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Life of Phil Spector

 

Harvey Phillip Spector (December 26, 1939 – January 16, 2021) was an American record producer, musician, and songwriter who is best known for his innovative recording practices and entrepreneurship in the 1960s, followed decades later by his two trials and conviction for murder in the 2000s. Spector developed the Wall of Sound, a production style that he described as a Wagnerian approach to rock and roll. He is regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s.

Born in the Bronx, Spector moved to Los Angeles as a teenager and began his career in 1958 as a founding member of the Teddy Bears, for whom he penned "To Know Him Is to Love Him", a U.S. number-one hit. In 1960, after working as an apprentice to Leiber and Stoller, Spector co-founded Philles Records, and at the age of 21 became the youngest ever U.S. label owner to that point. Dubbed the "First Tycoon of Teen", Spector became considered the first auteur of the music industry for the unprecedented control he had over every phase of the recording process. He produced acts such as the Ronettes, the Crystals, and Ike & Tina Turner, and typically collaborated with arranger Jack Nitzsche and engineer Larry Levine. The musicians from his de facto house band, later known as "the Wrecking Crew", rose to industry fame through his hit records.

In the early 1970s, Spector produced the Beatles' Let It Be and several solo records by John Lennon and George Harrison. By the mid-1970s, Spector had produced eighteen U.S. Top 10 singles for various artists. His chart-toppers included the Righteous Brothers' "You've Lost That Lovin' Feelin'", the Beatles' "The Long and Winding Road", and Harrison's "My Sweet Lord". Following one-off productions for Leonard Cohen (Death of a Ladies' Man), Dion DiMucci (Born to Be with You), and the Ramones (End of the Century), Spector remained largely inactive amid a lifestyle of seclusion, drug use, and increasingly erratic behavior.

Spector helped establish the role of the studio as an instrument, the integration of pop art aesthetics into music (art pop), and the genres of art rock and dream pop. His honors include the 1973 Grammy Award for Album of the Year for co-producing Harrison's Concert for Bangladesh, a 1989 induction into the Rock and Roll Hall of Fame, and a 1997 induction into the Songwriters Hall of Fame. In 2004, Spector was ranked number 63 on Rolling Stone's list of the greatest artists in history. In 2009, after spending three decades in semi-retirement, he was convicted for the 2003 murder of the actress Lana Clarkson and sentenced to 19 years to life in prison. He died in prison in 2021.

Biography

1939–1959: Background and the Teddy Bears

Harvey Phillip Spector was born on December 26, 1939, to Benjamin and Bertha Spector, a first-generation immigrant Jewish family in the Bronx, New York City. Benjamin's father arrived in the United States from Russian Empire in 1913; he anglicized his last name from 'Spektor' to 'Spector' in 1927 on his naturalization papers. Bertha's father had also anglicized his name to George Spector when completing his naturalization papers in 1923, and the papers of both men were witnessed by the same person, an Isidore Spector. The similarities in name and background of the grandfathers have led to speculation by Spector that his parents were first cousins.

In April 1949, Spector's father committed suicide; on his gravestone were inscribed the words "Ben Spector. Father. Husband. To Know Him Was To Love Him". In 1953, Spector's mother moved the family to Los Angeles where she found work as a seamstress. Spector attended John Burroughs Junior High School (now John Burroughs Middle School) on Wilshire Boulevard, then in 1954 transferred to Fairfax High School. Having learned to play guitar, Spector performed "Rock Island Line" in a talent show at Fairfax High. Also at Fairfax, he joined a loose-knit community of aspiring musicians, including Lou Adler, Bruce Johnston, Steve Douglas, and Sandy Nelson. Spector formed a group, the Teddy Bears, with Nelson and two other friends, Marshall Leib and Annette Kleinbard.

During this period, record producer Stan Ross—co-owner of Gold Star Studios in Hollywood—began to tutor Spector in record production and exerted a major influence on Spector's production style. In 1958, the Teddy Bears recorded the Spector-penned "Don't You Worry My Little Pet", and then signed a two to three singles recording deal with Era Records, with the promise of more if the singles did well.

At their next session, they recorded another song Spector had written—this one inspired by the epitaph on Spector's father's tombstone. Released on Era's subsidiary label, Dore Records, "To Know Him Is to Love Him" reached number one on Billboard Hot 100 singles chart on December 1, 1958, selling over a million copies by year's end. It was the seventh number-one single on the newly formed chart. Following the success of their debut, the group signed with Imperial Records. Their next single, "I Don't Need You Anymore", reached number 91. They released several more recordings, including an album, The Teddy Bears Sing!, but failed to reach the top 100 in US sales. The group disbanded in 1959.

1959–1962: Early production work, Philles Records, and the Crystals

While recording the Teddy Bears' album, Spector met Lester Sill, a former promotion man who was a mentor to Jerry Leiber and Mike Stoller. Sill and his partner, Lee Hazlewood supported Spector's next project, the Spectors Three. In 1960, Sill arranged for Spector to work as an apprentice to Leiber and Stoller in New York. Spector co-wrote the Ben E. King Top 10 hit "Spanish Harlem" with Jerry Leiber and also worked as a session musician, playing the guitar solo on the Drifters' song "On Broadway".

Spector's first true recording artist and project as producer was Ronnie Crawford. Spector's production work during this time included releases by LaVern Baker, Ruth Brown, and Billy Storm, as well as the Top Notes' original recording of "Twist and Shout". Leiber and Stoller recommended Spector to produce Ray Peterson's "Corrine, Corrina", which reached number 9 in January 1961. Later, he produced another major hit for Curtis Lee, "Pretty Little Angel Eyes", which made it to number 7. Returning to Hollywood, Spector agreed to produce one of Sill's acts. After both Liberty Records and Capitol Records turned down the master of "Be My Boy" by the Paris Sisters, Sill formed a new label, Gregmark Records, with Lee Hazlewood, and released it. It reached only number 56, but the follow-up, "I Love How You Love Me", was a hit, reaching number 5.

In late 1961, Spector formed a record company with Sill, who by this time had ended his business partnership with Hazlewood. Philles Records combined the first names of its two founders. Through Hill and Range Publishers, Spector found three groups he wanted to produce: the Ducanes, the Creations, and the Crystals. The first two signed with other companies, but Spector managed to secure the Crystals for his new label. Their first single, "There's No Other (Like My Baby)" was a success, hitting number 20. Their next release, "Uptown", made it to number 13.

Spector continued to work freelance with other artists. In 1962, he produced "Second Hand Love" by Connie Francis, which reached #7. In the early 1960s, he briefly worked with Atlantic Records' R&B artists Ruth Brown and LaVern Baker. Ahmet Ertegun of Atlantic paired Spector with future Broadway star Jean DuShon for "Talk to Me", the B-side of which was "Tired of Trying", written by DuShon.

1962–1965: Bob B. Soxx & the Blue Jeans, the Ronettes, and the Righteous Brothers

In 1962, Spector briefly took a job as an A&R producer for Liberty Records. It was while working at Liberty that he heard a song written by Gene Pitney, for whom he had produced a number 41 hit, "Every Breath I Take", a year earlier. "He's a Rebel" was due to be released on Liberty by Vikki Carr, but Spector rushed into Gold Star Studios and recorded a cover version using Darlene Love and the Blossoms on lead vocals. The record was released on Philles, attributed to the Crystals, and quickly rose to the top of the charts.

By the time "He's a Rebel" went to number 1, Lester Sill was out of the company, and Spector had Philles all to himself. He created a new act, Bob B. Soxx & the Blue Jeans, featuring Darlene Love, Fanita James (a member of the Blossoms), and Bobby Sheen, a singer he had worked with at Liberty. The group had hits with "Zip-a-Dee-Doo-Dah" (number 8), "Why Do Lovers Break Each Other's Heart" (number 38), and "Not Too Young to Get Married" (number 63). Spector also released solo material by Darlene Love in 1963. In the same year, he released "Be My Baby" by the Ronettes, which went to number 2.

The first time Spector put the same amount of effort into an LP as he did into 45s was when he utilized the full Philles roster and the Wrecking Crew to make what he felt would become a hit for the 1963 Christmas season. A Christmas Gift for You from Philles Records was released a few days after the assassination of President Kennedy in November 1963.

On September 28, 1963, the Ronettes appeared at the Cow Palace, near San Francisco. Also on the bill were the Righteous Brothers. Spector, who was conducting the band for all the acts, was so impressed with Bill Medley and Bobby Hatfield that he bought their contract from Moonglow Records and signed them to Philles. In early 1965, "You've Lost That Lovin' Feelin'" became the label's second number 1 single. Three more major hits with the duo followed: "Just Once in My Life" (number 9), "Unchained Melody" (number 4, originally the B-side of "Hung on You"), and "Ebb Tide" (number 5). Despite having hits, he lost interest in producing the Righteous Brothers and sold their contract and all their master recordings to Verve Records. However, the sound of the Righteous Brothers' singles was so distinctive that the act chose to replicate it after leaving Spector, notching a second number 1 hit in 1966 with the Bill Medley–produced "(You're My) Soul and Inspiration".

During this period, Spector formed another subsidiary label, Phi-Dan Records, partly created to keep promoter Danny Davis occupied. The label released singles by artists including Betty Willis, the Lovelites, and the Ikettes. None of the recordings on Phi-Dan were produced by Spector.

The recording of "Unchained Melody", credited on some releases as a Spector production although Medley has consistently said he produced it originally as an album track, had a second wave of popularity 25 years after its initial release, when it was featured prominently in the 1990 hit movie Ghost. A re-release of the single re-charted on the Billboard Hot 100, and went to number one on the Adult Contemporary charts. This also put Spector back on the U.S. Top 40 charts for the first time since his last appearance in 1971 with John Lennon's "Imagine", though he did have UK top 40 hits in the interim with the Ramones.

1966–1969: Ike & Tina Turner and hiatus

Spector released another single by Ike & Tina Turner, "I'll Never Need More Than This", while negotiating a deal to move Philles to A&M Records in 1967. The deal did not materialize, and Spector subsequently lost enthusiasm for his label and the recording industry. Already something of a recluse, he withdrew temporarily from the public eye, marrying Veronica "Ronnie" Bennett, lead singer of the Ronettes, in 1968. Spector emerged briefly for a cameo as himself in an episode of I Dream of Jeannie (1967) and as a drug dealer in the film Easy Rider (1969).

In 1969, Spector made a brief return to the music business by signing a production deal with A&M Records. A Ronettes single, "You Came, You Saw, You Conquered" flopped, but Spector returned to the Hot 100 with "Black Pearl", by Sonny Charles and the Checkmates, Ltd., which reached number 13.

1970–1973: Comeback and Beatles collaborations

In early 1970, Allen Klein, the new manager of the Beatles, brought Spector to England. After impressing with his production of John Lennon's solo single "Instant Karma!", which went to number 3, Spector was invited by Lennon and George Harrison to take on the task of turning the Beatles' abandoned Let It Be recording sessions into a usable album. He went to work using many of his production techniques, making significant changes to the arrangements and sound of some songs. Released a month after the Beatles' break-up, the album topped the U.S. and UK charts. It also yielded the number 1 U.S. single "The Long and Winding Road". Spector's overdubbing of "The Long and Winding Road" infuriated its composer, Paul McCartney. Several music critics also maligned Spector's work on Let It Be; he later attributed this partly to resentment that an American producer appeared to be "taking over" such a popular English band. Lennon defended Spector, telling Jann Wenner of Rolling Stone: "he was given the shittiest load of badly recorded shit, with a lousy feeling toward it, ever. And he made something out of it. He did a great job."

For Harrison's multi-platinum album All Things Must Pass (number 1, 1970), Spector helped provide a symphonic ambience, although his health issues meant that after recording the basic tracks, he was absent from the project until the mixing stage. Rolling Stone's reviewer lauded the album's sound, calling it "Wagnerian, Brucknerian, the music of mountain tops and vast horizons". The triple LP yielded two major hits: "My Sweet Lord" (number 1) and "What Is Life" (number 10). That same year, Spector co-produced Lennon's Plastic Ono Band (number 6), a stark-sounding album devoid of any Wall of Sound extravagance. Through Harrison, he also produced the debut single by Derek and the Dominos, "Tell the Truth", but the band disliked the sound and had the record withdrawn.

Spector was made head of A&R for Apple Records. He held the post for only a year, during which he co-produced Lennon's 1971 single "Power to the People" (number 11) and his chart-topping album Imagine. The album's title track hit number 3. With Harrison, Spector co-produced Harrison's "Bangla Desh" (number 23)—rock's first charity single—and wife Ronnie Spector's "Try Some, Buy Some" (number 77). The latter was recorded for Ronnie's intended solo album on Apple Records, a project that stalled due to the same erratic, alcohol-fueled behavior from Spector that had hindered work on All Things Must Pass. Spector was convinced that the Harrison-written single would be a major hit, and its poor commercial performance was one of the biggest disappointments of his career.

That same year Spector oversaw the live recording of the Harrison-organized Concert for Bangladesh shows in New York City, which resulted in the number 1 triple album The Concert for Bangladesh. The album won the "Album of the Year" award at the 1973 Grammys. Despite being recorded live, Spector used up to 44 microphones simultaneously to create his trademark Wall of Sound. Following Harrison's death in 2001, Spector said that the most creative period of his career was when he worked with Lennon and Harrison in the early 1970s, and he believed that this was true of Lennon and Harrison also, despite their achievements with the Beatles.

Lennon retained Spector for the 1971 Christmas single "Happy Xmas (War Is Over)" and the poorly reviewed 1972 album Some Time in New York City (number 48), both collaborations with Yoko Ono. In late 1972, Apple reissued Spector's A Christmas Gift for You from Philles Records (as Phil Spector's Christmas Album), bringing the recordings the commercial success and critical recognition that had originally eluded the 1963 release. Lennon and Ono's "Happy Xmas" single similarly stalled in sales upon its initial release, but later became a fixture on radio station playlists around Christmas.

Harrison and Spector started work on Harrison's Living in the Material World album in October 1972, but Spector's unreliability soon led to Harrison dismissing him from the project. Harrison recalled having to climb down into Spector's central London hotel room from the roof to get him to attend the sessions, and that his co-producer would then need "eighteen cherry brandies before he could get himself down to the studio".

In late 1973, Spector produced the initial recording sessions for what became Lennon's 1975 covers album Rock 'n' Roll (number 6). The sessions were held in Los Angeles, with Lennon allowing Spector free rein as producer for the first time, but were characterized by substance abuse and chaotic arrangements. Amid the party atmosphere, Spector brandished his handguns and at one point fired a shot while Lennon was recording. In December, Lennon and Spector abandoned the collaboration. Since the studio time had been booked by his production company, Spector withheld the tapes until June the following year, when Lennon reimbursed him through Capitol Records.

1974–1980: Near-fatal accident, Warner-Spector Records, Leonard Cohen, and the Ramones

As the 1970s progressed, Spector became increasingly reclusive. The most probable and significant reason for his withdrawal, according to biographer Dave Thompson, was that in 1974 he was seriously injured when he was thrown through the windshield of his car in a crash in Hollywood. According to a contemporary report published in the New Musical Express,[citation needed] Spector was almost killed, and it was only because the attending police officer detected a faint pulse that Spector was not declared dead at the scene. He was admitted to the UCLA Medical Center on the night of March 31, 1974, suffering serious head injuries that required several hours of surgery, with over 300 stitches to his face and more than 400 to the back of his head. His head injuries, Thompson suggests, were the reason that Spector began his habit of wearing outlandish wigs in later years.

He established the Warner-Spector label with Warner Bros. Records, which undertook new Spector-produced recordings with Cher, Darlene Love, Danny Potter, and Jerri Bo Keno, in addition to several reissues. A similar relationship with Britain's Polydor Records led to the formation of the Phil Spector International label in 1975. When the Cher and Keno singles (the latter's recordings were only issued in Germany) foundered on the charts, Spector released Dion DiMucci's Born to Be with You to little commercial fanfare in 1975; largely produced and recorded by Spector in 1974, it was subsequently disowned by the singer. In the 1990s and 2000s, the album enjoyed a resurgence among the indie rock cognoscenti. The majority of Spector's classic Philles recordings had been out of print in the U.S. since the original label's demise, although Spector had released several Philles Records compilations in Britain. Finally, he released an American compilation of his Philles recordings in 1977, which put most of the better-known Spector hits back into circulation after many years.

Spector began to reemerge later in the decade, producing and co-writing a controversial 1977 album by Leonard Cohen, titled Death of a Ladies' Man. This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains. The recording was fraught with difficulty. After Cohen had laid down practice vocal tracks, Spector mixed the album in studio sessions, rather than allowing Cohen to take a role in the mixing, as Cohen had previously done. Cohen remarked that the end result is "grotesque", but also "semi-virtuous"—for many years, he included a reworked version of the track "Memories" in live concerts. Bob Dylan and Allen Ginsberg also participated in the background vocals on "Don't Go Home with Your Hard-On".

Spector also produced the much-publicized Ramones album End of the Century in 1979. As with his work with Leonard Cohen, End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles, such as "Rock 'n' Roll High School", "Do You Remember Rock 'n' Roll Radio?", and their cover of a previously released Spector song for the Ronettes, "Baby, I Love You". Guitarist Johnny Ramone later commented on working with Spector on the recording of the album, "It really worked when he got to a slower song like 'Danny Says'—the production really worked tremendously. For the harder stuff, it didn't work as well."

Rumors circulated for years that Spector had threatened members of the Ramones with a gun during the sessions. Dee Dee Ramone claimed that Spector once pulled a gun on him when he tried to leave a session. Drummer Marky Ramone recalled in 2008, "They [guns] were there but he had a license to carry. He never held us hostage. We could have left at any time".

1981–2003: Inactivity

Spector remained inactive throughout most of the 1980s, 1990s, and early 2000s. In early 1981, shortly after the death of John Lennon, he temporarily re-emerged to co-produce Yoko Ono's Season of Glass.

In 1989, Tina Turner inducted Spector into the Rock and Roll Hall of Fame as a non-performer. Rolling Stone reported, "Spector hit the stage bopping madly to the strains of the Ronettes' 'Be My Baby', flanked by three beefy bodyguards who practically elbowed Tina out of the way. He mumbled a few incoherent words about George Bush and the presidential inauguration, and then his bodyguards carried him away again." He was inducted into the Songwriters Hall of Fame in 1997 and he received the Grammy Trustees Award in 2000.

In 1994, Spector wrote a letter to the Rock and Roll Hall of Fame's nominating committee to oppose the Ronettes being considered for induction. He argued that the group was not a proper recording act and did not contribute enough to music to merit an induction. The Ronettes were eventually inducted into the Hall, but not until 2007.

He attempted to work with Céline Dion on her album Falling into You but fell out with her production team. His last released project was Silence Is Easy by Starsailor, in 2003. He was originally supposed to produce the entire album, but was fired owing to personal and creative differences. One of the two Spector-produced songs on the album, the title track, was a UK top 10 single (the other single being "White Dove").

2003–2021: Clarkson murder and imprisonment

On February 3, 2003, Spector shot actress Lana Clarkson in the mouth while in his mansion (the Pyrenees Castle) in Alhambra, California. Her body was found slumped in a chair with a single gunshot wound to her mouth. Spector told Esquire in July 2003 that Clarkson's death was an "accidental suicide" and that she "kissed the gun". The emergency call from Spector's home, made by Spector's driver, Adriano de Souza, quotes Spector as saying, "I think I've killed somebody". De Souza added that he saw Spector come out of the back door of the house with a gun in his hand.

Spector remained free on $1 million bail while awaiting trial. In the meantime, Spector produced singer-songwriter Hargo Khalsa's track (known professionally as Hargo) "Crying for John Lennon", which originally appears on Hargo's 2006 album In Your Eyes. On a visit to Spector's mansion for an interview for the Lennon tribute film Strawberry Fields, Hargo played Spector the song and asked him to produce it.

On March 19, 2007, Spector's murder trial began. Presiding Judge Larry Paul Fidler allowed the proceedings in Los Angeles Superior Court to be televised. On September 26, Fidler declared a mistrial because of a hung jury (ten to two for conviction).

Released in December 2007, the song "B Boy Baby" by Mutya Buena and Amy Winehouse featured melodic and lyrical passages heavily influenced by "Be My Baby". As a result, Spector was given a songwriting credit on the single. The sections from "Be My Baby" were sung by Winehouse, not sampled from the mono single. Winehouse referenced her admiration of Spector's work and often performed Spector's first hit song, "To Know Him Is to Love Him". That same month, Spector attended the funeral of Ike Turner. In his eulogy, Spector criticized Tina Turner's autobiography—and its subsequent promotion by Oprah Winfrey—as a "badly written" book that "demonized and vilified Ike". Spector commented that "Ike made Tina the jewel she was. When I went to see Ike play at the Cinegrill in the '90s ... there were at least five Tina Turners on the stage performing that night, any one of them could have been Tina Turner."

In mid-April 2008, BBC Two broadcast a special titled Phil Spector: The agony and the ecstasy, by Vikram Jayanti. It consists of Spector's first screen interview—breaking a long period of media silence. During the conversation, images from the murder court case are juxtaposed with live appearances of his tracks on television programs from the 1960s and 1970s, along with subtitles giving critical interpretations of some of his song production values. While he does not directly try to clear his name, the court case proceedings shown try to give further explanation of the facts surrounding the murder charges leveled against him. He also speaks about the musical instincts that led him to create some of his most enduring hit records, from "You've Lost That Lovin' Feelin'" to "River Deep, Mountain High", as well as Let It Be, along with criticisms he feels he has had to deal with throughout his life.

The retrial of Spector for murder in the second degree began on October 20, 2008, with Judge Fidler again presiding; the retrial was not televised. Spector was once again represented by attorney Jennifer Lee Barringer. The case went to the jury on March 26, 2009, and 18 days later, on April 13, the jury returned a guilty verdict. Additionally, Spector was found guilty of using a firearm in the commission of a crime, which added four years to the sentence. He was immediately taken into custody and, on May 29, 2009, was sentenced to 19 years to life in the California state prison system. Various attempted appeals were unsuccessful, in 2011, 2012, and 2016.

Musicianship

Spector's early musical influences included Latin music in general, and Latin percussion in particular. This is perceptible in many if not all of Spector's recordings, from the percussion in many of his hit songs: shakers, güiros (gourds), and maracas in "Be My Baby" and the son montuno in "You've Lost That Lovin' Feeling" (heard clearly in the song's bridge, played by session bassist Carol Kaye, while the same repeating refrain is played on harpsichord by Larry Knechtel).

Spector's trademark during his recording career was the so-called Wall of Sound, a production technique yielding a dense, layered effect that reproduced well on AM radio and jukeboxes. To attain this signature sound, Spector gathered large groups of musicians (playing some instruments not generally used for ensemble playing, such as electric and acoustic guitars) playing orchestrated parts—often doubling and tripling many instruments playing in unison—for a fuller sound. Spector himself called his technique "a Wagnerian approach to rock & roll: little symphonies for the kids".

While Spector directed the overall sound of his recordings, he took a relatively hands-off approach to working with the musicians themselves[citation needed] (usually a core group that became known as the Wrecking Crew, including session players such as Hal Blaine, Larry Knechtel, Steve Douglas, Carol Kaye, Roy Caton, Glen Campbell, and Leon Russell), delegating arrangement duties to Jack Nitzsche and having Sonny Bono oversee the performances, viewing these two as his "lieutenants". Spector frequently used songs from songwriters employed at the Brill Building (Trio Music) and at 1650 Broadway (Aldon Music), such as the teams of Ellie Greenwich and Jeff Barry, Barry Mann and Cynthia Weil, and Gerry Goffin and Carole King. He often worked with the songwriters, receiving co-credit and publishing royalties for compositions.

Despite the trend towards multichannel recording, Spector was vehemently opposed to stereo releases, saying that it took control of the record's sound away from the producer in favor of the listener. Sometimes a pair of strings or horns would be double-tracked multiple times to sound like an entire string or horn section. But in the final product the background sometimes could not be distinguished as either horns or strings. Spector also greatly preferred singles to albums, describing LPs as "two hits and ten pieces of junk", reflecting both his commercial methods and those of many other producers at the time.

Legacy and influence

According to guitarist Stevie Van Zandt of the E Street Band, Spector was a "genius irredeemably conflicted". On Twitter, he wrote: "[Spector] was the ultimate example of the art always being better than the artist ... [He] made some of the greatest records in history based on the salvation of love while remaining incapable of giving or receiving love his whole life."

Spector is often called the first auteur among musical artists or acting not only as a producer, but also the creative director, writing or choosing the material, supervising the arrangements, conducting the vocalists and session musicians, and masterminding all phases of the recording process. He helped pave the way for art rock, and helped inspire the emergence of aesthetically oriented genres such as shoegaze and noise music. PopMatters editor John Bergstrom credits the start of dream pop to Spector's collaboration with George Harrison on All Things Must Pass.[

His influence has been claimed by performers such as the Beatles, the Beach Boys, and the Velvet Underground alongside latter-day record producers such as Brian Eno and Tony Visconti. Alternative rock performers Cocteau Twins, My Bloody Valentine, and the Jesus and Mary Chain have all cited Spector as an influence. Shoegaze, a British musical movement in the late 1980s to mid-1990s, was heavily influenced by the Wall of Sound. Jason Pierce of Spiritualized has cited Spector as a major influence on his Let It Come Down album.[citation needed] Bobby Gillespie of Primal Scream and the Jesus and Mary Chain has enthused about Spector, with the song "Just Like Honey" opening with an homage of the famous "Be My Baby" drum intro.

Many have tried to emulate Spector's methods, and Brian Wilson of the Beach Boys—a fellow adherent of mono recording—considered Spector his main competition as a studio artist. In the 1960s, Wilson thought of Spector as "the single most influential producer. He's timeless. He makes a milestone whenever he goes into the studio." Wilson's fascination with Spector's work has persisted for decades, with many different references to Spector and his work scattered around Wilson's songs with the Beach Boys and even his solo career. Of Spector-related productions, Wilson has been involved with covers of "Be My Baby", "Chapel of Love", "Just Once in My Life", "There's No Other (Like My Baby)", "Then He Kissed Me", "Talk to Me", "Why Don't They Let Us Fall in Love", "You've Lost That Lovin' Feelin'", "Da Doo Ron Ron", "I Can Hear Music", and "This Could Be the Night".

Johnny Franz's mid-1960s productions for Dusty Springfield and the Walker Brothers also employed a layered, symphonic "Wall of Sound" arrangement-and-recording style, heavily influenced by the Spector sound. Another example is the Forum, a studio project of Les Baxter, which produced a minor hit in 1967 with "The River Is Wide". Sonny Bono, a former associate of Spector's, developed a jangly, guitar-laden variation on the Spector sound, which is heard mainly in mid-1960s productions for his then-wife Cher, notably "Bang Bang (My Baby Shot Me Down)".

Bruce Springsteen emulated the Wall of Sound technique in his recording of "Born to Run". In 1973, the British band Wizzard, led by Roy Wood, had three Spector-influenced hits with "See My Baby Jive", "Angel Fingers (A Teen Ballad)", and "I Wish It Could Be Christmas Everyday", the latter becoming a perennial Christmas hit. Other contemporaries influenced by Spector include George Morton, Sonny & Cher, the Rolling Stones, the Four Tops, Mark Wirtz, the Lovin' Spoonful, and the Beatles. Swedish pop group ABBA cited Spector as an influence, and used similar Wall of Sound techniques in their early songs, including "Ring Ring", "Waterloo", and "Dancing Queen".

Cultural references

I Dream of Jeannie (1967, "Jeannie, the Hip Hippie" – season 3, episode 6): Phil Spector made a cameo as himself. Jeannie decides she wants to be a pop star and enlists Spector for help. Though referred to by the characters throughout the episode as "Phil Spector", the credit roll lists "Phil Spector as 'Steve Davis'".

Beyond the Valley of the Dolls (1970): The character of Ronnie "Z-Man" Barzell is based upon Spector, though neither Russ Meyer nor screenwriter Roger Ebert had met him.

Phantom of the Paradise (1974): The villainous character Swan (played by Paul Williams) was supposedly inspired by Spector. A music producer and head of a record label, Swan was named "Spectre" in original drafts of the film's screenplay.

What's Love Got to Do with It (1993): Spector is portrayed by Rob LaBelle.

Grace of My Heart (1996): The film contains many characters based upon 1960s musicians, writers and producers including the character Joel Milner played by John Turturro (based on Spector).

In the docudrama And the Beat Goes On: The Sonny and Cher Story, Phil Spector is portrayed by Christian Leffler.

Metalocalypse (2006–2013): The character Dick Knubbler is a parody of Spector, based on profession, appearance and record of assault.

A Reasonable Man (2009): Harv Stevens is reportedly based on Spector. The film examines his relationship with John Lennon.

Phil Spector (2013): Spector is portrayed by Al Pacino.

Love & Mercy (2014): Spector is portrayed by Jonathan Slavin. However, his scene was cut from the theatrical release.

Personal life

Relationships and children

Spector's first marriage was in 1963 to Annette Merar, lead vocalist of the Spectors Three, a 1960s pop trio formed and produced by Spector. She is not to be confused with Anette Kleinbard from the Teddy Bears. Spector named a record company after Merar, Annette Records.

While still married to Merar, he began having an affair with Veronica Bennett, later known as Ronnie Spector. Bennett was the lead singer of the girl group the Ronettes (another group Spector managed and produced). They married in 1968 and adopted a son, Donté Phillip Spector. As a Christmas present, Spector surprised her by adopting twins Louis Phillip Spector and Gary Phillip Spector.

In her 1990 memoir, Be My Baby: How I Survived Mascara, Miniskirts And Madness, Bennett alleged that Spector had imprisoned her in his California mansion and subjected her to years of psychological torment. According to Bennett, Spector sabotaged her career by forbidding her to perform, and she escaped from the mansion barefoot with the help of her mother in 1972. In their 1974 divorce settlement, she forfeited all future record earnings and surrendered custody of their children. She alleged that this was because Spector threatened to hire a hit man to kill her.

Spector's sons Gary and Donté both stated that their father "kept them captive" as children, and that they were "forced to perform simulated intercourse" with his girlfriend. According to Gary, "I was blindfolded and sexually molested. Dad would say, 'You're going to meet someone,' and it would be a 'learning experience'." Donté described himself as coming "from a very sick, twisted, dysfunctional family".

In 1982, Spector had twin children with his girlfriend Janis Zavala: Nicole Audrey Spector and Phillip Spector, Jr. Phillip Jr. died of leukemia in 1991.

On September 1, 2006, Spector, while on bail and awaiting trial, married his third wife Rachelle Short, who was 26 at the time. Spector filed for divorce in April 2016, claiming irreconcilable differences. They divorced in 2018.

Health, illness, and death

Spector testified in a 2005 court deposition that he had been treated for bipolar disorder ("manic depression") for eight years, saying, "No sleep, depression, mood changes, mood swings, hard to live with, hard to concentrate, just hard—a hard time getting through life, I've been called a genius and I think a genius is not there all the time and has borderline insanity."

In the first criminal trial for the Clarkson murder, defense expert and forensic pathologist Vincent DiMaio asserted that Spector might be suffering from Parkinson's disease, stating, "Look at Mr. Spector. He has Parkinson's features. He trembles."

California Department of Corrections photos from 2013 (released in September 2014) show evidence of a progressive deterioration in Spector's health, according to observers. He had been an inmate at the California Health Care Facility (a prison hospital) in Stockton since October 2013. In September 2014, it was reported that Spector had lost his ability to speak, owing to laryngeal papillomatosis.

Spector's daughter Nicole attributed her father's death to complications of COVID-19, with which he was diagnosed in December 2020. He was taken to San Joaquin General Hospital in French Camp, California, on December 31 and intubated in January 2021. Spector died in an outside hospital on January 16 at the age of 81, according to the California Department of Corrections and Rehabilitation. He would have been eligible for parole in 2024.

The Tragic Death of Phil Hartman

 

Philip Edward Hartman (né Hartmann; September 24, 1948 – May 28, 1998) was a Canadian-American actor, comedian, screenwriter, and graphic designer. After graduating from California State University, Northridge with a degree in graphic arts, he designed album covers for bands including Poco and America. In 1975, Hartman joined the comedy group The Groundlings, where he helped Paul Reubens develop his character, Pee-wee Herman. Hartman co-wrote the film Pee-wee's Big Adventure and made recurring appearances as Captain Carl on Reubens's show Pee-wee's Playhouse.

In 1986, Hartman joined the NBC sketch comedy show Saturday Night Live (SNL) as a cast member, and stayed for eight seasons until 1994. Nicknamed "Glue" for his ability to hold the show together and help other cast members, he won a Primetime Emmy Award for his SNL work in 1989. In 1995, he later starred as Bill McNeal in the sitcom NewsRadio after declining to return to SNL. He also voiced various characters on The Simpsons, and had minor roles in the films Houseguest, Sgt. Bilko, Jingle All the Way, and Small Soldiers.

After two divorces, Hartman married Brynn Omdahl in 1987, with whom he had two children. Their marriage was troubled due to Brynn's drug use and domestic violence against Phil, who was frequently absent from home. In 1998, while Hartman was sleeping in his bed, his wife shot and killed him, and later committed suicide. In the weeks following his murder, Hartman was celebrated in a wave of tributes. Dan Snierson of Entertainment Weekly opined that he was "the last person you'd expect to read about in lurid headlines in your morning paper ... a decidedly regular guy, beloved by everyone he worked with". He was posthumously inducted into the Canada and Hollywood Walks of Fame in 2012 and 2014, respectively.

Early life

Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario. He was the fourth of eight children of Doris Marguerite (née Wardell; July 17, 1919 – April 15, 2001) and Rupert Loebig Hartmann (November 8, 1914 – April 30, 1998), a salesman specializing in building materials. His parents were Catholic and raised their children in that faith. As a child, Hartman found affection hard to earn: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere."

Hartman was 10 years old when his family moved to the United States. The family first lived in Lewiston, Maine, then Meriden, Connecticut, and then the West Coast. There, he attended Westchester High School and frequently acted as the class clown. After graduating, he studied art at Santa Monica City College, dropping out in 1969 to become a roadie with a rock band. He returned to school in 1972, this time studying graphic arts at California State University, Northridge. He developed and operated his own graphic art business, creating more than 40 album covers for bands including Poco and America, as well as advertising and the logo for Crosby, Stills & Nash. In the late 1970s, Hartman made his first television appearance on an episode of The Dating Game, where he won.

Career

Early career (1975–1985)

Working alone as a graphic artist, Hartman frequently amused himself with "flights of voice fantasies". In 1975, seeking a more social outlet for his talents, he began to attend evening comedy classes run by the California-based improvisational comedy group The Groundlings. While watching one of the troupe's performances, he impulsively decided to climb on stage and join the cast. His first onscreen appearance was in 1978's Stunt Rock, an Australian film directed in Los Angeles by Brian Trenchard-Smith. After several years of training, paying his way by redesigning the group's logo and merchandise, Hartman formally joined the cast of The Groundlings and by 1979 had become one of the show's stars.

At The Groundlings, Hartman befriended Paul Reubens, often collaborating on writing and comedic material. Together they created the character Pee-wee Herman and developed The Pee-wee Herman Show, a live stage performance which also aired on HBO in 1981. Hartman played Captain Carl on The Pee-wee Herman Show and returned in the role for the children's show Pee-wee's Playhouse. Reubens and Hartman made cameos in the 1980 film Cheech & Chong's Next Movie. Hartman co-wrote the script of the 1985 feature film Pee-wee's Big Adventure and had a cameo role as a reporter in the film. Although he had considered quitting acting at the age of 36 due to limited opportunities, the success of Pee-wee's Big Adventure brought new possibilities and changed his mind. After a creative disagreement with Reubens, Hartman left the Pee-Wee Herman project to pursue other roles.

Hartman took more small roles in 1986 films such as Jumpin' Jack Flash and Three Amigos. He also worked as a voice actor in animated television programs, including The Smurfs, Challenge of the GoBots, The 13 Ghosts of Scooby-Doo and Dennis the Menace, as characters Henry Mitchell and George Wilson. He developed a strong persona providing voice-overs for advertisements.

Saturday Night Live (1986–1994)

As an actor, I felt I couldn't compete. I wasn't as cute as the leading man; I wasn't as brilliant as Robin Williams. The one thing I could do was voices and impersonations and weird characters, [and] there was really no call for that. Except on Saturday Night Live.— Hartman on his acting skills

Hartman successfully auditioned to join NBC's variety show Saturday Night Live (SNL) in its twelfth season, which began on October 11, 1986. He had been recommended for the show by fellow Groundlings and SNL cast members Jon Lovitz, and Laraine Newman as well as Jumpin' Jack Flash director Penny Marshall. He told the Los Angeles Times, "I wanted to do [SNL] because I wanted to get the exposure that would give me box-office credibility so I can write movies for myself." In his eight seasons with the show Hartman became known for his impressions, and performed as over 70 different characters. Hartman's original SNL characters include Eugene, the Anal Retentive Chef and Unfrozen Caveman Lawyer. His impressions include Frank Sinatra, Ronald Reagan, Ed McMahon, Barbara Bush, Charlton Heston, Phil Donahue, and Bill Clinton—the latter considered his best-known impression.

Hartman first performed his Clinton impression on an episode of The Tonight Show. When he met Clinton in 1993, Hartman remarked, "I guess I owe you a few apologies", adding later that he "sometimes [felt] a twinge of guilt about [his Clinton impression]". Clinton showed good humor and sent Hartman a signed photo with the text: "You're not the president, but you play one on TV. And you're OK, mostly." Hartman copied the president's "post-nasal drip" and the "slight scratchiness" in his voice, as well as his open, "less intimidating" hand gestures. Hartman opted against wearing a larger prosthetic nose when portraying Clinton, as he thought it would be distracting. He instead wore a wig, dyed his eyebrows brighter, and used makeup to highlight his nose. In one of Hartman's sketches as Clinton, the president visits a McDonald's restaurant and explains his economic policies in the metaphor of eating other customers' food. The writers told him that he was not eating enough during rehearsals for the sketch – by the end of the live performance, Hartman had eaten so much he could barely speak.

At SNL, Hartman's nickname of "Glue" was coined by Adam Sandler according to Jay Mohr's book Gasping for Airtime. However, according to You Might Remember Me: The Life and Times of Phil Hartman by Mike Thomas, author and staff writer for the Chicago Sun-Times, the nickname was created by SNL cast member and Hartman's frequent on-screen collaborator Jan Hooks. Hartman was very helpful to other cast members. For example, he aided Hooks in overcoming her stage fright. SNL creator Lorne Michaels explained the name: "He kind of held the show together. He gave to everybody and demanded very little. He was very low-maintenance." Michaels also added that Hartman was "the least appreciated" cast member by commentators outside the show, and praised his ability "to do five or six parts in a show where you're playing support or you're doing remarkable character work". Hartman won the Primetime Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program for SNL in 1989, sharing the award with the show's other writers. He was nominated in the same category in 1987, and individually in 1994 for Outstanding Individual Performance in a Variety or Music Program.

By 1993, almost every cast member who was there during Hartman's first year on SNL had left the show, including Jon Lovitz, Jan Hooks and Dana Carvey. Hartman said he felt "like an athlete who's watched all his World Series teammates get traded off into other directions ... It was hard to watch them leave because I sort of felt we were all part of the team that saved the show." This cast turnover contributed to his leaving the show in 1994. Hartman said he thought it was time to leave because the show was "getting less sophisticated" and his style of humor didn't fit with the less intellectual comedy of newer cast members like Adam Sandler. Hartman had originally planned to leave the show in 1991, but Michaels convinced him to stay to raise his profile; his portrayal of Clinton contributed to this goal. Jay Leno offered him the role of his sidekick on The Tonight Show but Hartman opted to stay on SNL. NBC persuaded him to stay on SNL by promising him his own comedy–variety show The Phil Show. He planned to "reinvent the variety form" with "a hybrid, very fast-paced, high energy [show] with sketches, impersonations, pet acts, and performers showcasing their talents". Hartman was to be the show's executive producer and head writer. Before production began, however, the network decided that variety shows were too unpopular and canceled the series. In a 1996 interview, Hartman noted he was glad, as he "would've been sweatin' blood each week trying to make it work". In 1998, he admitted he missed working on SNL, but had enjoyed the move from New York City to Southern California.

NewsRadio (1995–1998)

Hartman became one of the stars of the NBC sitcom NewsRadio in 1995, portraying radio news anchor Bill McNeal. He signed up after being attracted by the show's writing and use of an ensemble cast, and joked that he based McNeal on himself with "any ethics and character" removed. Hartman made roughly US$50,000 (equivalent to $84,920 in 2020) per episode of NewsRadio. Although the show was critically acclaimed, it was never a ratings hit and cancellation was a regular threat. After the completion of the fourth season, Hartman commented, "We seem to have limited appeal. We're on the edge here, not sure we're going to be picked up or not", but added he was "99 percent sure" the series would be renewed for a fifth season. Hartman had publicly lambasted NBC's decision to repeatedly move NewsRadio into different timeslots, but later regretted his comments, saying, "this is a sitcom, for crying out loud, not brain surgery". He also stated that if the sitcom were canceled "it just will open up other opportunities for me". Although the show was renewed for a fifth season, Hartman died before production began. Ken Tucker praised Hartman's performance as McNeal: "A lesser performer ... would have played him as a variation on The Mary Tyler Moore Show's Ted Baxter, because that's what Bill was, on paper. But Hartman gave infinite variety to Bill's self-centeredness, turning him devious, cowardly, squeamish, and foolishly bold from week to week." Hartman was posthumously nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1998 for his work on NewsRadio, but lost to David Hyde Pierce.

The Simpsons (1991–1998)

Hartman provided the voices for numerous characters on the Fox animated series The Simpsons, appearing in 52 episodes. He made his first appearance in the second season episode "Bart Gets Hit by a Car". Although he was originally brought in for a one-time appearance, Hartman enjoyed working on The Simpsons and the staff wrote additional parts for him. He voiced the recurring characters Lionel Hutz and Troy McClure, as well as Duff man one time and background characters. His favorite part was that of McClure, and he often used this voice to entertain the audience between takes while taping episodes of NewsRadio. He remarked, "My favorite fans are Troy McClure fans." He added "It's the one thing that I do in my life that's almost an avocation. I do it for the pure love of it."

Hartman was popular among the staff of The Simpsons. Showrunners Bill Oakley and Josh Weinstein said they enjoyed his work, and used him as much as possible when working on the show. To give Hartman a larger role, they developed the episode "A Fish Called Selma", which focuses on Troy McClure and expands the character's backstory. The Simpsons creator Matt Groening said that he "took [Hartman] for granted because he nailed the joke every time", and that his voice acting could produce "the maximum amount of humor" with any line he was given. Before his death, Hartman had expressed an interest in making a live action film about Troy McClure. Many of The Simpsons production staff expressed enthusiasm for the project and offered to help. Hartman said he was "looking forward to [McClure's] live-action movie, publicizing his Betty Ford appearances", and "would love nothing more" than making a film and was prepared to buy the film rights himself in order to make it happen.

Other work

Hartman's first starring film role came in 1995's Houseguest, alongside Sinbad. Other films include Greedy, Coneheads, Sgt. Bilko, So I Married an Axe Murderer, CB4, Jingle All the Way, Kiki's Delivery Service, and Small Soldiers, the latter of which is his final theatrically released film. At the same time, he preferred working on television. His other television roles include appearances on episodes of The John Larroquette Show, The Dana Carvey Show, 3rd Rock from the Sun, and the HBO TV film The Second Civil War as the President of the United States. He made a considerable amount of money from television advertising, earning $300,000 for a series of four commercials for the soft drink Slice. He also appeared in advertisements for McDonald's (as Hugh McAttack) and 1-800-Collect (as Max Jerome).

Hartman wrote a number of screenplays that were never produced. In 1986, he began writing a screenplay for a film titled Mr. Fix-It, and completed the final draft in 1991. Robert Zemeckis was signed to produce the film, with Gil Bettman hired to direct. Hartman called it "a sort of a merger of horror and comedy, like Beetlejuice and Throw Momma From the Train", adding, "It's an American nightmare about a family torn asunder. They live next to a toxic dump site, their water supply is poisoned, the mother and son go insane and try to murder each other, the father's face is torn off in a terrible disfiguring accident in the first act. It's heavy stuff, but it's got a good message and a positive, upbeat ending." Zemeckis could not secure studio backing, however, and the project collapsed. Another film idea involving Hartman's Groundlings character Chick Hazard, Private Eye was also canceled.

Style

Clean and unassuming, he had such a casual, no-nonsense way about him. It was that quality that we all find so hilarious, his delightful ability to poke fun at himself and at life with a tongue-in-cheek attitude comparable to, say, Tim Conway or Mel Brooks or Carol Burnett.— Nancy Cartwright.

In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business's most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He described his standard character repertoire as the "jerky guy" and "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure, and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see".

He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it", and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen."

Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical". Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into ... anybody he wanted to be".

Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider—you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me – when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic."

Personal life

Hartman married Gretchen Lewis in 1970 and they divorced in September 1972. He married real estate agent Lisa Strain in 1982, and their marriage lasted three years. Strain told People magazine that Hartman was reclusive off screen and "would disappear emotionally ... he'd be in his own world. That passivity made you crazy." In 1987, Hartman married former model and aspiring actress Brynn Omdahl (born Vicki Jo Omdahl, April 11, 1958 – May 28, 1998), having met her on a blind date the previous year. They had two children, Sean and Birgen Hartman. The marriage had difficulties; she was reportedly intimidated by his success and was frustrated that she could not find any on her own, although neither party wanted a divorce. She was reported to have been jealous and often verbally and/or physically abusive, even sending a letter to his ex-wife, threatening to "rip [Strain's] eyes out" if she spoke to him again. Hartman considered retiring to save the marriage.

Hartman tried to get Brynn acting roles, but she became progressively reliant on alcohol and narcotics, entering rehab several times. On multiple occasions, he had to remove their children from the household to stay with friends or family because of her drug- and alcohol-fueled outbursts. Because of his close friendship with SNL associate Jan Hooks, Brynn joked on occasion that Hooks and Hartman were married "on some other level". Brynn had written threatening letters addressed to Hooks, warning her to not get close to her husband, but they appeared to have never even been sent, being discovered in her belongings following her death.

Stephen Root, Hartman's NewsRadio co-star, said that few people knew "the real Phil Hartman", as he was "one of those people who never seemed to come out of character", but he nevertheless gave the impression of a family man who cared deeply for his children.

Hartman stated in 1997 that, though a non-practicing Catholic, he displayed a sense of religiousness. In his spare time, he enjoyed driving, flying, sailing, marksmanship, and playing the guitar.

Murder

On May 27, 1998, Brynn visited the Italian restaurant Buca di Beppo in Encino, California, with producer and writer Christine Zander, who said Hartman was "in a good frame of mind". The women both had drinks. After returning home, Brynn had a "heated" argument with Phil, after which he went to bed. She entered his bedroom some time before 3:00 a.m. PDT on May 28, 1998, and fatally shot him once between the eyes, once in the throat, and once in the upper chest with a Charter Arms .38 caliber handgun as he slept. He was 49 years old. She was taking Zoloft, had been drinking alcohol, and had recently used cocaine.

Brynn drove to the home of her friend Ron Douglas and confessed to the killing, but initially he did not believe her. The pair drove back to the house in separate cars, and she called another friend and confessed a second time. Upon seeing Hartman's body, Douglas called 9-1-1 at 6:20 a.m. Police arrived and escorted Douglas and the Hartmans' two children from the premises, by which time Brynn had locked herself in the bedroom. Shortly afterward, she committed suicide by a self-inflicted gunshot.

The police stated Hartman's death was caused by "domestic discord" between the couple. A friend said that Brynn "had trouble controlling her anger ... She got attention by losing her temper". A neighbor of the Hartmans told a CNN reporter that the couple had marital problems. Yet actor Steve Guttenberg said they had been "a very happy couple, and they always had the appearance of being well-balanced".

A wrongful death lawsuit was filed in 1999 by her brother Gregory Omdahl, against Pfizer, the manufacturer of Zoloft, and against her child's psychiatrist, Arthur Sorosky, who had provided samples of the antidepressant to Brynn. Phil Hartman's friend and former SNL colleague Jon Lovitz has accused Hartman's then NewsRadio co-star Andy Dick of reintroducing Brynn to cocaine, causing her to relapse and suffer a nervous breakdown. Dick claims to have known nothing of her condition. Lovitz later said that he no longer blamed Dick for Hartman's murder, but in 2006, Lovitz claimed that Dick had approached him at a restaurant and said, "I put the Phil Hartman hex on you; you're the next one to die." Lovitz then had him ejected from the restaurant. The following year at the Laugh Factory comedy club in Los Angeles, Lovitz and Dick had another argument, with Lovitz slamming Dick's head into the bar. Dick asserted that he was not at fault in relation to Hartman's death.

Brynn's sister Katharine Omdahl and brother-in-law Mike Wright raised the two Hartman children. Hartman's will stipulated that each child would inherit money over several years after turning 25. The total value of Hartman's estate was estimated at $1.23 million. In accordance with his wishes, his body was cremated by Forest Lawn Memorial Park and Mortuary, Glendale, California, and his ashes scattered over Santa Catalina Island's Emerald Bay.

Response and legacy

NBC executive Don Ohlmeyer stated that Hartman "was blessed with a tremendous gift for creating characters that made people laugh. Everyone who had the pleasure of working with Phil knows that he was a man of tremendous warmth, a true professional and a loyal friend." Guttenberg expressed shock at Hartman's death, and Steve Martin said he was "a deeply funny and very happy person". Matt Groening called him "a master", and director Joe Dante said, "He was one of those guys who was a dream to work with. I don't know anybody who didn't like him." Dan Snierson of Entertainment Weekly concluded that Hartman was "the last person you'd expect to read about in lurid headlines in your morning paper" and "a decidedly regular guy, beloved by everyone he worked with". In 2007, Entertainment Weekly ranked Hartman the 87th greatest television icon of all time, and Maxim named him the top Saturday Night Live performer of all time.

On the day of Hartman's death, rehearsals for The Simpsons were canceled as well as that night's performance by The Groundlings. The season five premiere episode of NewsRadio, "Bill Moves On", finds Hartman's character, Bill McNeal, has died of a heart attack, while the other characters reminisce about his life. Lovitz joined the show in his place beginning with the next episode. A special episode of Saturday Night Live commemorating Hartman's work on the show aired on June 13, 1998. Rather than substituting another voice actor, the writers of The Simpsons retired Hartman's characters. His final appearance on the show, the season ten episode "Bart the Mother", is dedicated to him, as is his final film, Small Soldiers.

At the time of his death, Hartman was preparing to voice Zapp Brannigan, a character written specifically for him on Groening's second animated series Futurama. Even though the role was specifically made for him, Hartman still insisted on auditioning and Groening said he "nailed it". After Hartman's death, Billy West took over the role. Though executive producer David X. Cohen credits West with using his own take on the character, West later said that he purposely tweaked Zapp's voice to better match Hartman's intended portrayal. Hartman was planning to appear with Lovitz in the indie film The Day of Swine and Roses, scheduled to begin production in August 1998.

Laugh.com and Hartman's brother John published the album Flat TV in 2002, a selection of comedy sketches recorded by Hartman in the 1970s that had been kept in storage. John Hartmann commented: "I'm putting this out there because I'm dedicating my life to fulfilling his dreams. This [album] is my brother doing what he loved." In 2013, Flat TV was optioned by Michael "Ffish" Hemschoot's animation company Worker Studio for an animated adaptation. The deal came about after Michael T. Scott, a partner in the company, posted online a hand-written letter he had received from Hartman in 1997, leading to a correspondence between Scott and Paul Hartmann.

In 2007, a campaign was started on Facebook by Alex Stevens and endorsed by Hartman's brother Paul, to have Phil inducted to Canada's Walk of Fame. Among the campaign's numerous publicity events, Ben Miner of the Sirius XM Radio channel Laugh Attack, dedicated the month of April 2012 to Hartman. The campaign ended in success and Hartman was inducted to the Walk of Fame on September 22, 2012, with Paul accepting the award on his late brother's behalf. Hartman was also awarded the Cineplex Legends Award. In June 2013, it was announced that Hartman would receive a star on the Hollywood Walk of Fame, which was unveiled on August 26, 2014. Additionally, a special prize at the Canadian Comedy Awards was named for Hartman. Beginning with the 13th Canadian Comedy Awards in 2012, the Phil Hartman Award was awarded to "an individual who helps to better the Canadian comedy community". In 2015, Rolling Stone magazine ranked Hartman as one of the top-ten greatest Saturday Night Live cast members throughout the show's forty-year history, coming in seventh on their list of all 141 members.

Chelsea Manning Trial Part II

 

Evidence presented at Article 32 hearing

In April 2011, a panel of experts, having completed a medical and mental evaluation of Manning, ruled that she was fit to stand trial. An Article 32 hearing, presided over by Lieutenant Colonel Paul Almanza, was convened on December 16, 2011, at Fort Meade, Maryland; the hearing resulted in Almanza's recommending that Manning be referred to a general court-martial. She was arraigned on February 23, 2012, and declined to enter a plea.

During the Article 32 hearing, the prosecution, led by Captain Ashden Fein, presented 300,000 pages of documents in evidence, including chat logs and classified material. The court heard from two Army investigators, Special Agent David Shaver, head of the digital forensics and research branch of the Army's Computer Crime Investigative Unit (CCIU); and Mark Johnson, a digital forensics contractor from ManTech International, who works for the CCIU. They testified that they had found 100,000 State Department cables on a workplace computer Manning had used between November 2009 and May 2010; 400,000 military reports from Iraq and 91,000 from Afghanistan on an SD card found in her basement room in her aunt's home in Potomac, Maryland; and 10,000 cables on her personal MacBook Pro and storage devices that they said had not been passed to WikiLeaks because a file was corrupted. They also recovered 14 to 15 pages of encrypted chats, in unallocated space on Manning's MacBook hard drive, between Manning and someone believed to be Julian Assange. Two of the chat handles, which used the Berlin Chaos Computer Club's domain (ccc.de), were associated with the names Julian Assange and Nathaniel Frank.

Johnson said he found SSH logs on the MacBook that showed an SFTP connection, from an IP address that resolved to Manning's aunt's home, to a Swedish IP address with links to WikiLeaks. Also found was a text file named "Readme", attached to the logs and apparently written by Manning to Assange, which called the Iraq and Afghan War logs "possibly one of the most significant documents of our time, removing the fog of war and revealing the true nature of 21st century asymmetric warfare". The investigators testified they had also recovered an exchange from May 2010 between Manning and Eric Schmiedl, a Boston mathematician, in which Manning said she was the source of the Baghdad helicopter attack ("Collateral Murder") video. Johnson said there had been two attempts to delete the material from the MacBook. The operating system had been re-installed in January 2010, and on or around January 31, 2010, an attempt had been made to erase the hard drive by doing a "zero-fill", which involves overwriting material with zeroes. The material was recovered after the overwrite attempts from unallocated space.

Manning's lawyers argued that the government had overstated the harm the release of the documents had caused and had overcharged Manning to force her to give evidence against Assange. The defense also raised questions about whether Manning's confusion over her gender identity affected her behavior and decision making.

Guilty plea, trial, sentence

United States v. Manning

The judge, Army Colonel Denise Lind, ruled in January 2013 that any sentence would be reduced by 112 days because of the treatment Manning received at Quantico. On February 28, Manning pleaded guilty to 10 of the 22 charges. Reading for over an hour from a 35-page statement, she said she had leaked the cables "to show the true cost of war". Prosecutors pursued a court-martial on the remaining charges.

The trial began on June 3, 2013. Manning was convicted on July 30, on 17 of the 22 charges in their entirety, including five counts of espionage and theft, and an amended version of four other charges; she was acquitted of aiding the enemy. The sentencing phase began the next day.

Captain Michael Worsley, a military psychologist who had treated Manning before her arrest, testified that Manning had been left isolated in the Army, trying to deal with gender identity issues in a "hyper-masculine environment". David Moulton, a Navy forensic psychiatrist who saw Manning after the arrest, said Manning had narcissistic traits, and showed signs of both fetal alcohol syndrome and Asperger syndrome. He said that, in leaking the material, Manning had been "acting out [a] grandiose ideation".

A defense psychiatrist, testifying to Manning's motives, suggested a different agenda:

Well, Pfc Manning was under the impression that his leaked information was going to really change how the world views the wars in Afghanistan and Iraq, and future wars, actually. This was an attempt to crowdsource analysis of the war, and it was his opinion that if ... through crowdsourcing, enough analysis was done on these documents, which he felt to be very important, that it would lead to a greater good ... that society as a whole would come to the conclusion that the war wasn't worth it ... that really no wars are worth it.

On August 14, Manning apologized to the court: "I am sorry that my actions hurt people. I'm sorry that they hurt the United States. I am sorry for the unintended consequences of my actions. When I made these decisions I believed I was going to help people, not hurt people. ... At the time of my decisions, I was dealing with a lot of issues."

Manning's offenses carried a maximum sentence of 90 years. The government asked for 60 years as a deterrent to others, while Manning's lawyer asked for no more than 25 years. She was sentenced on August 21 to 35 years in prison, reduction in rank to private (private E-1 or PVT), forfeiture of all pay and allowances, and a dishonorable discharge. She was given credit for 1,293 days of pretrial confinement, including 112 days for her treatment at Quantico, and would have been eligible for parole after serving one-third of the sentence. She was confined at the United States Disciplinary Barracks (USDB) at Fort Leavenworth, Kansas.

The sentence was criticized as "unjust and unfair" by The Guardian, and as "excessive" by The New York Times.

On April 14, 2014, Manning's request for clemency was denied; the case went to the United States Army Court of Criminal Appeals for further review.

Requests for release

On September 3, 2013, Manning's lawyer filed a Petition for Commutation of Sentence to President Obama through the pardon attorney at the Department of Justice and Secretary of the Army John M. McHugh. he petition contended that Manning's disclosures did not cause any "real damage", and that the documents in question did not merit protection as they were not sensitive. The request included a supporting letter from Amnesty International which said that Manning's leaks had exposed violations of human rights. David Coombs's cover letter touched on Manning's role as a whistleblower, asking that Manning be granted a full pardon or that her sentence be reduced to time served.

In April 2015, Amnesty International posted online a letter from Manning in which she wrote: "I am now preparing for my court-martial appeal before the first appeals court. The appeal team, with my attorneys Nancy Hollander and Vince Ward, are hoping to file our brief before the court in the next six months. We have already had success in getting the court to respect my gender identity by using feminine pronouns in the court filings (she, her, etc.).”

In November 2016, Manning made a formal petition to President Obama to reduce her 35-year sentence to the six years of time she had already served. On December 10, 2016, a White House petition to commute her sentence reached the minimum 100,000 signatures required for an official response. Lawyers familiar with clemency applications stated in December 2016 that the pardon was unlikely to happen; the request did not fit into the usual criteria.

Commutation

In January 2017, a Justice Department source said that Manning was on President Obama's short list for a possible commutation. On January 17, 2017, President Obama commuted all but four months of Manning's remaining sentence. In a press conference held on January 18, Obama stated that Manning's original 35-year prison sentence was "very disproportionate relative to what other leakers have received" and that "it makes sense to commute—and not pardon—her sentence." In 2021, Forbes reported that Obama's commutation of Manning's sentence was "unconditional." Notwithstanding her commutation, Manning's military appeal would continue, with her attorney saying, "We fight in her appeal to clear her name."

On January 26, 2017, in her first column for The Guardian since the commutation, Manning lamented that President Obama's political opponents consistently refused to compromise, resulting in "very few permanent accomplishments" during his time in office. As The Guardian summarized it, she saw Obama's legacy as "a warning against not being bold enough". In response, President Donald Trump tweeted that Manning was an "ungrateful traitor" and should "never have been released".

Release

Manning was released from Fort Leavenworth's detention center at approximately 2 a.m. Central Time on May 17, 2017. Although sentenced during her court-martial to be dishonorably discharged, Manning was reportedly returned to active unpaid "excess leave" status while her appeal was pending.

Appeal

On May 31, 2018, the U.S. Army Court of Criminal Appeals upheld Manning's 2013 court-martial conviction of violating the Espionage Act. The court rejected Manning's contention that the statute is too vague to provide fair notice of the criminal nature of disclosing classified documents. "The facts of this case," the three-judge panel ruled, "leave no question as to what constituted national defense information. Appellant's training and experience indicate, without any doubt, she was on notice and understood the nature of the information she was disclosing and how its disclosure could negatively affect national defense." The court also rejected Manning's assertion that her actions in disclosing classified information related to national security are protected by the First Amendment. Manning, the court found, "had no First Amendment right to make the disclosures—doing so not only violated the nondisclosure agreements she signed but also jeopardized national security."

On May 30, 2019, the U.S. Court of Appeals for the Armed Forces denied Manning's petition for grant of review of the decision of the U.S. Army Court of Criminal Appeals.

2019 jailing for contempt

In February 2019, Manning received a subpoena to testify in a U.S. government case against WikiLeaks founder Julian Assange, the existence of which had been accidentally revealed in November 2018, which was proceeding under prosecutors in Virginia. Manning objected to the secrecy of the grand jury proceedings and announced she would refuse to testify, saying "we've seen this power abused countless times to target political speech. I have nothing to contribute to this case and I resent being forced to endanger myself by participating in this predatory practice." Manning also said she had provided all the information she had in 2013 during her court martial and that she stood by her previous answers.

On March 8, 2019, Manning was found in contempt of court and jailed in the women's wing of a detention center in Alexandria, Virginia, with the judge conditioning her release on her testifying or the grand jury concluding its work. Manning was initially held in administrative segregation for 28 days until she was placed in the general population on April 5, 2019. Her supporters described her period in administrative segregation as "effective solitary confinement" as it involved "up to 22 hours each day spent in isolation". Officials at the facility said that administrative segregation was used for safety reasons and that prisoners still had access to recreation and social visits during that time. On April 22, 2019, a federal appeals court upheld the trial court's decision holding Manning in contempt and denied a request by Manning that she be released on bail.

After the grand jury's term expired, Manning was released on May 9, 2019, and served with another subpoena to appear before a new grand jury on May 16. Manning again refused to testify, stating that she "believe[d] this grand jury seeks to undermine the integrity of public discourse with the aim of punishing those who expose any serious, ongoing, and systemic abuses of power by this government". The court ordered her returned to jail and fined $500 for each day over 30 days and $1,000 for each day over 60 days. In June 2019, she challenged the fines because of inability to pay. On December 30, 2019, United Nations special rapporteur Nils Melzer released a letter dated November 1, 2019 in which he accused the U.S. government of torturing Manning, called for her immediate release, and called for her court fines to be canceled or reimbursed.

On March 11, 2020, Manning attempted suicide two days before she was scheduled to appear before a judge on a motion to terminate sanctions. Alexandria Sheriff Dana Lawhorne reported that Manning was safe and her lawyers said she was recovering in a hospital.

On March 12, 2020, U.S. District Judge Anthony Trenga of the Eastern District of Virginia found that the business of the grand jury had concluded. Since Manning's testimony was no longer needed, the judge found that detention no longer served any coercive purpose, and ordered her released. He denied a request by Manning's lawyers to vacate her accrued fines of $256,000, which he ordered due and payable immediately. That same day, a supporter launched an online crowdfunding campaign to defray Manning's fines. Within 48 hours, nearly 7,000 donations ranging from $5 to $10,000 were received, totaling $267,000. A separate crowdfund by the same supporter raised an additional $50,000 to help pay Manning's post-incarceration living expenses.

In January 2021, in refusing to extradite WikiLeaks founder Julian Assange to the U.S. for trial on federal charges, UK District Judge Vanessa Baraitser cited Manning's March 2020 suicide attempt to support finding that, if exposed to the "harsh conditions" of incarceration in America, "Assange's mental health would deteriorate causing him to commit suicide."

Reaction to disclosures

The publication of the leaked material, particularly the diplomatic cables, attracted in-depth coverage worldwide, with several governments blocking websites that contained embarrassing details. Alan Rusbridger, editor of The Guardian, said: "I can't think of a time when there was ever a story generated by a news organization where the White House, the Kremlin, Chávez, India, China, everyone in the world was talking about these things. ... I've never known a story that created such mayhem that wasn't an event like a war or a terrorist attack."

United States Navy Admiral Michael Mullen, then Chairman of the Joint Chiefs of Staff, said the leaks had placed the lives of American soldiers and Afghan informants in danger. Journalist Glenn Greenwald argued that Manning was the most important whistleblower since Daniel Ellsberg leaked the Pentagon Papers in 1971. In an impromptu questioning session after a fundraiser, captured on a cell phone video, President Barack Obama said that Manning "broke the law", which was later criticized as "unlawful command influence" on Manning's upcoming trial.

In 2011, Manning and WikiLeaks were credited in part, along with news reporters and political analysts, as catalysts for the Arab Spring that began in December 2010, when waves of protesters rose up against rulers across the Middle East and North Africa, after the leaked cables exposed government corruption. In 2012, however, James L. Gelvin, an American scholar of Middle Eastern history, wrote: "After the outbreak [January 2011] of the Egyptian uprising ... journalists decided to abandon another term they had applied to the Tunisian uprising: the first 'WikiLeaks Revolution,' a title they had adopted that overemphasized the role played by the leaked American cables about corruption in provoking the protests."

A Washington Post editorial asked why an apparently unstable Army private had been able to access and transfer sensitive material in the first place. According to her biographer, the American far right saw Manning's sexuality as evidence that gay people were unfit for military service, while the American mainstream thought of Manning as a gay soldier driven mad by bullying.

A report written by the Department of Defense a year after the breach found that Manning's document leaks had no significant strategic impact on U.S. war efforts. The heavily redacted final report was not published until June 2017, after a Freedom of Information request by investigative reporter Jason Leopold.

Awards and tributes

In 2011, Manning was awarded a "Whistleblowerpreis" by the German Section of the International Association of Lawyers against Nuclear Arms and the Federation of German Scientists. While still in detention in 2011, Graham Nash of Crosby, Stills and Nash released a song, "Almost Gone (The Ballad of Bradley Manning)", in reference to her deteriorated mental state. In 2012, she was awarded "People's Choice Award" awarded by Global Exchange. In 2013, she was awarded the US Peace Prize by the US Peace Memorial Foundation "for conspicuous bravery, at the risk of his own freedom, above and beyond the call of duty." In the same year, she was awarded the Sean MacBride Peace Prize by the International Peace Bureau. In 2014, she was awarded the Sam Adams Award by Sam Adams Associates for Integrity in Intelligence.

Icelandic and Swedish Pirate Party MPs nominated Manning and fellow whistleblower Edward Snowden for the 2014 Nobel Peace Prize. In 2013, Roots Action launched a petition nominating Manning for the prize that received more than 100,000 supporting signatures.

In May 2015, Anything to Say?, an art installation made of mobile bronze statues of Manning, Edward Snowden, and Julian Assange, was placed at Berlin's Alexanderplatz for a weekend, as a "monument for courage". Germany's Green Party sponsored the sculpture created by Italian sculptor Davide Dormino. Afterwards, the installation was moved and exhibited in different European cities.

In 2015, Paper magazine commissioned artist Heather Dewey-Hagborg to create 2D DNA phenotype portraits of Manning using DNA collected from cheek swabs and hair clippings sent to the artist from the incarcerated soldier. 3D printed versions of the portraits premiered at the World Economic Forum in 2016. In the summer of 2017, Manning (by then released from prison) and Dewey-Hagborg presented their collaboration as part of an exhibition at the Fridman Gallery in New York City.

In September 2017, Manning accepted the EFF Pioneer Award in recognition of her actions as a whistleblower and for her work as an advocate for government transparency and transgender rights. In November, she was named 2017 Newsmaker of the Year by Out, which noted her "whistle-in-the-wind tenacity that belies the trauma she's had to contend with". Later that month, Bitch listed her among the first-ever "Bitch 50" impactful creators, artists, and activists in pop culture, recognizing her as "a leading voice for transgender and healthcare rights". In December, Foreign Policy honored Manning as one of its forty-eight 2017 Global Thinkers "for forcing the United States to question who is a traitor and who is a hero".

In October 2020, Manning shared with the German nonprofit investigative journalism organization CORRECT!V and Greece's anonymous Novartis whistleblowers the third annual European United Left–Nordic Green Left (GUE/NGL) prize for Journalists, Whistleblowers and Defenders of the Right to Information. The GUE/NGL posted a video of her acceptance from her home in Brooklyn, New York.

Gender transition

2010

In an article written by Manning, she says her first public appearance as female was in February 2010 while on leave from her military duties; Manning was exhilarated to blend in as a woman.

2013

On August 22, 2013, the day after sentencing, Manning's attorney issued a press release to the Today show announcing that his client was a female, and asked that she be referred to by her new name of Chelsea and feminine pronouns. Manning's statement included the following:

As I transition into this next phase of my life, I want everyone to know the real me. I am Chelsea Manning. I am a female. Given the way that I feel, and have felt since childhood, I want to begin hormone therapy as soon as possible. I hope that you will support me in this transition. I also request that, starting today, you refer to me by my new name and use the feminine pronoun (except in official mail to the confinement facility). I look forward to receiving letters from supporters and having the opportunity to write back.

The news media split in its reaction to Manning's request; some organizations used the new name and pronouns, and others continued to use the former ones. Advocacy groups such as GLAAD, the National Lesbian and Gay Journalists Association, and the Human Rights Campaign (HRC) encouraged media outlets to refer to Manning by her self-identified name and pronoun.

2014

In April 2014, the Kansas District Court granted a petition from Manning for a legal name change. An Army spokesman stated that while the Army would update personnel records to acknowledge the name change, the military would continue to regard Manning as a male. Manning sought hormone therapy and the right to live as a woman while confined, consistent with her gender dysphoria, which had been confirmed by two Army medical specialists. Such treatment is provided in civilian federal prisons when it is found to be medically necessary, but it is not available in military prisons. The Pentagon policy at the time considered transgender individuals ineligible to serve.

In July, the Federal Bureau of Prisons rejected a request by the Army to transfer Manning from the USDB to a civilian facility for treatment of her gender dysphoria. Instead, the Army kept Manning in military custody and said it would begin rudimentary gender treatment, which could include allowing her to wear female undergarments and possibly receive hormone treatments.

On August 12, 2014, the American Civil Liberties Union (ACLU) and Manning's civilian attorney David Coombs said Manning was not receiving treatment for her gender identity condition as previously approved by Secretary of Defense Chuck Hagel. They notified the USDB, Hagel and other Defense Department officials that a lawsuit would be filed if they did not confirm by September 4 that treatment would be provided. On August 22, Army spokeswoman Lt. Col. Alayne Conway told NBC News, "The Department of Defense has approved a request by Army leadership to provide required medical treatment for an inmate diagnosed with gender dysphoria." Although Conway would not discuss "the medical needs of an individual", she did say, "In general terms, the initial stages of treatment for individuals with gender dysphoria include psychotherapy and elements of the 'real life experience' therapy. Treatment for the condition is highly individualized and generally is sequential and graduated." The Army declined to say when treatment might begin.

In September, Manning filed a lawsuit in federal district court in Washington, D.C., against Secretary of Defense Hagel, claiming she had "been denied access to medically necessary treatment" for gender dysphoria. She sued to be allowed to grow her hair longer and use cosmetics, and to receive hormone treatments "to express her female gender".

2015

On February 12, 2015, USA Today reported that the commandant of the USDB wrote in a February 5 memo, "After carefully considering the recommendation that (hormone treatment) is medically appropriate and necessary, and weighing all associated safety and security risks presented, I approve adding (hormone treatment) to Inmate Manning's treatment plan." According to USA Today, Manning remained a soldier, and the decision to administer hormone therapy was a first for the Army. Manning was not allowed to grow her hair longer. Her ACLU attorney, Chase Strangio, said that the delay in approving her hormone treatment "came with a significant cost to Chelsea and her mental health".

On March 5, in response to Manning's request for an order compelling the military to use pronouns that conform to her chosen gender identity, the U.S. Army Court of Criminal Appeals ruled, "Reference to appellant in all future formal papers filed before this court and all future orders and decisions issued by this court shall either be neutral, e.g., Private First Class Manning or appellant, or employ a feminine pronoun."

On March 14, the digital library host Cryptome posted an unsigned public copy of a court document, filed March 10, wherein the parties to Manning's September 2014 lawsuit against Secretary of Defense Hagel agreed to stay proceedings for seven months, after which time they would address how the litigation should proceed in light of Manning's status at that time. The document revealed that the Army was then providing Manning with weekly psychotherapy, including psychotherapy specific to gender dysphoria; cross-sex hormone therapy; female undergarments; the ability to wear prescribed cosmetics in her daily life at the USDB; and speech therapy.

In April 2015, Amnesty International posted online a letter from Manning in which she disclosed,

I finally began my prescribed regime of hormones to continue my overdue gender transition in February. It's been such an amazing relief for my body and brain to finally come into alignment with each other. My stress and anxiety levels have tapered off quite considerably. Overall, things are beginning to move along nicely.

2016

On September 13, 2016, the ACLU announced that the army would be granting Manning's request for gender transition surgery, a first for a transgender inmate. In December, Manning's attorneys reported that her military doctor refused Manning's request to change the gender on her military records to female.

2017

In January 2017, Manning wrote to The New York Times that although months had passed, she had still not seen a surgeon. At the time of Manning's release from prison in May 2017, her attorney stressed that she would be pursuing her own medical care and "building her life on her own terms, separate from the military". Manning subsequently stated via her verified Twitter account that her healthcare from the military had stopped on May 16, 2017, and that she had secured a private health plan. She said her gender transition while in prison had cost "only $600 over 2 years", explaining that the Department of Defense "got meds at a markdown". Although the Army had agreed in September 2016 to allow her to have gender transition surgery, the operation was not performed before her release.

On May 22, 2017, Manning's 2014 lawsuit seeking a federal court to order the Defense Department to provide hormone therapy and other treatment for her gender identity condition was dismissed because, her ACLU attorney explained, "she is free".

2018

On October 20, 2018, Manning tweeted a photograph of herself in a hospital bed reportedly recovering from gender reassignment surgery. "After almost a decade of fighting," she wrote, "thru prison, the courts, a hunger strike, and thru the insurance company—I finally got surgery this week." In March 2019, in the context of medical care provided during her re-incarceration, the news media continued to report that she had undergone gender reassignment surgery. In a declaration to the United States District Court for the Eastern District of Virginia filed on May 6, 2019, Manning formally attested that she underwent gender confirmation surgery in October 2018.

Prison life

In March 2015, Bloomberg News reported that Manning could be visited by only those she had named before her imprisonment, and not by journalists. She could not be photographed or give interviews on camera. Manning was not allowed to browse the web, but could consult print news and have access to new gender theory texts.

In April 2015, Amnesty International posted online a letter from Manning in which she described her daily life. "My days here are busy and very routine," she wrote. "I am taking college correspondence courses for a bachelor's degree. I also work out a lot to stay fit, and read newspapers, magazines and books to keep up-to-date on current events around the world and learn new things."

Also that month, Cosmopolitan published the first interview with Manning in prison, conducted by mail. Cosmo reported that Manning was optimistic about recent progress but said that not being allowed to grow her hair long was "painful and awkward ... I am torn up. I get through each day okay, but at night, when I'm alone in my room, I finally burn out and crash." Manning said it was "very much a relief" to announce that she is a woman and did not fear the public response. "Honestly, I'm not terribly worried about what people out there might think of me. I just try to be myself." According to Cosmo, Manning had her own cell with "two tall vertical windows that face the sun", and could see "trees and hills and blue sky and all the things beyond the buildings and razor wire". Manning denied being harassed by other inmates and claimed some had become confidantes.

Writing

In February 2015, Katharine Viner, editor-in-chief of Guardian US, announced that Manning had joined The Guardian as a contributing opinion writer on war, gender, and freedom of information. In 2014, The Guardian had published two op-eds by Manning: "How to make Isis fall on its own sword" (September 16) and, "I am a transgender woman and the government is denying my civil rights" (December 8).  Manning's debut under the new arrangement, "The CIA's torturers and the leaders who approved their actions must face the law," appeared on March 9, 2015.

In April 2015, Manning began communicating via Twitter, under the handle @xychelsea, by using a voice phone to dictate to intermediaries, who tweeted on her behalf.

Suicide attempts

On July 5, 2016, Manning was taken to a hospital after what media sources characterized as a suicide attempt. The following week, Manning confirmed through an attorney statement that she had attempted to end her own life. On July 28, 2016, the ACLU announced that Manning was under investigation and facing several possible charges related to her suicide attempt. She was not allowed to have legal representation at the disciplinary hearing for these charges. At the hearing, held on September 22, she was sentenced to 14 days in solitary confinement, with seven of those days suspended indefinitely. Manning emerged from solitary confinement on October 12, after serving seven days; she said that she was not given the opportunity to appeal the ruling before being placed in solitary.

In an article following her recovery, entitled "Moving On", Manning reflected on her change in identity, wishing people to see her no longer as "Chelsea Manning, formerly Bradley Manning, a US Army Soldier... convicted...", but as a person. She used a selfie from 2008 to accompany the article.

In November 2016, Manning disclosed that she made a second suicide attempt on October 4, 2016, on the first night of her solitary confinement.

Hunger strike

On September 9, 2016, Manning began a hunger strike to protest what she described as her being bullied by prison authorities and the U.S. Government. On September 13, the ACLU announced that Manning had ended the five-day hunger strike after the Army agreed to provide gender transition surgery. The operation, however, was not performed before her release from prison in May 2017.

Post-prison life

In a June 9, 2017, appearance on Good Morning America, her first interview following her release, Manning said she "accepted responsibility" for her actions, and thanked former President Obama for giving her "another chance". She now earns a living through speaking engagements.

Harvard visiting fellowship and rescindment

On September 13, 2017, Manning was named a visiting fellow at Harvard University. Bill Delahunt, acting director of the Harvard Institute of Politics, said: "Broadening the range and depth of opportunity for students to hear from and engage with experts, leaders and policy-shapers is a cornerstone of the Institute of Politics. We welcome the breadth of thought-provoking viewpoints on race, gender, politics and the media." Harvard said Manning would visit for a limited number of events meant to spark campus discussion, and in particular would engage students in discourse on "issues of LGBTQ identity in the military". According to online newspaper PinkNews, this marked "the only LGBT-related fellowship in Harvard history".

The next day Michael Morell, former deputy director and twice acting director of the Central Intelligence Agency (CIA), resigned as a nonresident senior fellow at Harvard's Belfer Center for Science and International Affairs. "Unfortunately," Morell wrote, "I cannot be part of an organization—The Kennedy School—that honors a convicted felon and leaker of classified information ... the Kennedy School's decision will assist Ms. Manning in her long-standing effort to legitimize the criminal path that she took to prominence, an attempt that may encourage others to leak classified information as well." Later that day, CIA director Mike Pompeo advised the university that he supported Morell's decision, and withdrew from his scheduled public appearance that evening at Harvard's John F. Kennedy School of Government. Calling Manning an "American traitor", Pompeo wrote: "While I have served my country as a soldier in the United States Army and will continue to defend Ms. Manning's right to offer a defense of why she chose this path, I believe it is shameful for Harvard to place its stamp of approval upon her treasonous actions."

On September 15, 2017, Douglas Elmendorf, dean of the Kennedy School, announced that Manning had been invited to spend only a single day at the school and that her title of visiting fellow did not convey a special honor. "We did not intend to honor her in any way," Elmendorf wrote, "or to endorse any of her words or deeds ... However, I now think that designating Chelsea Manning as a Visiting Fellow was a mistake, for which I accept responsibility. ... Therefore, we are withdrawing the invitation to her to serve as a Visiting Fellow—and the perceived honor that it implies to some people—while maintaining the invitation for her to spend a day at the Kennedy School and speak in the Forum. I apologize to her and to the many concerned people from whom I have heard today for not recognizing upfront the full implications of our original invitation." When Elmendorf phoned Manning, a member of her support team challenged him to explain why Harvard was so concerned about the title "visiting fellow". The team was alienated by his response, which they inferred suggested she had nothing to contribute. Manning then hung up on the dean.

On September 17, 2017, during a public appearance at The Nantucket Project in Massachusetts, Manning said: "I'm not ashamed of being disinvited. I view that just as much of an honored distinction as the fellowship itself." She added, "This is a military intelligence and it is a police state in which we can no longer engage in actual political discourse in our institutions."

Denied entry to Canada

On September 22, 2017, Manning was denied entry to Canada from the United States because of her criminal record. According to a letter from Canadian immigration officials, posted online by Manning, she is inadmissible due to being convicted of offenses equivalent to treason in Canada. Manning told Reuters that she had planned to vacation in Montreal and Vancouver, but was stopped at a Quebec border crossing by the Canada Border Services Agency on the evening of September 21 and detained overnight. She said she would retain a Canadian lawyer to challenge the inadmissibility finding before a Canadian tribunal. In October 2021, appearing virtually at an Immigration and Refugee Board hearing to determine her admissibility, Manning called the four-year process to visit Canada "exhausting." When questioned by the adjudicator, Manning did not go into detail about what she leaked because she is bound by a non-disclosure agreement with the U.S. Government. The two-day hearing concluded with the adjudicator indicating a final written decision could be expected in 2022.

Restriction on speech

During an October 8, 2017, appearance at The New Yorker Festival, Manning said she is legally unable to speak about certain details concerning her leaks, confirming a July 2017 post from her verified Twitter account saying "technically, i cant [sic] read, comment on, discuss, or even look at any leaked material, even if it was after 2010".

U.S. Senate candidacy

On January 11, 2018, Manning filed with the Federal Election Commission to run for the U.S. Senate in Maryland. On January 18, Manning filed with the Maryland State Board of Elections to challenge the state's senior senator, two-term incumbent Ben Cardin, as a Democrat in the June 26, 2018, primary election.

On February 1, The Washington Post raised questions about Manning's eligibility to run. "While her case is on appeal," reported The Post, "she is on a technical form of unpaid active duty, putting her political campaign at odds with Department of Defense regulations that prohibit military personnel from seeking public office." Military law expert Eugene R. Fidell of Yale Law School considered it unlikely the Army would take action against her, saying, "Services don't like to create martyrs." On February 2, Manning commented: "This is an issue that's cropped up mostly from the conservative blogosphere, and the campaign and we don't believe this is an issue at all. ... I've been issued a dishonorable discharge, and I'm not sure where the issue lies in this case." She also confirmed that she was still appealing her court-martial sentence.

In mid-February, she said she had no plans to run television ads, explaining, "I can't stand watching campaign ads. We don't need to go to these old-media methods." Commenting on her opponent, 74-year-old incumbent Ben Cardin, she stated, "He's old hat. He's kept this establishment going."

In May, Manning told the Associated Press that she did not, in fact, consider herself a Democrat, but wanted to shake up establishment Democrats who were "caving in" to President Trump. The AP noted that, despite having raised $72,000 during the first quarter (compared to the incumbent's $336,000), "The candidate has barely made an effort at tapping sources of grassroots enthusiasm outside of activism circles. And it's easy to find progressive Democrats who feel her candidacy is just a vehicle to boost her profile." Manning said she would not run as an independent should her primary bid fail.

On June 26, 2018, Manning finished second among eight Democrats vying for their party's U.S. Senate nomination in Maryland's primary election. Manning received 5.8% of the votes. Incumbent Ben Cardin won renomination with 80.4% of the votes cast.

Shortly after the polls closed, Manning posted a statement on her campaign website. "Over the past several months," she wrote, "it has become clear that my experiences have taken an enormous toll on my physical and emotional health. I stepped back from campaigning to prioritize my own well-being." She thanked "the more than one thousand individual donors who generously contributed to our campaign," and "our team of hundreds of volunteers." But, she added, "after spending hours and hours knocking on doors and making phone calls, I'm convinced that the change people truly need goes beyond what our corrupt two-party system is willing to offer."

Interactions with far-right social media figures

On January 20, 2018, Manning attended "A Night for Freedom" hosted by far-right social media personality Mike Cernovich at the nightclub FREQ in Hell's Kitchen, Manhattan. The party was billed, in Cernovich's words, as a "gathering of patriots and political dissidents who are bored with mainstream political events", and included right-wing figures such as Gavin McInnes, James O'Keefe, Lucian Wintrich, and Jack Posobiec. According to The Washington Post, Manning's attendance infuriated the far-left. "What followed," The Post reported, "was an overheated Internet tug-of-war between opposite sides of the political spectrum, each accusing the other of co-opting Manning, while her intentions were relentlessly picked apart." Manning afterward stated that she was acting as a double agent, infiltrating the alt-right to gather information and insight about alt-right rally plans.

After first getting in touch with Cassandra Fairbanks—an admirer and writer for the right-wing website The Gateway Pundit—in September 2017, Manning tapped into Fairbanks's close ties to D.C. area alt-right media influencers. In December 2017, Manning participated with Fairbanks, Posobiec, Wintrich, and others in Escape the Room DC, and spent an evening drinking and playing Cards Against Humanity at Wintrich's apartment with him, Fairbanks, and others. "I viewed this as an opportunity to use the celebrity and fame I've gotten since getting out of prison," Manning told The Daily Beast in January 2018, "to gather information and to ultimately find ways in which we who are against the alt-right can undermine the alt-right." She added, "The thing in all this that I've learned is that they don't actually believe the things that they say. I just feel they're opportunists and that they exploit their Twitter followers' fears." Manning acknowledged, however, that these incidents left many of her own supporters feeling betrayed. "People have every right to be confused and hurt by this," she said. "Regardless of good intentions, I leveraged my privilege to gain access to spaces others couldn't dream of entering safely. I never meant to hurt my supporters. No amount of information on the alt-right is worth losing the trust of my supporters."

Tour of Australia and New Zealand

In August 2018, the Government of Australia refused to issue Manning a visa to enter the country, where she was scheduled to make a series of public appearances. The company arranging Manning's speaking tour said it would appeal the decision, taken under s501(1) of the Migration Act, which authorizes a minister to refuse a visa on character grounds. The Department of Home Affairs specified that Manning did not pass the character test because of her "substantial criminal record". On September 2, Manning spoke as scheduled at the Sydney Opera House except that she appeared onscreen live via satellite from Los Angeles.

On August 31, Immigration New Zealand granted Manning special direction to apply for a work visa to enter New Zealand, stating there was "no reason to believe Ms Manning would not comply with the terms and conditions of any visa issued". Due to her previous convictions for espionage and other offenses, Manning is subject to character provisions of the Immigration Act. Manning had plans to tour Auckland and Wellington on September 8 and 9. Prime Minister Jacinda Ardern defended the New Zealand Government's decision to allow Manning entry, stating that "we are a nation that allows free speech". By contrast, the center-right National Party had called for Manning to be banned from entering New Zealand on national security grounds due to her espionage and computer fraud convictions.

Career as network security consultant

In August 2021, Forbes reported that Manning had been contracted to conduct an information security audit with Nym, a Switzerland-based for-profit cryptocurrency startup "to send data anonymously around the Internet using the same blockchain technology underlying Bitcoin." Nym's CEO said, "We'd be happy to have her stay on after the audit in whatever form she wants, but right now we need everyone laser-focused on securing our code."

COVID-19

On September 14, 2021, Manning tested positive for COVID-19. She reportedly exhibited mild symptoms and would be quarantining until October 1, 2021. Manning, who had previously been vaccinated, issued a statement that "vaccines work, masks work, testing works, healthcare is a right, and we all need to support each other."