officers, No. 3 Squadron AFC's commanding officer Major David Blake, who was responsible for Richthofen's body, regarded the Red Baron with great respect, and he organized a full military funeral.


The body was buried in the cemetery at the village of Bertangles, near Amiens, on 22 April 1918. Six of No. 3 Squadron's officers served as pallbearers, and a guard of honour from the squadron's other ranks fired a salute.


Allied squadrons stationed nearby presented memorial wreaths, one of which was inscribed with the words, "To Our Gallant and Worthy Foe".


A speculation that his opponents organized a flypast at his funeral, giving rise to the missing man formation, is most unlikely and totally unsupported by any contemporary evidence.


In the early 1920s, the French authorities created a military cemetery at Fricourt, in which a large number of German war dead, including Richthofen, were reinterred. In 1925 von Richthofen's youngest brother, Bolko, recovered the body from Fricourt and took it to Germany. The family's intention was for it to be buried in the Schweidnitz cemetery next to the graves of his father and his brother Lothar von Richthofen, who had been killed in a post-war air crash in 1922. The German Government requested that the body should instead be interred at the Invalidenfriedhof Cemetery in Berlin, where many German military heroes and past leaders were buried, and the family agreed. Richthofen's body received a state funeral. Later the Third Reich held a further grandiose memorial ceremony at the site of the grave, erecting a massive new tombstone engraved with the single word: Richthofen. During the Cold War, the Invalidenfriedhof was on the boundary of the Soviet zone in Berlin, and the tombstone became damaged by bullets fired at attempted escapees from East Germany. In 1975 the body was moved to a Richthofen family grave plot at the Südfriedhof in Wiesbaden.


Number of victories


For decades after World War I, some authors questioned whether Richthofen had achieved 80 victories, insisting that his record was exaggerated for propaganda purposes. Some claimed that he took credit for aircraft downed by his squadron or wing.


In fact, Richthofen's victories are unusually well documented. A full list of the aircraft the Red Baron was credited with shooting down was published as early as 1958—with documented RFC/RAF squadron details, aircraft serial numbers, and the identities of Allied airmen killed or captured—73 of the 80 listed match recorded British losses. A study conducted by British historian Norman Franks with two colleagues, published in Under the Guns of the Red Baron in 1998, reached the same conclusion about the high degree of accuracy of Richthofen's claimed victories. There were also unconfirmed victories that would put his actual total as high as 100 or more.


For comparison, the highest-scoring Allied ace, the Frenchman René Fonck, achieved 75 confirmed victories and a further 52 unconfirmed behind enemy lines. The highest-scoring British Empire fighter pilots were Canadian Billy Bishop, who was officially credited with 72 victories, British Mick Mannock, with 61 confirmed victories, Canadian Raymond Collishaw, with 60, and British James McCudden, with 57 confirmed victories.


Richthofen's early victories and the establishment of his reputation coincided with a period of German air superiority, but he achieved many of his successes later on against a numerically superior enemy, who flew fighter aircraft that were, on the whole, better than his own.


Orders and decorations, tributes, and relics


Orders and decorations


Prussian Military Pilot Badge

Honour Goblet for the Winner in Air Combat

Iron Cross, 1st Class (10 April 1916), 2nd Class (23 September 1914)

Duke Carl Eduard Medal with Sword Clasp (9 November 1916)

Knight's Cross of the Royal House Order of Hohenzollern with Swords (11 November 1916)

Pour le Mérite (12 January 1917)

Knight's Cross of the Military Order of St. Henry (16 April 1917)

Order of the Red Eagle, 3rd Class with Crown and Swords (2 April 1918)

Knight's Cross of the Saxe-Ernestine House Order, 1st Class with Crown and Swords

Military Merit Order (Bavaria) 4th Class with Swords

Knight's Cross of the Württemberg Military Merit Order

Hessian Bravery Medal

Cross for Faithful Service

Lippe War Merit Cross, 2nd Class

Cross of War of Honour for a Heroic Deed

Brunswick War Merit Cross, 2nd Class

Wound Badge, 3rd Class (1918)

Hanseatic Crosses of the Three Hanseatic Cities of Bremen, Hamburg, and Lübeck


Austro-Hungarian Empire


Order of the Iron Crown, 3rd Class

Austro-Hungarian Military Merit Cross, 3rd Class with War Decorations

Field Pilot Badge


Ottoman Empire


Iron Crescent

Silver Imtiyaz Medal

Silver Liakat Medal


Kingdom of Bulgaria


Military Order for Bravery, 4th Class (12 June 1917)


Tributes


At various times, several different German military aviation Geschwader (literally "squadrons"; equivalent to Commonwealth air force "groups", French escadrons or USAF "wings") have been named after the Baron:


Jagdgeschwader 132 "Richthofen" (1 April 1936 – 1 November 1938)—Wehrmacht aviation unit

Jagdgeschwader 131 "Richthofen" (1 November 1938 – 1 May 1939)—Luftwaffe

Jagdgeschwader 2 "Richthofen" (1 May 1939 – 7 May 1945)—Luftwaffe

Jagdgeschwader 71 "Richthofen" (from 6 June 1959)—the first jet-fighter unit established by the post-World War II German Bundeswehr ("federal defence force"); its founding commander was the most successful air ace in history, Erich Hartmann.


In 1941 a newly launched Kriegsmarine (German navy) seaplane tender received the name ''Richthofen'' [de].


In 1968 Richthofen was inducted into the International Air & Space Hall of Fame.


"Red Flag", the US Air Force's large scale training exercise held multiple times a year, was an outgrowth of Project Red Baron, which happened in three phases (c.  1966 to c.  1974) during the period of the Vietnam War.


Relics


Captain Roy Brown donated the seat of the Fokker triplane in which the German flying ace made his final flight to the Royal Canadian Military Institute (RCMI) in 1920. Apart from the triplane's seat, the RCMI, in Toronto, also holds a side panel signed by the pilots of Brown's squadron. The engine of Richthofen's Dr.I was donated to the Imperial War Museum in London, where it is still on display. The museum also holds the Baron's machine guns. The control column (joystick) of Richthofen's aircraft can be seen at the Australian War Memorial in Canberra. The Australian National Aviation Museum has what is suspected to be the fuel tank of Richthofen's Dr.I, however there is no conclusive proof.


Published works


Richthofen, Captain Manfred Freiherr von (July 1918). The Red Battle Flyer. Translated by Barker, T. Ellis. preface and notes by C. G Grey, editor of The Aeroplane. New York: Robert M. McBride & Co – via Project Gutenberg.




 

Birth of Detective Fiction Part II

Sub-genres


Hard-boiled


Martin Hewitt, created by British author Arthur Morrison in 1894, is one of the first examples of the modern style of fictional private detective. This character is described as an "'Everyman' detective meant to challenge the detective-as-superman that Holmes represented."


By the late 1920s, Al Capone and the Mob were inspiring not only fear, but piquing mainstream curiosity about the American crime underworld. Popular pulp fiction magazines like Black Mask capitalized on this, as authors such as Carrol John Daly published violent stories that focused on the mayhem and injustice surrounding the criminals, not the circumstances behind the crime. Very often, no actual mystery even existed: the books simply revolved around justice being served to those who deserved harsh treatment, which was described in explicit detail. The overall theme these writers portrayed reflected "the changing face of America itself.”


In the 1930s, the private eye genre was adopted wholeheartedly by American writers. One of the primary contributors to this style was Dashiell Hammett with his famous private investigator character, Sam Spade. His style of crime fiction came to be known as "hard-boiled", which is described as a genre that "usually deals with criminal activity in a modern urban environment, a world of disconnected signs and anonymous strangers." "Told in stark and sometimes elegant language through the unemotional eyes of new hero-detectives, these stories were an American phenomenon."


In the late 1930s, Raymond Chandler updated the form with his private detective Philip Marlowe, who brought a more intimate voice to the detective than the more distanced "operative's report" style of Hammett's Continental Op stories. Despite struggling through the task of plotting a story, his cadenced dialogue and cryptic narrations were musical, evoking the dark alleys and tough thugs, rich women and powerful men about whom he wrote. Several feature and television movies have been made about the Philip Marlowe character. James Hadley Chase wrote a few novels with private eyes as the main heroes, including Blonde's Requiem (1945), Lay Her Among the Lilies (1950), and Figure It Out for Yourself (1950). The heroes of these novels are typical private eyes, very similar to or plagiarizing Raymond Chandler's work.


Ross Macdonald, pseudonym of Kenneth Millar, updated the form again with his detective Lew Archer. Archer, like Hammett's fictional heroes, was a camera eye, with hardly any known past. "Turn Archer sideways, and he disappears," one reviewer wrote. Two of Macdonald's strengths were his use of psychology and his beautiful prose, which was full of imagery. Like other 'hard-boiled' writers, Macdonald aimed to give an impression of realism in his work through violence, sex and confrontation. The 1966 movie Harper starring Paul Newman was based on the first Lew Archer story The Moving Target (1949). Newman reprised the role in The Drowning Pool in 1976.


Michael Collins, pseudonym of Dennis Lynds, is generally considered the author who led the form into the Modern Age. His PI, Dan Fortune, was consistently involved in the same sort of David-and-Goliath stories that Hammett, Chandler, and Macdonald wrote, but Collins took a sociological bent, exploring the meaning of his characters' places in society and the impact society had on people. Full of commentary and clipped prose, his books were more intimate than those of his predecessors, dramatizing that crime can happen in one's own living room.


The PI novel was a male-dominated field in which female authors seldom found publication until Marcia Muller, Sara Paretsky, and Sue Grafton were finally published in the late 1970s and early 1980s. Each author's detective, also female, was brainy and physical and could hold her own. Their acceptance, and success, caused publishers to seek out other female authors.


Inverted


An inverted detective story, also known as a "howcatchem", is a murder mystery fiction structure in which the commission of the crime is shown or described at the beginning, usually including the identity of the perpetrator. The story then describes the detective's attempt to solve the mystery. There may also be subsidiary puzzles, such as why the crime was committed, and they are explained or resolved during the story. This format is the opposite of the more typical "whodunit", where all of the details of the perpetrator of the crime are not revealed until the story's climax.


Police procedural


Many detective stories have police officers as the main characters. These stories may take a variety of forms, but many authors try to realistically depict the routine activities of a group of police officers who are frequently working on more than one case simultaneously. Some of these stories are whodunits; in others, the criminal is well known, and it is a case of getting enough evidence.


In the 1940s the police procedural evolved as a new style of detective fiction. Unlike the heroes of Christie, Chandler, and Spillane, the police detective was subject to error and was constrained by rules and regulations. As Gary Huasladen says in Places for Dead Bodies, "not all the clients were insatiable bombshells, and invariably there was life outside the job." The detective in the police procedural does the things police officers do to catch a criminal. Writers include Ed McBain, P. D. James, and Bartholomew Gill.


Historical mystery


Historical mystery is set in a time period considered historical from the author's perspective, and the central plot involves the solving of a mystery or crime (usually murder). Though works combining these genres have existed since at least the early 20th century, many credit Ellis Peters's Cadfael Chronicles (1977–1994) for popularizing what would become known as the historical mystery.


A variation on this is Josephine Tey's The Daughter of Time. In it, Scotland Yard Inspector Alan Grant—who considers himself a good judge of faces—is surprised to find that what he considers to be the portrait of a sensitive man is in reality a portrait of Richard III, who murdered his brother's children in order to become king. The story details his attempt to get to the historical truth of whether Richard III is the villain he has been made out to be by history. The novel was awarded the top spot in the Top 100 Crime Novels of All Time by the UK Crime Writers' Association and the number 4 spot in The Top 100 Mystery Novels of All Time Mystery Writers of America


Cozy mystery


Cozy mystery began in the late 20th century as a reinvention of the Golden Age whodunit; these novels generally shy away from violence and suspense and frequently feature female amateur detectives. Modern cozy mysteries are frequently, though not necessarily in either case, humorous and thematic (culinary mystery, animal mystery, quilting mystery, etc.)


This style features minimal violence, sex, and social relevance; a solution achieved by intellect or intuition rather than police procedure, with order restored in the end; honorable and well bred characters; and a setting in a closed community. Writers include Agatha Christie, Dorothy L. Sayers, and Elizabeth Daly.


Serial killer mystery


Serial killer mystery might be thought of as an outcropping of the police procedural. There are early mystery novels in which a police force attempts to contend with the type of criminal known in the 1920s as a homicidal maniac, such as a few of the early novels of Philip Macdonald and Ellery Queen's Cat of Many Tails. However, this sort of story became much more popular after the coining of the phrase "serial killer" in the 1970s and the publication of The Silence of the Lambs in 1988. These stories frequently show the activities of many members of a police force or government agency in their efforts to apprehend a killer who is selecting victims on some obscure basis. They are also often much more violent and suspenseful than other mysteries.


Legal thriller


The legal thriller or courtroom novel is also related to detective fiction. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters.[citation needed] In this way, the legal system provides the framework for the legal thriller as much as the system of modern police work does for the police procedural. The legal thriller usually starts its business with the court proceedings following the closure of an investigation, often resulting in a new angle on the investigation, so as to bring about a final outcome different from the one originally devised by the investigators. In the legal thriller, court proceedings play a very active, if not to say decisive part in a case reaching its ultimate solution. Erle Stanley Gardner popularized the courtroom novel in the 20th century with his Perry Mason series. Contemporary authors of legal thrillers include Michael Connelly, Linda Fairstein, John Grisham, John Lescroart, Paul Levine, Lisa Scottoline, and Scott Turow.


Locked room mystery


The locked room mystery is a sub-genre of detective fiction in which a crime—almost always murder—is committed under circumstances which it was seemingly impossible for the perpetrator to commit the crime and/or evade detection in the course of getting in and out of the crime scene. The genre was established in the 19th century. Edgar Allan Poe's "The Murders in the Rue Morgue" (1841) is considered the first locked-room mystery; since then, other authors have used the scheme. The crime in question typically involves a crime scene with no indication as to how the intruder could have entered or left, i.e., a locked room. Following other conventions of classic detective fiction, the reader is normally presented with the puzzle and all of the clues, and is encouraged to solve the mystery before the solution is revealed in a dramatic climax.


Occult


Occult detective fiction is a sub-genre of detective fiction that combines the tropes of detective fiction with those of supernatural horror fiction. Unlike the traditional detective, the occult detective is employed in cases involving ghosts, demons, curses, magic, monsters and other supernatural elements. Some occult detectives are portrayed as knowing magic or being themselves psychic or in possession of other paranormal powers.


Modern criticism


Preserving story secrets


Even if they do not mean to, advertisers, reviewers, scholars and aficionados sometimes give away details or parts of the plot, and sometimes—for example in the case of Mickey Spillane's novel I, the Jury—even the solution. After the credits of Billy Wilder's film Witness for the Prosecution, the cinema-goers are asked not to talk to anyone about the plot so that future viewers will also be able to fully enjoy the unraveling of the mystery.


Plausibility and coincidence


For series involving amateur detectives, their frequent encounters with crime often test the limits of plausibility. The character Miss Marple, for instance, dealt with an estimated two murders a year; De Andrea has described Marple's home town, the quiet little village of St. Mary Mead, as having "put on a pageant of human depravity rivaled only by that of Sodom and Gomorrah". Similarly, TV heroine Jessica Fletcher of Murder, She Wrote was confronted with bodies wherever she went, but most notably in her small hometown of Cabot Cove, Maine; The New York Times estimated that, by the end of the series' 12-year run, nearly 2% of the town's residents had been killed. It is arguably more convincing if police, forensic experts or similar professionals are made the protagonist of a series of crime novels.


The television series Monk has often made fun of this implausible frequency. The main character, Adrian Monk, is frequently accused of being a "bad luck charm" and a "murder magnet" as the result of the frequency with which murder happens in his vicinity.


Likewise Kogoro Mori of the manga series Detective Conan got that kind of unflattering reputation. Although Mori is actually a private investigator with his own agency, the police never intentionally consult him as he stumbles from one crime scene to another.


The role and legitimacy of coincidence has frequently been the topic of heated arguments ever since Ronald A. Knox categorically stated that "no accident must ever help the detective" (Commandment No. 6 in his "Decalogue").


Effects of technology


Technological progress has also rendered many plots implausible and antiquated. For example, the predominance of mobile phones, pagers, and PDAs has significantly altered the previously dangerous situations in which investigators traditionally might have found themselves.


One tactic that avoids the issue of technology altogether is the historical detective genre. As global interconnectedness makes legitimate suspense more difficult to achieve, several writers—including Elizabeth Peters, P. C. Doherty, Steven Saylor, and Lindsey Davis—have eschewed fabricating convoluted plots in order to manufacture tension, instead opting to set their characters in some former period. Such a strategy forces the protagonist to rely on more inventive means of investigation, lacking as they do the technological tools available to modern detectives.


Conversely, some detective fiction embraces networked computer technology and deals in cybercrime, like the Daemon novel series by Daniel Suarez.


Detective Commandments


Several authors have attempted to set forth a sort of list of “Detective Commandments” for prospective authors of the genre.


According to "Twenty Rules for Writing Detective Stories," by Van Dine in 1928: "The detective story is a kind of intellectual game. It is more—it is a sporting event. And for the writing of detective stories there are very definite laws—unwritten, perhaps, but nonetheless binding; and every respectable and self-respecting concocter of literary mysteries lives up to them. Herewith, then, is a sort of credo, based partly on the practice of all the great writers of detective stories, and partly on the promptings of the honest author's inner conscience."[65] Ronald Knox wrote a set of Ten Commandments or Decalogue in 1929, see article on the Golden Age of Detective Fiction.


A general consensus among crime fiction authors is there is a specific set of rules that must be applied for a novel to truly be considered part of the detective fiction genre. As noted in "Introduction to the Analysis of Crime Fiction", crime fiction from the past 100 years has generally contained 8 key rules to be a detective novel:


A crime, most often murder, is committed early in the narrative

There are a variety of suspects with different motives

A central character formally or informally acts as a detective

The detective collects evidence about the crimes and its victim

Usually the detective interviews the suspects, as well as the witnesses

The detective solves the mystery and indicates the real criminal

Usually this criminal is now arrested or otherwise punished


Influential fictional detectives


Sherlock Holmes


Sherlock Holmes is the British fictional detective created by Sir Arthur Conan Doyle. After first appearing in A Study in Scarlet, the Sherlock Holmes stories were not an immediate success. However, after being published in the Strand Magazine in 1891, the detective became unquestionably popular. Following the success of Sherlock Holmes, many mystery writers imitated Doyle's structure in their own detective stories and copied Sherlock Holmes's characteristics in their own detectives.


Sherlock Holmes as a series is perhaps the most popular form of detective fiction. Doyle attempted to kill the character off after twenty-three stories, but after popular request, he continued to pen the Holmes tales. The popularity of Sherlock Holmes extends beyond the written medium. For example, the BBC-produced TV series Sherlock gained a very large following after first airing in 2010, imbuing a renewed interest in the character in the general public. Because of the popularity of Holmes, Conan Doyle was often regarded as being “as well-known as Queen Victoria”.


Hercule Poirot


Hercule Poirot is a fictional Belgian private detective, created by Agatha Christie. As one of Christie's most famous and long-lived characters, Poirot appeared in 33 novels, one play (Black Coffee), and more than 50 short stories, published between 1920 and 1975. Hercule Poirot first appeared in The Mysterious Affair at Styles, published in 1920, and died in Curtain, published in 1975, which is Agatha Christie's last work. On August 6, 1975, The New York Times published the obituary of Poirot's death with the cover of the newly published novel on their front page.


C. Auguste Dupin


Le Chevalier C. Auguste Dupin is a fictional character created by Edgar Allan Poe. Dupin made his first appearance in Poe's "The Murders in the Rue Morgue" (1841), widely considered the first detective fiction story. He reappears in "The Mystery of Marie Rogêt" (1842) and "The Purloined Letter" (1844).


C. Auguste Dupin is generally acknowledged as the prototype for many fictional detectives that were created later, including Sherlock Holmes by Arthur Conan Doyle and Hercule Poirot by Agatha Christie. Conan Doyle once wrote, "Each [of Poe's detective stories] is a root from which a whole literature has developed... Where was the detective story until Poe breathed the breath of life into it?"


Ellery Queen


Ellery Queen is a fictional detective created by American writers Manfred Bennington Lee and Frederic Dannay, as well as the joint pseudonym for the cousins Dannay and Lee. He first appeared in The Roman Hat Mystery (1929), and starred in more than 30 novels and several short story collections. During the 1930s and much of the 1940s, Ellery Queen was possibly the best known American fictional detective.


Books


Bloody Murder: From the Detective Story to the Crime Novel – A History by Julian Symons ISBN 0571094651


Stacy Gillis and Philippa Gates (Editors), The Devil Himself: Villainy in Detective Fiction and Film, Greenwood, 2001. ISBN 0313316554


The Manichean Investigators: A Postcolonial and Cultural Rereading of the Sherlock Holmes and Byomkesh Bakshi Stories by Pinaki Roy, New Delhi: Sarup and Sons, 2008, ISBN 978-8176258494


Killer Books by Jean Swanson & Dean James, Berkley Prime Crime edition 1998, Penguin Putnam Inc. New York ISBN 0425162184


Delightful Murder: A Social History of the Crime Story by Ernest Mandel, 1985. Univ. of Minnesota Press.


Clifford's War: The Bluegrass Battleground by J. Denison Reed ISBN 978-1737164029



 

Birth of Detective Fiction Part I



Detective fiction is a sub-genre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.


History


Ancient


Some scholars, such as R. H. Pfeiffer, have suggested that certain ancient and religious texts bear similarities to what would later be called detective fiction. In the Old Testament story of Susanna and the Elders (the Protestant Bible locates this story within the apocrypha), the account told by two witnesses broke down when Daniel cross-examines them. In response, author Julian Symons has argued that "those who search for fragments of detection in the Bible and Herodotus are looking only for puzzles" and that these puzzles are not detective stories. In the play Oedipus Rex by Ancient Greek playwright Sophocles, Oedipus investigates the unsolved murder of King Laius and discovers the truth after questioning various witnesses that he himself is the culprit. Although "Oedipus's enquiry is based on supernatural, pre-rational methods that are evident in most narratives of crime until the development of Enlightenment thought in the seventeenth and eighteenth centuries", this narrative has "all of the central characteristics and formal elements of the detective story, including a mystery surrounding a murder, a closed circle of suspects, and the gradual uncovering of a hidden past."


Early Arabic


The One Thousand and One Nights contains several of the earliest detective stories, anticipating modern detective fiction. The oldest known example of a detective story was "The Three Apples", one of the tales narrated by Scheherazade in the One Thousand and One Nights (Arabian Nights). In this story, a fisherman discovers a heavy, locked chest along the Tigris river, which he then sells to the Abbasid Caliph, Harun al-Rashid. When Harun breaks open the chest, he discovers the body of a young woman who has been cut into pieces. Harun then orders his vizier, Ja'far ibn Yahya, to solve the crime and to find the murderer within three days, or be executed if he fails in his assignment. Suspense is generated through multiple plot twists that occur as the story progressed. With these characteristics this may be considered an archetype for detective fiction. It anticipates the use of reverse chronology in modern detective fiction, where the story begins with a crime before presenting a gradual reconstruction of the past.


The main difference between Ja'far ("The Three Apples") and later fictional detectives, such as Sherlock Holmes and Hercule Poirot, is that Ja'far has no actual desire to solve the case. The whodunit mystery is solved when the murderer himself confessed his crime. This in turn leads to another assignment in which Ja'far has to find the culprit who instigated the murder within three days or else be executed. Ja'far again fails to find the culprit before the deadline, but owing to chance, he discovers a key item. In the end, he manages to solve the case through reasoning in order to prevent his own execution


On the other hand, two other Arabian Nights stories, "The Merchant and the Thief" and "Ali Khwaja", contain two of the earliest fictional detectives, who uncover clues and present evidence to catch or convict a criminal known to the audience, with the story unfolding in normal chronology and the criminal already known to the audience. The latter involves a climax where the titular detective protagonist Ali Khwaja presents evidence from expert witnesses in a court.


Early Chinese


Gong'an fiction (公案小说, literally"case records of a public law court") is the earliest known genre of Chinese detective fiction.


Some well-known stories include the Yuan Dynasty story Circle of Chalk (Chinese: 灰闌記), the Ming Dynasty story collection Bao Gong An (Chinese: 包公案) and the 18th century Di Gong An (Chinese: 狄公案) story collection. The latter was translated into English as Celebrated Cases of Judge Dee by Dutch sinologist Robert Van Gulik, who then used the style and characters to write the original Judge Dee series.


The hero/detective of these novels was typically a traditional judge or similar official based on historical personages such as Judge Bao (Bao Qingtian) or Judge Dee (Di Renjie). Although the historical characters may have lived in an earlier period (such as the Song or Tang dynasty) most stories are written in the later Ming or Qing Dynasty period.


These novels differ from the Western style tradition in several points as described by Van Gulik:


The detective is the local magistrate who is usually involved in several unrelated cases simultaneously;

The criminal is introduced at the very beginning of the story and his crime and reasons are carefully explained, thus constituting an inverted detective story rather than a "puzzle";

The stories have a supernatural element with ghosts telling people about their death and even accusing the criminal;

The stories are filled with digressions into philosophy, the complete texts of official documents, and much more, resulting in long books; and

The novels tend to have a huge cast of characters, typically in the hundreds, all described with their relation to the various main actors in the story.


Van Gulik chose Di Gong An to translate because in his view it was closer to the Western literary style and more likely to appeal to non-Chinese readers.


A number of Gong An works may have been lost or destroyed during the Literary Inquisitions and the wars in ancient China. In the traditional Chinese culture, this genre was low-prestige, and therefore was less worthy of preservation than works such as philosophy or poetry. Only little or incomplete case volumes can be found; for example, the only copy of Di Gong An was found at a second-hand book store in Tokyo, Japan.


Early Western


Edgar Allan Poe (1809–1849)


One of the earliest examples of detective fiction in Western Literature is Voltaire's Zadig (1748), which features a main character who performs feats of analysis. Things as They Are; or, The Adventures of Caleb Williams (1794) by William Godwin portrays the law as protecting the murderer and destroying the innocent. Thomas Skinner Sturr's anonymous Richmond, or stories in the life of a Bow Street officer was published in London in 1827; the Danish crime story The Rector of Veilbye by Steen Steensen Blicher was written in 1829; and the Norwegian crime novel Mordet paa Maskinbygger Roolfsen ("The Murder of Engine Maker Roolfsen") by Maurits Hansen was published in December 1839.


"Das Fräulein von Scuderi" is an 1819 short story by E. T. A. Hoffmann, in which Mlle de Scudery establishes the innocence of the police's favorite suspect in the murder of a jeweler. This story is sometimes cited as the first detective story and as a direct influence on Edgar Allan Poe's "The Murders in the Rue Morgue" (1841). Also suggested as a possible influence on Poe is ‘The Secret Cell’, a short story published in September 1837 by William Evans Burton. It has been suggested that this story may have been known to Poe, who in 1839 worked for Burton. The story was about a London policeman who solves the mystery of a kidnapped girl. Burton's fictional detective relied on practical methods such as dogged legwork, knowledge of the underworld and undercover surveillance, rather than brilliance of imagination or intellect.


English genre establishment


Detective fiction in the English-speaking world is considered to have begun in 1841 with the publication of Poe's "The Murders in the Rue Morgue", featuring "the first fictional detective, the eccentric and brilliant C. Auguste Dupin". When the character first appeared, the word detective had not yet been used in English; however, the character's name, "Dupin", originated from the English word dupe or deception. Poe devised a "plot formula that's been successful ever since, give or take a few shifting variables." Poe followed with further Auguste Dupin tales: "The Mystery of Marie Rogêt" in 1842 and "The Purloined Letter" in 1844.


Poe referred to his stories as "tales of ratiocination". In stories such as these, the primary concern of the plot is ascertaining truth, and the usual means of obtaining the truth is a complex and mysterious process combining intuitive logic, astute observation, and perspicacious inference. "Early detective stories tended to follow an investigating protagonist from the first scene to the last, making the unraveling a practical rather than emotional matter." "The Mystery of Marie Rogêt" is particularly interesting because it is a barely fictionalized account based on Poe's theory of what happened to the real-life Mary Cecilia Rogers.


William Russell (1806–1876) was among the first English authors to write fictitious 'police memoirs', contributing an irregular series of stories (under the pseudonym 'Waters') to Chambers's Edinburgh Journal between 1849 and 1852. Unauthorized collections of his stories were published in New York City in 1852 and 1853, entitled The Recollections of a Policeman. Twelve stories were then collated into a volume entitled Recollections of a Detective Police-Officer, published in London in 1856.


Literary critic Catherine Ross Nickerson credits Louisa May Alcott with creating the second-oldest work of modern detective fiction, after only Poe's Dupin stories themselves, with the 1865 thriller "V.V., or Plots and Counterplots." A short story published anonymously by Alcott, the story concerns a Scottish aristocrat who tries to prove that a mysterious woman has killed his fiancée and cousin. The detective on the case, Antoine Dupres, is a parody of Auguste Dupin who is less concerned with solving the crime as he is in setting up a way to reveal the solution with a dramatic flourish. Ross Nickerson notes that many of the American writers who experimented with Poe's established rules of the genre were women, inventing a sub-genre of domestic detective fiction that flourished in its own right for several generations. These included Metta Fuller Victor's two detective novels The Dead Letter (1867) and The Figure Eight (1869). The Dead Letter is noteworthy as the first full-length work of American crime fiction.


Émile Gaboriau was a pioneer of the detective fiction genre in France. In Monsieur Lecoq (1868), the title character is adept at disguise, a key characteristic of detectives. Gaboriau's writing is also considered to contain the first example of a detective minutely examining a crime scene for clues.


Charles Dickens (1812–1870)


Another early example of a whodunit is a subplot in the novel Bleak House (1853) by Charles Dickens. The conniving lawyer Tulkinghorn is killed in his office late one night, and the crime is investigated by Inspector Bucket of the Metropolitan police force. Numerous characters appeared on the staircase leading to Tulkinghorn's office that night, some of them in disguise, and Inspector Bucket must penetrate these mysteries to identify the murderer. Dickens also left a novel unfinished at his death, The Mystery of Edwin Drood.


Wilkie Collins (1824–1889)


Dickens's protégé, Wilkie Collins (1824–1889)—sometimes called the "grandfather of English detective fiction"—is credited with the first great mystery novel, The Woman in White. T. S. Eliot called Collins's novel The Moonstone (1868) "the first, the longest, and the best of modern English detective novels... in a genre invented by Collins and not by Poe", and Dorothy L. Sayers called it "probably the very finest detective story ever written". The Moonstone contains a number of ideas that have established in the genre several classic features of the 20th century detective story:


English country house robbery

An "inside job"

red herrings

A celebrated, skilled, professional investigator

Bungling local constabulary

Detective inquiries

Large number of false suspects

The "least likely suspect"

A rudimentary "locked room" murder

A reconstruction of the crime

A final twist in the plot


Arthur Conan Doyle (1859–1930)


Although The Moonstone is usually seen as the first detective novel, there are other contenders for the honor. A number of critics suggest that the lesser known Notting Hill Mystery (1862–63), written by the pseudonymous "Charles Felix" (later identified as Charles Warren Adams), preceded it by a number of years and first used techniques that would come to define the genre.


Literary critics Chris Willis and Kate Watson consider Mary Elizabeth Braddon's first book, the even earlier The Trail of the Serpent (1861), the first British detective novel. The novel "features an unusual and innovative detective figure, Mr. Peters, who is lower class and mute, and who is initially dismissed both by the text and its characters." Braddon's later and better-remembered work, Aurora Floyd (printed in 1863 novel form, but serialized in 1862–63), also features a compelling detective in the person of Detective Grimstone of Scotland Yard.


Tom Taylor's melodrama The Ticket-of-Leave Man, an adaptation of Léonard by Édouard Brisbarre and Eugène Nus, appeared in 1863, introducing Hawkshaw the Detective. In short, it is difficult to establish who was the first to write the English-language detective novel, as various authors were exploring the theme simultaneously.


Anna Katharine Green, in her 1878 debut The Leavenworth Case and other works, popularized the genre among middle-class readers and helped to shape the genre into its classic form as well as developed the concept of the series detective.


In 1887, Arthur Conan Doyle created Sherlock Holmes, arguably the most famous of all fictional detectives. Although Sherlock Holmes is not the original fictional detective (he was influenced by Poe's Dupin and Gaboriau's Lecoq), his name has become a byword for the part. Conan Doyle stated that the character of Holmes was inspired by Dr. Joseph Bell, for whom Doyle had worked as a clerk at the Edinburgh Royal Infirmary. Like Holmes, Bell was noted for drawing large conclusions from the smallest observations. A brilliant London-based "consulting detective" residing at 221B Baker Street, Holmes is famous for his intellectual prowess and is renowned for his skillful use of astute observation, deductive reasoning, and forensic skills to solve difficult cases. Conan Doyle wrote four novels and fifty-six short stories featuring Holmes, and all but four stories are narrated by Holmes's friend, assistant, and biographer, Dr. John H. Watson.


Golden Age novels


Agatha Christie (1890–1976)


The period between World War I and World War II (the 1920s and 1930s) is generally referred to as the Golden Age of Detective Fiction. During this period, a number of very popular writers emerged, including mostly British but also a notable subset of American and New Zealand writers. Female writers constituted a major portion of notable Golden Age writers. Agatha Christie, Dorothy L. Sayers, Josephine Tey, Margery Allingham, and Ngaio Marsh were particularly famous female writers of this time. Apart from Ngaio Marsh (a New Zealander), they were all British.


Various conventions of the detective genre were standardized during the Golden Age, and in 1929, some of them were codified by the English Catholic priest and author of detective stories Ronald Knox in his 'Decalogue' of rules for detective fiction. One of his rules was to avoid supernatural elements so that the focus remained on the mystery itself. Knox has contended that a detective story "must have as its main interest the unraveling of a mystery; a mystery whose elements are clearly presented to the reader at an early stage in the proceedings, and whose nature is such as to arouse curiosity, a curiosity which is gratified at the end." Another common convention in Golden Age detective stories involved an outsider–sometimes a salaried investigator or a police officer, but often a gifted amateur—investigating a murder committed in a closed environment by one of a limited number of suspects.


The most widespread sub-genre of the detective novel became the whodunit (or whodunnit, short for "who done it?"). In this sub-genre, great ingenuity may be exercised in narrating the crime, usually a homicide, and the subsequent investigation. This objective was to conceal the identity of the criminal from the reader until the end of the book, when the method and culprit are both revealed. According to scholars Carole Kismaric and Marvin Heiferman, "The golden age of detective fiction began with high-class amateur detectives sniffing out murderers lurking in rose gardens, down country lanes, and in picturesque villages. Many conventions of the detective-fiction genre evolved in this era, as numerous writers—from populist entertainers to respected poets—tried their hands at mystery stories."


John Dickson Carr—who also wrote as Carter Dickson—used the “puzzle” approach in his writing which was characterized by including a complex puzzle for the reader to try to unravel. He created ingenious and seemingly impossible plots and is regarded as the master of the "locked room mystery". Two of Carr's most famous works are The Case of Constant Suicides (1941) and The Hollow Man (1935). Another author, Cecil Street—who also wrote as John Rhode—wrote of a detective, Dr. Priestley, who specialized in elaborate technical devices. In the United States, the whodunit sub-genre was adopted and extended by Rex Stout and Ellery Queen, along with others. The emphasis on formal rules during the Golden Age produced great works, albeit with highly standardized form. The most successful novels of this time included “an original and exciting plot; distinction in the writing, a vivid sense of place, a memorable and compelling hero and the ability to draw the reader into their comforting and highly individual world.”


'Whodunit'


A whodunit or whodunnit (a colloquial elision of "Who [has] done it?" or "Who did it?") is a complex, plot-driven variety of the detective story in which the audience is given the opportunity to engage in the same process of deduction as the protagonist throughout the investigation of a crime. The reader or viewer is provided with the clues from which the identity of the perpetrator may be deduced before the story provides the revelation itself at its climax. The "whodunit" flourished during the so-called "Golden Age" of detective fiction, between 1920 and 1950, when it was the predominant mode of crime writing.


Agatha Christie


Agatha Christie is not only the most famous Golden Age writer, but also considered one of the most famous authors of all genres of all time. At the time of her death in 1976, “she was the best-selling novelist in history.”


Many of the most popular books of the Golden Age were written by Agatha Christie. She produced long series of books featuring detective characters like Hercule Poirot and Miss Marple, amongst others. Her use of basing her stories on complex puzzles, “combined with her stereotyped characters and picturesque middle-class settings”, is credited for her success. Christie's works include Murder on the Orient Express (1934), Death on the Nile (1937), Three Blind Mice (1950) and And Then There Were None (1939).


By country


China


Through China's Golden Age of crime fiction (1900–1949), translations of Western classics, and native Chinese detective fictions circulated within the country.


Cheng Xiaoqing had first encountered Conan Doyle's highly popular stories as an adolescent. In the ensuing years, he played a major role in rendering them first into classical and later into vernacular Chinese. Cheng Xiaoqing's translated works from Sir Arthur Conan Doyle introduced China to a new type of narrative style. Western detective fiction that was translated often emphasized “individuality, equality, and the importance of knowledge”, appealing to China that it was the time for opening their eyes to the rest of the world.


This style began China's interest in popular crime fiction, and is what drove Cheng Xiaoqing to write his own crime fiction novel, Sherlock in Shanghai. In the late 1910s, Cheng began writing detective fiction very much in Conan Doyle's style, with Bao as the Watson-like narrator; a rare instance of such a direct appropriation from foreign fiction. Famed as the “Oriental Sherlock Holmes”, the duo Huo Sang and Bao Lang become counterparts to Doyle's Sherlock Holmes and Dr. Watson characters.

Japan


Edogawa Rampo is the first major Japanese modern mystery writer and the founder of the Detective Story Club in Japan. Rampo was an admirer of western mystery writers. He gained his fame in the early 1920s, when he began to bring to the genre many bizarre, erotic and even fantastic elements. This is partly because of the social tension before World War II. In 1957, Seicho Matsumoto received the Mystery Writers of Japan Award for his short story The Face (kao). The Face and Matsumoto's subsequent works began the "social school" (社会派 shakai ha) within the genre, which emphasized social realism, described crimes in an ordinary setting and sets motives within a wider context of social injustice and political corruption. Since the 1980s, a "new orthodox school" (新本格派 shin honkaku ha) has surfaced. It demands restoration of the classic rules of detective fiction and the use of more self-reflective elements. Famous authors of this movement include Soji Shimada, Yukito Ayatsuji, Rintaro Norizuki, Alice Arisugawa, Kaoru Kitamura and Taku Ashibe.


Pakistan


Ibn-e-Safi is the most popular Urdo detective fiction writer. He started writing his famous Jasoosi Dunya Series spy stories in 1952 with Col. Fareedi & Captain. Hameed as main characters. In 1955 he started writing Imran Series spy novels with Ali Imran as X2 the chief of secret service and his companions. After his death many other writers accepted Ali Imran character and wrote spy novels.


Another popular spy novel writer was Ishtiaq Ahmad who wrote Inspector Jamsheed, Inspector Kamran Mirza and Shooki brother's series of spy novels.


Russia


Stories about robbers and detectives were very popular in Russia since old times. The most famous hero in XVIII cent. was Ivan Osipov (1718–after 1756), nicknamed Ivan Kain. Another examples of early Russian detective stories are: "Bitter Fate" (1789) by M. D. Chulkov (1743–1792), "The Finger Ring" (1831) by Yevgeny Baratynsky, "The White Ghost" (1834) by Mikhail Zagoskin, Crime and Punishment (1866) and The Brothers Karamazov (1880) by Fyodor Dostoevsky. Detective fiction in modern Russian literature with clear detective plots started with The Garin Death Ray (1926–1927) and The Black Gold (1931) by Aleksey Nikolayevich Tolstoy, Mess-Mend by Marietta Shaginyan, The Investigator's Notes by Lev Sheinin. Boris Akunin is a famous Russian writer of historical detective fiction in modern-day Russia.


United States


Especially in the United States, detective fiction emerged in the 1960s, and gained prominence in later decades, as a way for authors to bring stories about various subcultures to mainstream audiences. One scholar wrote about the detective novels of Tony Hillerman, set among the Native American population around New Mexico, "many American readers have probably gotten more insight into traditional Navajo culture from his detective stories than from any other recent books." Other notable writers who have explored regional and ethnic communities in their detective novels are Harry Kemelman, whose Rabbi Small series were set in the Conservative Jewish community of Massachusetts; Walter Mosley, whose Easy Rawlins books are set in the African American community of 1950s Los Angeles; and Sara Paretsky, whose V. I. Warshawski books have explored the various subcultures of Chicago.